4,145 Royalty-Free Audio Tracks for "One"

Music i made in garageband for something called victors crypt. I made 2 versions of this tune. This one is a bit more gritty, dirty. Would fit something spooky and mysterious maybe. Hope you like it!. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

Recorded with only a small digital video camera at a cafe in pushkar, india. As i sat by the lake one afternoon, two indians sat down on the ground in front of me and began playing this and singing. There is background cafe noises and the odd motorbike going by and beeps, people talking and its not great quality but, someome may like it. . . It is as natural as you can get, raw sounds of india!(unfortunately, i have no idea what they are saying, id love to know if anyone could translate it?)recorded september, 2012.

Vocal, speaking, and audio snippets of interviews of visual artists that i did as part of a collaborative music project in 2018. The idea was to chop up and use these samples for a trance / punk form of music - which we jokingly called prance music. I used some, but never released any music with it in the end. Maybe one day i will, but in the meantime - i hope you can find some use of these.

A simple the tune melody i made in garageband for something called victors crypt. It's just one synth-sound with additional sound in the background. Could be used for something eerie, scary and evil. In the background to make a suspence feeling perhaps?. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

[retro_adventure_vibe_01. Wav]. Retro adventure vibe! short but effective, and can be used effectively. Sounds dark and troublesome compared to the previous one. Reminds me of games from back in the days, times when games like golden axe and altered beast were popular. This sound can for example be used in games - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

At cmu, there is a building with a really long hallway that has amazing acoustics. In this experiment, i set up a feedback loop. On one end of the hallway, there is a microphone connected to a laptop. On the other end, there is a speaker connected to another laptop. The two laptops are connected via skype calling. I play with my speaker's built in eq, and play my violin to stimulate the resonant frequencies of the hall. A better set up would be to use better equipment directly connected to each other, and have a stand-alone eq to independently control what resonant frequencies are playing.

Sounds from the following packs where used as bases for the creation of this pack, then i used audacity and renoise to layer and process the samples. Http://www. Freesound. Org/people/pjcohen/packs/8851/http://www. Freesound. Org/people/sandyrb/packs/2265/http://www. Freesound. Org/people/quartertone/packs/8588/http://www. Freesound. Org/people/theriavirra/packs/16665/http://www. Freesound. Org/people/cbeeching/packs/4857/http://www. Freesound. Org/people/zgump/packs/6172/http://www. Freesound. Org/people/walter_odington/packs/1583/http://www. Freesound. Org/people/quartertone/packs/8491/http://www. Freesound. Org/people/alteration/packs/12139/.

An m4 carbine being fired in short bursts, great for supressive fire. Created in audacity by taking a. 223 gunshot (recorded on a private firing range), adding more bass and amplifying the sound, and then adding shells dropping by adding in the sound of rattling silverware, and finally adding a bit of echo to finish it off. Features that heavy bass thump of a powerful assault rifle with shells ejecting and falling to the ground. I couldn't find any other sound quite like this so i created one. Enjoy!.

Water rolling down a creek, over rocks and around a fallen tree, in stereo, with the water sounds moving from one ear to the other ear. We got in the van and drove down a rural road in arkansas, united states. On the side of that road, we found whittington creek. We continued and found where this creek enters a man-made underground tunnel in the city of hot springs. This sound is used in the beginning of a 7-minute video of our adventure:http://elingreso. Com/2013/06/01/whittington-creek-and-city-park-underground-water-tunnel/.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

It was raining one night so i used a sony px720 digital voice recorder to catch some hopefully cool atmospheric type sounds. I placed the recorder next to my apartment window and stepped away for a few minutes. My window is situated right next to a rain-gutter so you hear the rain hitting the pavement along with the rain flowing down the gutter. You also hear four different cars drive by during the recording. Well that's about it hopefully these sounds are of some use to people.

Shaking different water bottles, one has lots of soap and water in it, another has alcohol, another has a bit of water and a little soap. . . Http://upload. Wikimedia. Org/wikipedia/commons/thumb/c/c2/water_bottles. Jpg/512px-water_bottles. Jpg. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

One meter wide, dead-end alley in my down-town city. At the end of the street is the main shopping street. The bird you hear are sparrows arguing. I'm sitting in the half away the small street with the headphone on and suddenly this man with a trolley came from behind. Not good for my health. It's a warm day in june 2011. Sony pcm d50 recorder internal mics xy90location: rozemarijnstraatje 's-hertogenbosch, holland.

I have many reasons to be motivated trying to give thanks to him. I happened to focus one day on the prohet ezekiel. The book starts with describe kinda dream hje had. He he ard a tremendous roar and he saw god's "spacecraft" landing somewhere in today's iran. He described a vehicle that god uses for importantr matters. My sound is maybe better to be connected with 500,000 ton oil tanker. However, i decided to make the feeling 0f a enormous powwer, coming from the lord himself. So, enjoy this several minutes long file. I could see a smile in god's face, b ut he said nothing.

Autorickshaw: a field recording made in bangalore india, of a ride home in an autorickshaw. This was long before the days of electric autorickshaws (~year 2000), so the recording is the sound of the nasty, polluting-well-above-its-weight two-stroke petrol-engine variety. I was going home from a night out with with several friends spread out over three autorickshaws and sometimes you can hear the others in the recording. (the picture is not the actual autorickshaw in the recording, the photo is from pakistan. I didn't get a photo of the one in the recording, but you get the idea. ). Recorded on sony minidisc.

This is one of the very few canarian permanent waterfalls. It is located in los tilos forest, a biosphere reserve within las nieves natural park in la palma (canary islands, spain). It's about 25 meters tall and flows into a gorge covered by a thick laurel forest (laurisilva), a tropical ecosystem full of trees and ferns resembling jurassic park. Recorded with sony pcm-d50's stereo mic.

These are taken from my modded behringer bg412s from 2004. I know this is one of the most hated cabs in the world but i gave it 2 celestion vintage 30s. The top speakers are in an angle to the outside. . . So you get something different. It really is a awesome heavy plywood cab. . . No chipwood crap. The irs are mix ready and should deliver a brutal sound. Even: mix ready universal full sound sm57balls: a bit more whoosh sm57brutal: a bit more scooped sm57bruzl: evil black metal shred pyle pdmic75. Have fun!.

In my quest for that perfect sound that i'm looking for, i ended with something that doesn't quite fit the bill. Never the less, i think it has potential in the right hands. One thing i would like to point out is a single glitch at about 1. 907. I spent a couple of hours trying to figure it out. It may be a non-issue to someone that hasn't obsessed over it before, during, and after dinner. Use it and abuse it if it fits your needs. Key: a♭ minoralt key: 1abpm 107 (i had a clip running at 160 just fine).

Various sound effects from children's toys edited together. All are on a low quality speaker, but are usually unique. All spoken word sounds as well as specific things like laughs or animal sounds are in different sounds. They range from real sounds like cowbells and car horns to blings and ascending synth sounding noises for a correct answer. (some tags describe one or two sounds in a long list, so listen to all of them if you're looking for something specific).

This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.

An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07

A parisian fire truck passes about 150 feet away and briefly turns on its siren to make sure nobody overlooks it. Emergency vehicles in france have either two-tone or three-tone sirens. Vehicles to which one must yield the right of way, such as fire trucks, use the two-tone siren. The three-tone siren (not on this recording) is used for vehicles that do not require drivers to yield but should still be given some priority. Recorded with a zoom h4n hand-held, stereo 96 khz / 24 bits, built-in mics, about 150 feet away from the passing truck.

I was bored and made this loop on fl studio. I made this loop using no drum samples. (adding some effects to little motor sound i recorded)=========================================for making this, you mainly need gross beat with drum loop preset on volume (the bottom one) section. I have explained all the presets i used for this in the sound i have linked below. The another loop drum loop i made using this and layering some drum sampleshttps://freesound. Org/people/the_isot_is_back/sounds/640143/. Original motor sound that i used for making thishttps://freesound. Org/people/the_isot_is_back/sounds/640146/.

This is a pack of 92 acoustic percussion samples, made from various instruments sitting unused at my house, djembes, darabouka, maracas, composite pipe, pvc, cardboard and wooden scraps, they are all simply recorded with a cheap sm57 clone from t. Bone using ardour, there is no special editing made except for som noise removal in audacity. I needed a repository of percussive short decay organic sounds for my own projects so i made this pack, feel free to use without mentioning me, although i'm always happy when people send me links of their creations.

Got a group of about 8 people to say "hey!" a few times. Layered all the takes, compressed, and added a touch of reverb. I've used this one a bunch in my own songs. Sometimes, to achieve a convincing gang vocal effect, when i don't have a gang, you can sing your line a few times, and then layer this "hey" under each syllable, and you can get a pseudo-gang vocal. Works in a pinch if your mix is dense enough. I'd love if you'd credit joshua scott or rjc studios if you use this sample, but don't sweat it if you don't. Good artists borrow, great artists steal.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: llvln_trem_a3_v1_rr1. Wavinstrument family: stringsinstrument: solo violinarticulation: tremolonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: livingroommicrophone: 2x rode nt1-a spaced pairperformer: lily lyons.

This wood thrush was recorded around 7:30 in the morning in heavy woods in deep southern illinois. Unlike my earlier posting of the wood thrush singing at dusk, this morning recording has the wood thrush singing with lots of company, although he clearly rises above his neighbors. 17 seconds into the recording you hear the drumming of a woodpecker, and at one-minute 20 seconds into the recording you hear the distinctive-lonely sounding call of the huge pileated woodpecker. Recording made with good-quality stereo microphones so use headphones to get a wonderful experience.

I've used freesound shared sounds for my podcasts since 2020. I needed the sound of a dog wagging its tail on a wooden floor for my latest episode and couldn't find an appropriate one. So i created this sound by talking sweetly to my dog while lying on his side on the floor. The original audio file had more of me talking than my dog wagging his tail. But this is a good summary of what it sounds like when he thumps his tail. And i thought i'd give back to freesound by sharing it. Feel free to use it however you want.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: oboe_stacc_a#2_v1_rr1_main. Wavinstrument family: woodwindsinstrument: oboearticulation: staccatonote: a#3midi note: 58midi velocity (center): 20location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: sam burke.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: oboe_sus_a#4_v1_main. Wavinstrument family: woodwindsinstrument: oboearticulation: sustainnote: a#5midi note: 82midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: sam burke.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: oboe_vib_a#4_v1_main. Wavinstrument family: woodwindsinstrument: oboearticulation: vibratonote: a#5midi note: 82midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pairperformer: sam burke.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: marimba_hit_outrigger_b2_loud_01. Wavinstrument family: percussioninstrument: marimbanote: b3midi note: 59midi velocity (center): 63location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pairperformer: justin b. Belanger.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: glock_medium_c7. Wavinstrument family: percussioninstrument: glockenspielnote: c7midi note: 96midi velocity (center): 63location: durham, ctroom type: band rehearsal roommicrophone: 2x sm-57 spaced pair, 1x akg pro 37 overheadperformer: sam gossner.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: anvil_hit1_v1_sum. Wavinstrument: percussionnote: f#4midi note: 67midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, at pro 37's overhead, se2200aii closeperformer: justin b. Belanger.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: timpani1_hit_v1_rr1_sum. Wavinstrument family: percussioninstrument: timpaninote: f2midi note: 42midi velocity (center): 40location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: sam gossner.

Enormous comedic crash created by layering a number of sounds. Includes an angry cat. Used for a production of one man, 2 guvnors. Sounds used:http://www. Freesound. Org/people/alvarojmarquez/sounds/58608/http://www. Freesound. Org/people/cgeffex/sounds/92347/http://www. Freesound. Org/people/rock%20savage/sounds/59263/http://www. Freesound. Org/people/northern_monkey/sounds/185244/http://www. Freesound. Org/people/fatlane/sounds/92019/. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Okay, about this small bibliothek there is a story to tell. Maybe a year ago my mother phoned me and asked if i could give her a hand because the door to her kitchen was squeaking. After work i went to her, went down to the cellar, took the can with the lubricating grease, went upstairs and made my mother happy. Then i putted the grease back and went upstairs. Whe sat down, drank a cup of coffee. Then i had to go to the toilet andnoticed that the toilet door was squeaking too. So i went down to the cellar again and took once again the grease. Now i thought, before i make the stairs again, i'll show if any other thing in my mothers house is squeaking. It was terrible! i swear, never in my entire life i've been in a house where so many different things were squeaking so impassionated. First off all i went back to my car and took my cheap dictaphone i use for work. And before i putted grease on those squeaking things i recorded them. Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx. So this are really historic sounds! none of them exist anymore in the real world!. Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx. But. . . When i heard through them later i was disappointed of the bad sound quality, cutting out higher ond lower frenquencies of the rich spectrum of those "neeeeiiiks" and "uiihggs". During winter holidays i processed them first with the audacity noise reduction - then with other tools. The result gives an unreal impression of the original sounding, they have now some "synthetic" touch - but makes them probably usable for funny films or comic-likeeffects. All the sounds in my "big squeek pack" where recorded in one afternoon and all in my mothers house. "tension-sounds" for example are nothing else than a junker (tin can? - sorry, my english) moved from one side of a wooden shelf to another, meanwhile my dictoaphone was laying in the junker. I don't ask to credit me - but if you make use of one of these sounds and create something funny with them, please let me know. . . So i can show it my mother too. Thank you.

A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Sound made by a small electric motor cranking and reversing a lever (on an infant's glider/sleeper). This take has multiple repeats of the sound (a different take i have here provides just one repeat of the sound). If you pitch-shift this down about six steps and add a metal/plate/hall reverberation effect, it sounds remarkably like a sound you hear in the carbonite chamber scene in the empire strikes back :). This was recorded with a sony icd-st voice recorder held next to the glider, then noise removed with an audio tool, then normalized. I request but don't demand credit to me (richard alexander hall) for any use of this sound.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_susvib_a#3_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: vibrato sustainnote: a#4midi note: 70midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

Imagine you just landing on an unfamiliar planet, where the local on the planet is just some unpopulated area with a open wide field or jungle. You don't see any one, or anything, but either dust,trees, grass, or a vacant road. While your wondering through this place you also notice that that nightfall is approaching, and you can see the moon and the starts of this planet. This synth patch is just the sound for that, a drone bass synth patch used to create some imaginary audience feel that would lead you or someone to be driven to madness. This patch was made in massive.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

1 looping envelope and 2 vclfos in a dance (chain connected). I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with one of the vclfos in vco-mode. After about 17 sec i swith to lfo-mode. Records and hope that a pattern should emerge. I have been listening, and looking at the wave form, in different modes, but i'm not sure if there is a pattern in this recording. . . Maybe to advanced for me. There is - some -sort of pattern repeating every 22 sec. Or?.

I needed a very specific brand of lollipop with a chocolatey center for a short film i'm working on. None of my library crunch fx sounded right, so i chomped into one myself. Just call me mr. Owl. Recorded on an iphone, about an inch from my face. Just a single crunch edited to have a little extra tail. The effect came out as a satisfying crunch with decent low-mid range. Could be pitched down a bit to act as bones, or maybe a small to medium sized tree branch. I may record more of these after i visit the dentist next.