36 Royalty-Free Audio Tracks for "Pass Gas"

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00:02
This is a real fart sound, not a fake one.
Author: Wkg
00:00
00:01
A small poot, processed with audacity for more consistent tone and volume.
Author: Jixolros
00:00
00:01
A small poot, processed with audacity for more consistent tone and volume.
Author: Jixolros
00:00
00:01
A quick, soft poot. Processed with audacity for more consistent tone and volume.
Author: Jixolros
00:00
00:04
An sm-57 used to record the sound of a fart.
Author: Robmoth
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00:02
A quick, unusual sounding poot. Processed with audacity for more consistent tone and volume.
Author: Jixolros
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00:02
An abrupt, trumpet-like poot. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:02
A relatively long and forceful poot. Processed with audacity for more consistent tone and volume.
Author: Jixolros
00:00
00:01
A quick, airy, dry sounding poot. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:03
A real poot that sounds like a raspberry. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:03
A real poot with a forceful, trumpet-like sound. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:08
A real poot lasting about 6 and a half seconds. Processed with audacity for more consistent tone and volume.
Author: Jixolros
00:00
00:02
An unusual, almost musical poot (fart). About a second long, processed with audacity for a more consistent tone and volume.
Author: Jixolros
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00:02
Another poot with a sweeping pitch from low to high. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:02
An abrupt, forceful poot (fart) that sounds a bit like a trumpet blow. Processed with audacity for more consistent tone and volume.
Author: Jixolros
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00:02
A real fart that sounds much like a bullfrog. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:04
A "slipped out" kind of natural poot that has a slight raspberry quality. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:04
An unusual sounding poot with a squishy quality but not too wet sounding. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
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00:02
A quick poot that dips and rises in tone with an interesting squeak at the end. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:02
A natural poot (fart) with a more or less linear shift from higher to lower pitch. Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:07
A long, squeaky, almost metallic-sounding toot that ends in an upsweep to a high pitch. Completely real, processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:03
My first upload might as well be a fart.
Author: Squallar
00:00
00:01
Acchidentally recorded this fart while mic was on, a bit noisy but i think in can be cleaned quite nice,.
Author: Edfuentesg
00:00
00:10
This is as named, how i made these is not important. Ideally i imagine these appearing in a victorian period drama.
Author: Leemuffin
00:00
00:13
This is as named, how i made these is not important. Ideally i imagine these appearing in a victorian period drama featuring benedict cumberbatch.
Author: Leemuffin
00:00
00:02
A poot recorded with relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:10
This is as named, how i made these is not important. Ideally i imagine these appearing in a victorian period drama featuring adrien brody and sam neill.
Author: Leemuffin
00:00
00:06
An amazing 3-second poot with a music-like sound (trumpet). Relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.
Author: Jixolros
00:00
00:04
A series of 5 short, natural poots, aka. Farts, separated by about a half-second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.
Author: Jixolros
00:00
00:08
A series of 5 short, natural poots, aka. Farts, separated by about a second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.
Author: Jixolros
00:00
00:07
A tasty bean fart sound effect for all your gross needs and what not. Listener discretion is advised if you dont think its funny im sure your kid will.
Author: Untitled
00:00
00:16
A sci-fi like sound effect, made for a feeling offear washing over someone. Could be from something lookingback at you, or maybe something passing by you etc. . . Created from a heavily editing recording of thewall gas heater in my home. -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.
Author: Colorscrimsontears
00:00
00:05
The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.
Author: Niedec
00:00
00:37
A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Author: Kbclx
00:00
00:04
This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.
Author: Niedec
00:00
07:20
Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Author: Kbclx
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