98 Royalty-Free Audio Tracks for "Pink"

Sunset Pink Clouds by Monplaisir

Please check out the new and improved version 2 now!. Https://freesound. Org/s/403326/. Simply log in and slam that download button. Free to download and distribute!. Created completely from end-to-end with open-source software. What i present to you is a high quality ipod ready cd-length track of extremely "soft"- toned noise. Helps with many sound pollution problems and audio-stimulus problems such as: sleep, concentration, tinnitus, headaches, and so much more!. The goal of this project was to bring the listener some aid in life and because of the success of this file i have released a softer version for listeners who prefer it:. Https://freesound. Org/s/403326/. Thank you all for the 1,000+ downloads!!!if this has helped you, please leave your story and feel free to share a link to this all over the web to help others in need.

The new and improved ultra-soft noise v2 is here!. This has been optimized for itunes and other audio players. The file includes full tags and album art - 320kbps mp3. Simply log in and slam that download button. Free to download and distribute!. Created completely from end-to-end with open-source software. The audio has been updated to higher quality:3x the noise of the previous version, but with a slightly softer tone to increase effectiveness. Over 100 separate streams of noise was generated to create this. (v1 used 21 streams in 44khz/24-bit in a v0 mp3)the entire project was created, mixed, and mastered in 96khz/32-bit float. This file is limited to 1 hour because the use of a larger bit-rate and the amount of noise used. Helps with many sound pollution problems and audio-stimulus problems such as: sleep, concentration, tinnitus, headaches, and so much more!. If this has helped you, please share your story in the comments below and feel free to distribute this all over the web to help others!. I am leaving the original file https://freesound. Org/s/132275/ online for those who prefer it's tone and texture over this - v2 is a smoother and more relaxing texture.

Pink noise filtered for low frequency purposes.

Filtered pink noise and four different envelopes. Created with audacity.

Standard transition sfx. Created with pink noise + reverb.

Mixture of s&h; modurated pink noise and white noise.

Now you don't have to steal wind sounds from pink floid.

Plugging in a microphone on a computer3. 5mm pink audiojack.

Small wide waterfall on river, white-noise. Stereo spaced em172s.

Modulated pink noise. Software: pro tools / audacity / ocenaudio. Your comments are greatly appreciatedcheers, piotr zaczek.

Created in audacity. A 2000hz sine wave with a tremolo effect and some pink noise.

A synth loop that may possibly have too much pink noise.

Slow, pink noise-like, wind in trees (2007). Minidisc recorder with sony ecm-ds70p.

I've created a snare from pink noise with voltage modular, added some spring reverb and a bit of distortion.

Loopable sample of electrical system noise (caused by impedance mismatch on a recorder's gain stage. Neither white nor pink in quality.

I've created this sample with voltage modulare. It's a pink noise with some spring reverb the note that i've played is a g.

Recorded january 2013 at a beutiful pink salt lake in western australia.

Useful for that huge drop in your latest club smash?. It’s really just comb filtered pink noise, but i like it. Have fun.

Really simple combo of a heavy wah effect on some pink noise with a little extra phasing thrown in for color.

Handheld salt grinder intermittently crushing pink himalayan rock salt. Crunching and crushing noise, grains falling on napkin. Recorded using a tascam dr-40x pcm recorder.

Captured in a small she-oak forest on the edge of pink lakes, a salt lake in murray sunset national park , victoria australia. The wind sings beautifully through these trees. Recorded with a ms set up using a sennheiser 416 paired with sennheiser mkh-70 into a zoom h4n. I then synced this up with another recording from a different position using a zoom 4n.

From squid gamefollow me on : blue hoddie gaming channel.

Recording someone typed on a keyboard, inverted sense and put an effect echo, wahwah and fade in. Generate à pink noise with a earning to -30db, and put a fade in and fade out. Normalize all to 0db.

Single clap in a tiled shower with open glass door in a small bathroom with closed door. Recorded with zoom zh1, denoised with izotope rx2, matched to pink noise.

Single clap in a tiled shower with open glass door in a small bathroom with closed door. Recorded with zoom zh1, denoised with izotope rx2, matched to pink noise.

A cutesy musical loop with chimes and whatever that plucking instrument is! you could use in a video game! made in 2014 in mixcraft 6.

An ambient steam sound i made for a project. It is made with audacity and is a pink noise with 0,3 amplitude with a phaser. I made this myself and you can use it wherever you want.

Recorded a clap in my bathroom with no shower door or curtain with a zoom zh1 @ 96khz 32bit, denoised with izotope rx, flattened spectrum slightly by matching with pink noise.

Created only with audacity and magix. A few sawtooth waves with slow tremoloand a lot of high pass filtering and pitch-shifting. I added filtered pink noisefor the background noise and to make it sound more naturel.

Patch on a large modular analog synth, mainly doepfer but with some sputnik and intellijel modules. Sounds very arp 2600-ish, a soundcape reminiscent of birdsong and tweets. Mainly tuned filters seeded with pink noise.

A mixture of different noise types (pink and white) to create a looping, static-like sound. Could probably be used for lots of games or animations, especially sci-fi ones. Uses the "zero" (no credit) license.

This is a sound effect i generated that simulates the background noise of a vhs tape from ca. 1991. It is basically pink noise at approx. 0. 01 dbs and sawtooth wave at 60 hz, both combined with audacity. It is ideal for adding to video projects on i. E. : sony vegas to recreate the effect of vhs. Enjoy this sound effect.

Built on 'synthetic kick drum' with the following differences:. - subtle spatial stereo addition starting from 105 hz- slight adjustments in individual frequency bands to emphasise sound characteristics- pink noise at below -68db for own frequency adjustments- additional slight warm coloration- sending the kick through the neold v76u73 compressor for additional subtle sound distortion without any compression.

Recording of noise produced by unplugged microphone jack on my computer. Weird whistle sound moving from 6. 5 khz to 15 khz randomly with pink noise on background. Removed dc part of the sound and normalised with audacity. Sound was cut to make it loopable. Feel free to use it in short movies, games, etc. Just include a comment below and give me credit if used in game (i do not take a care on movies). . .

The giant 1000 liter wine tank at red maple vineyard in the hudson valley - west park, ny. This sounds amazing for "old vocals"a very springy plate tank reverb. Complex and colorful. White and pink noise was played through two speaker exciter transducers attached the outside of the tank. 12gaugemicrophones black212 blumlein microphone inside the tank into behringer xr18, logic pro. Feel free to use as you like but please do mention the source if you can. @manysounds.

1st track :generate a pink noisedelete frequencies up to 2khz with the equalizershape a crescendo - decreshendo envelope. 2nd track :generate few very low frequencesmake it alternate four times betwin high and low strength with envelope toolapply a compressorput a decrescendo envelope. 3rd track :generate a 300hz sinusput an envelope with an agrssive attack and a rapid end (0. 1s length)make it correspond with the end of the second low echo (track 2)generate the same sound, lower, with a 600hz and 1200hz sinus, corresponding respectively to the third and the fourth low echo.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

I used 2 low frequency operators (lfo) on a low pass filter (24db) on a generic pink noise sound with medium resonance settings, one of these lfo's was manipulating the other one with a random ramp, to make it sound more diverse and realistic. I put an aditional long envelope on the q (resonance) also, not to mention some chorus at a low tempo to make it kinda binaural with a stereo delay at a short time setting. . . I hope you enjoy it!.

A wicked tune i made in garageband for something called victors crypt. Played it on organ, drums, guitar and more. Was aiming for a thrilling groove and a spooky atmosphere. Could be useful for basically anything except babies and pink unicorns. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subsxribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Five minutes of rain, artificially created. Using a blue yeti usb condenser mic on the cardioid pattern, i made a 30-minute recording of sounds from my sink (drips, splashes, different faucet pressures) and cut them up into 60 files, later edited down to 20. These were layered together and mixed with white, pink, and brownian noise. Slight noise removal done. Recorded some basic mic noise, and used a subtractive processor (reafir in reaper) to remove that sound from the final mix. Convolution reverb was added for a fairly realistic set-it-and-forget-it option. I've uploaded a dry version as well.

Five minutes of rain, artificially created. Same mix as my other "five minutes of rain" upload, but without the reverb in case you want to add your own. Process:. Using a blue yeti usb condenser mic on the cardioid pattern, i made a 30-minute recording of sounds from my sink (drips, splashes, different faucet pressures) and cut them up into 60 files, later edited down to 20. These were layered together and mixed with white, pink, and brownian noise. Slight noise removal applied. Recorded basic mic noise, and used a subtractive processor (reafir in reaper) to remove that sound from the final mix. .

Here is a simple yet usefull reel for your morphagene. I sampled various noise source from various modules to be used into my shared system, as this instrument does not contain any classic one. This reel is arranged like this:splice 1 : left = white noise / right = pink noisesplice 2: left = metallic noise / right = digital noisesplice 3 : left = tuned noise 1 / right = tuned noise 2splice 4 : left = tuned noise 2 / right = tuned noise 3splice 5 : left = tuned noise 4 / right = tuned noise 5splice 6 : left = tuned noise 6 / right = tuned noise 7splice 7 : left = downsampling noise sweep / right = fluctuating random noise sweep. Most sound comes from the verbos electronics random sampling module. The tuned noises are made of white noise fming the verbos harmonic oscillator, each are one of the eights harmonics being recorded. Enjoy !.

I don't often go for fast food, but my bf thinks it's great. So; the counter girl looks exceedingly odd, as in pink hair, hook nose, wild eyes, no boobs, etc, and he orders what he wants with something at least close to this sound. She smiles and nods. He claims he got what he wanted. . . A big mac, no pickle. I asked him to repeat his order for my recorder. Three times. He did. All three were identical. It's possible he knew her and it's an inside joke. Or, maybe what he got was the default when they can't understand you. He is a linguist, which does not prove he spoke a real language. He also looks a little strange which does not add up to proof he's a venusian. That's what he said it was, and i couldn't stop laughing. It does prove he's entertaining, and he's pretty weird.

Things may be closed but tennis courts still work, and she was dressed for it. The hallway we walked through after, was empty. A lot of them are lately, we used this one. "after" was that once she finished, the visible front door gave her pause. I wasn't done, so we continued with her chest on a desk in the first open room we came to. More daylight in there, too. From the hallway we wouldn't have been seen. I decided not to tell her about the mixed-gender group of five that gathered at the window for a while, nearly two meters away to intently watch us making more of these sweet penis-in-vagina sounds, gathered by my phone, edited in audacity. Her ass was up high and her sunlit, flexing pink point of penetration very visible to our audience, and it didn't take me much longer. Sadly. Tried to make it last. I was wearing my lowered shorts and a bit of a smile. If she'd had a mask on, it would have been the only thing.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

This is my recreation of the noise in the background of a video shot on a consumer grade minidv camcorder (a well used one). I haven't had a minidv camcorder on hand for a few years and nobody i knew would give me a recording of just tape motor noise so i went to create the noise myself. This sound is a combination of a very badly pressed dvd in my computer's drive mixed with a tone made in audacity (up one octave from the tone that the disc ended up creating), all mixed down and brought down in volume. I know it's not a prefect recreation, but i don't have a minidv camcorder on hand so this is about as good as i can get it. If anyone has access to an anechoic chamber, a fresh tape, and a well used consumer grade minidv camcorder, please get in touch with me. I'd like the real deal better than my recreation that i did in my spare time. Note on recreating the noise out of hdv camcorders. They have slightly different hardware and as such will create different bearing noise (most times, there's an extra whine on top of the familiar bearing whine heard from standard dv camcorders). I forget the exact frequency, but it's somewhere in the neighborhood of 840hz-860hz and it's a sort of sine wave, but a modest bit more jagged. You'll have to provide your own stock camcorder mic hiss as each camcorder is different (not for definite sure on sony camcorders, but canon camcorders have a pink-ish white noise in about that era).