42 Royalty-Free Audio Tracks for "Post Production"

Recorded using tascam digital recorder / inbuilt mics. Minimal post production.

Small libraries for post-production effects.

Just a simple binaural recording of a post-production facility's server room. No filtering whatsoever.

I create this sound with my mouth and the editing the audio in post production.

Off-cuts from a zombie game advert i redid the post-production on for my folio. Enjoy!.

Recording of me gently moving the bells on an indian brass anklet. Recorded on an akg d5 through audacity, no post-production.

A recording of the superb lyrebird, near bogong village in victoria, australia. Recorded with a zoom h1, post-production done in adobe audition.

Band pass filters applied to a violin improvisation. Nice and ambient. No fades or other additional post production has been done.

A synthesized indicator light. Apply ir to suit interior of choice. Handy for post production where the indicator light is missing.

Recorded by an akg c214, sound devices 302 and olympus ls 100. All gears in flat mode. I have used an izotope noise reduction on post-production.

This is a impact imaging effects used for radio station imaging and post production. Use this for creating jingles for radio. More like this available @ www. Airmedia. Co.

Car alarm recorded on a tascam with an azden shotgun mic, with wind cover. Recorded about 4-6 feet from the front of the vehicle. Audio is straight outta recorded, no post production.

A dark impact sound. Based on a metallic hit, but distorted and with some white noise in the background. Suitable for e. G. Horror films or games. Post-production: eq, distortion, reverb.

A recording of a superb lyrebird, near bogong village in victoria, australia. Note some raindrops falling on the recorder! it was a wet spring day;). Recorded with a zoom h1, post-production in adobe audition.

Raw recording of washing up dishes in the kitchen. For use in post-production of film, tv or game. Contact us for more custom recordings on our soundcloud messenger https://soundcloud. Com/aasounddesign.

Sound i created while working on a post production project of a plane falling. The plain engine sound is mostly a riser and atmos of a construction site. The rattle is a car driving on gravel.

Coal coast bush atmosphere recording featuring the eastern whipbird (psophodes olivaceus) and friends. Recorded with binaural hooke verse wearable microphones and a zoom h1n recorder. Izotope, rx7 de-noise post production. Stereo 24bit 48khz format.

Sound of a roll-up garage door opening. The garage is a standard glass roll-up door. Recorded with a tascam dr-1 with a wind filter. No post-production work was done to the file.

Analog crt tv electronic static noise audio from when i was experimenting with circuit bending and synthesizers earlier this year. Recorded on an iphone using the ios voice memo app. No post-production.

Recorded at an event in bristol uk city hall 2014. Interior, crowd of young people and adults talking and laughing, bongos being played in the background. No individual voices or conversations audible. Recorded on h4n zoom, no post production.

Hey everyone,. Thanks for everything now and throughout the past couple years. I appreciate you all!. Support me : https://bit. Ly/rkb07. Made & edited in fl studio 20 & pro tools 12.

Recorded the sounds with a zoom h1n in my apartment. Snare is a flick with my fingers on a wooden door + added snarebuzz in post production to it, kick is a hit with my hand on the wall produced some nice lows. I had to create an another track for just the transient, but essentially made from the same sound. Hihat is the stove's clicking sound with added reverb. Post production made in ableton live lite with mostly the integrated audio effects, but i also used some free plugins to create this drum loop. I hope you enjoy, it's 100% royalty-free.

Real sound were recorded with rode nt1 with the best gain settings and a spectral denoise post production for the best snri was collecting coins from my table, putting it in hand and the dropping to a heap.

Awen audio design provides post production work for independent filmmakers all over the world. This is one of our raw recordings no treatment. This is an m-s stereo recording and can be decoded with a m-s stereo decoder.

Hey everyone,. Thanks for everything now and throughout the past couple years. I appreciate you all!. Support me : https://bit. Ly/rkb07. Made & edited in pro tools , sfx recorded in h4n pro zoom recorder.

Typing on an unmodded happy hacking keyboard (hhkb) professional hybrid with topre switches (45g key weight). Recorded with a yeti nano while typing 50-word segments at a time on typings. Gg. No post-production. Longer typing session here.

24bit 48khz wav. File recorded on zoom f4 and a rode nt2-a. I was walking along and i saw a cat that was meowing at me and i thought i would record it. The sound file is raw and has not be been run through any post production software.

The ambient recording of the student union at the university of huddersfield made with zoom h6 for a project i was working on - rightontime sessions. Https://www. Youtube. Com/watch?v=ebqxcbvschs. Recording the interview the we didn't capture enough ambience, so it has been recorded later on and add in post-production process.

Recorded with zoom h2n, 4ch mode, some post production with noise cancelling and merge of all tracks into a stereo one due to a problem with my zoom unit. Old methane gas boiler for heating independent apartments. The boiler is one of those models with an open combustion chamber, year 2000 or 2002.

A soft texture for synth pads in a3. Built by layering several sine-wave generators to create the note a and some of its overtones. It was then drowned in reverb. The sine-generators played just a short impulse, what you hear is the tail of the reverb, to give it more richness. Post-production: reverb.

A test tone that can be used for final mix for tv and other similar media. It contains 10 seconds of silence and then 30 seconds of a 1khz test tone (sine wave) with the digital level set at -6dbfs. Uploaded as 24/48 wav for post production work. See http://en. Wikipedia. Org/wiki/dbfs for some details on analogue alignment levels.

Recording of the rotation motor on a dynamic perception motion control rig. Recorded with a sennheiser ew100g3 wireless cardioid mic on a zoom h6. Minimal post production with just a highpass filter to remove some of the very low end sound in the background. Kind of reminds me of the scene where neo leaves the matrix for the first time.

The following soundscape is the result of a capture sequence shot where the microphone is held in a fixed point choosing not to use motion or panning. There have not been used post-production tools used and the chronological development of events is preserved as it was developed during the 11:00:00 and 11:03:30 in the plaza santísima faz located behind the town hall of the city of alicante a tuesday in july 2015. Recorded by a zoom h5 recorderrecorded in 48khz 24bit wave. It would be nice if you share the results of what you’ve done with it. Keeping it aural!.

Your stereotypical wind chime sound effect. Used a lot for transitions into dream sequences and flashbacks in movies and films. I took a very fast recording of someone hitting some orchestral chimes, slowed it down by over 200% and added some harmonic excitement and equalization in post production. Tools used:- usb logitech microphone (no lies, seriously used this $10 mic)- fl studio 12 by image line- vitamin by waves- dynamic eq by izotop. If you'd like me to edit or create any additional sounds for your project, please let me know. I'd be happy to help.

No good, isolated tree branch impact sounds on freesound. . . So i thanos'd it and did it myself! no need to credit me, this is free to use, because what am i gonna do, get famous off of my attribution? no, we came here to share freely, so let's share freely! when we all rise, we all rise. If you really appreciate the work that went into this (cutting tree branches, getting them into my basement, setting up the mic, recording, post-production processing, cleaning up, uploading. . ) then please check out/review/follow/subscribe/drop a like on my podcast, sonic realms (it would help a lot)!. If you like ttrpg roleplaying combined with cutting-edge sound design, you'll like sonic realms. There's nothing else like it!. Thanks! i hope this is useful to you.

Sheridan Square performed by the Airmen of Note of the United States Air Force Band. Track 7 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Small Note Boogaloo performed by the Airmen of Note of the United States Air Force Band. Track 6 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Eagle Eyes performed by the Airmen of Note of the United States Air Force Band. Track 8 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Skyscrapers performed by the Airmen of Note of the United States Air Force Band. Track 5 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .

A snare that i made using multiple samples. I will be using it my band's productions. Information coming soon.