1,133 Royalty-Free Audio Tracks for "Random"

. . . But kind of happy?strange thing done on my modular synth. I use a minor scale for one of the parts. Still it sounds. . . Happy/crazy/unreal. . .

Results from running randomly-generated neural networks (all weights in neuron connections start random and then slowly drift when generating). Although sample rates used are 44. 1 and 48 khz, sounds pretty lo-fi. The reason could be input compression needed for network to actually work. Each sound channel is an output from two separate neurons in the network. Each sample in this pack is generated by a separate network, as they wasn’t saved anywhere after they produce a thing. Global parameters (output compression, neuron count, drift rate etc. ) aren’t the same from sample to sample, too.

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

This is an artificial lifeform. The sound of a worm striving to be free in a hostile ambient. Done for video game sound design , sine tones pitched up and down randomically , then ran through a max granular patch.

Audio of random instruments playing random sounds during a sound check.

Another one with 1 looping envelope and 2 vclfos in a dance. I start the recording with the looping envelope in non looping mode. After about 33 sec i switch to looping-mode. Records and hope that a pattern should emerge. So, what do you think? one more time i switch looping mode off and then on. Cool technique.

Recorded from my yamaha psr. . . I was bored and, this is the result. . . For some reason it reminded me of super nintendo. . . Lol.

Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

Sample and hold fun :-).

Meinl 12 bar chimes swishing randomly. 16 bit 44. 1hz.

This are some randomized horror percussion sounds i made.

An old sample created with a tool i developed with max/msp called "smooth otter".

Mashing on a keyboard to give the impression of typing quickly. Recorded a lg g910 gaming keyboard.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Water dropping on tile and metal drain randomly, with a distinct rythm that slows down towards the end of the file. Recorded with zoom h4n embedded mics, quickly edited on protools for gain, noise reduction and artifact removal. Still a little noisy, though.

Recorded radio signal using software defined radio (sdr) around 450 mhz. The sound is the result of demodulating a larger signal using cw-l mode in gqrx and skipping through the band with the signal. Therefore this sound has no real meaning it's just a part of a larger signal.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

This sound is an alto sax playing random crazy sounds.

Dont ask why this is named like that lol, made using a lot of layers but the fundamental of the snare is synthesized, distorted the first miliseconds of the sample to make an snappy transient and make it cut throught the mix. For the process i used analog modelled plugins such as exciters, tube saturators, preamps, coloring eqs, and compressors alongside with some digital modelled plugins such as camelcrusher, transient shaper and sliceeq both by kilohearts, the compressor mjucjr ny klanghelm to amplify the waveform of the sample and finally a clipshifter plugin, which i love it, to limit the snare aggresively.

Woahhh a sound with wild dynamic and frequency width. Can you say "frequency width"? anyway, modular bleeps and bloops for you!.

The is a constant electronic drone generated by a program i made for the purpose of creating this tone. The tone is clipped and has random amplitude variations.

Latin percussion beat.

. . . Minimal bleeps and bloops. . .

Analog modular synth generative nonsense.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.

A bi-product sound. Strange enough.

I run my program 3 times and recorded. Joined, panned, added reverb and fade out. -----------------------------------import randomimport winsoundant = 1while ant < 25:ton = random. Choice([131, 165, 196, 247, 65, 262, 330, 392, 494])# c = 65. 41# c = 131. 8 : e = 164. 8 : g = 196. 0 : b = 246. 9# c1 = 261. 6 : e1 = 329. 6 : g1 = 392. 0 : b1 = 493. 9dur = random. Choice([2000, 3000, 4000])# duration in millisecondsprint ton, durwinsound. Beep(ton, dur)ant = ant + 1-----------------------------------.

Interesting interference sound made with analog modular synth.

Got accused for having copied "kid caprice" by wax doctor with this patch/sound. Lol. Soundcloud-bot-fail!.

Quick arpeggiator. Played on the keys. Could be used for a loop or whatever your heart desires.

This is a weird screaming sound i made. It must be used for strictly for fnaf fan game jumpscares.

Okay i', trying the "toggling sample & holds" patch athttp://www. Doepfer. De/a100_man/a100_patch. Htm. Don't know if i'm doing the right thing. . .

Nlc timbre! happiness! it works! i assembled this module a year ago. Never worked. Put it in a drawer. Now it works. Rent my drawer. . . 98,7% true!.

I found two melodies in gis_sweden's excellent "you deserve it - friday randomness ii"http://freesound. Org/people/gis_sweden/sounds/362508/. And quantized them into a 92 bpm 4/4 thing. Each melody is presented panned, with and without a beat, then simultaneously. It's sort of an accidental counterpoint. I also messed up his nice analog sound into some harsh digital junk. There's a lot of high frequency energy here so watch it, and apologies to mr. Fletcher, mr. Munson and their daughter, curve.

This is a loopable sound i made which i thought could come in handy for when you're searching through something in a game (looting). Recorded with sony hdr-pj260v then edited with audacity.

An experimental sound i did. It kinda sound like some space jet or something, i don't know. But yeah, it's experimental. To make the sound, first, i recorded the wind coming from my electric fan, then i edited it in adobe auditions cs6, then audacity for the final touches.

Doepfer a-119. Maybe not the coolest module on the market. But i have plans for this little friend. Bought it used. "module a-119 (external input / envelope follower) is designed to allow external audio signals to be integrated into the" (from doepfer home page) modular synth. As delay i use joyo analog delay.

An experimental sound i did while messing with audacity. Just like i did in that end sound, i just used my table to do the sound, but instead of pounding, i tapped it (man, my table is kinda useful for sfx. Xd). And after that, i added the vocoder, some reverb, and the echo effect then viola! this effect was born!.

Sound created in audacity and flstudio.

I don't have much time to write an description so yea.

Modular diary 2018-11-13. Struggled with an idea i had. I wanted random chords. Outcome. Just boring. Involved many patch cables. Mixed the sound with radio noise and"a creek in a forest" by nikeranhttps://freesound. Org/people/nikeran/sounds/321471/.

Old school electronic sound. Think bbc radiophonic workshop. Made with analog modular synth.

An unlikely patch. . . I think it will loop fine. But who wants it looping?.

In this sound track, someone is handling a bag of crisps with strong intent on making rumple noises. The motion is holding and folding the bag of crisps. The sounds has a metallic quality to it, the motion is done at random. Useful for sample slicing. It is recorded with a simple tie microphone and then edited on audacity to reduce noise and isolate the sound.

Random tones generated with modular synth. The randomness is generated with a sample and hold and some "old school tricks". The reverb is ladik r-330.

A modular synth experiment. 1 - noise/vclfo/slew - the brighter sound2 - noise/vcf - the bassy soundx - the bass drum is very unrandom. 5 minutes of random. . .

Sound made from a random sample of https://freesound. Org/people/gis_sweden/sounds/413306/ i just applied paulstretch to it. Proves that my painting a yellyfish patch is useful. . .

Each accidental pattern was mined out of a much longer recording. I noticed these interesting sequences of noises while editing other samples over the years and threw them into a catch-all folder. All of these were recorded with a usb-stick mic so they have a nice lo-fi distorted quality. Try looping any of these patterns and you'll hopefully understand why i selected them.