31 Royalty-Free Audio Tracks for "Ratio"

Golden ratio approximation: 233 : 144, 833.11 cents.

*Silver ratio (δS) on C. Just: 1+√2:1 = 1525.86 cents. MIDI pitch bend: 35,72

A timbre (rendered with something akin paul naşca’s padsynth algorithm) which has partials of form m + n φ where φ is the golden ratio, and m, n are integers. Though not all the partials, just such a set that this all resembles a usual harmonic timbre. This sequence starts. 1. 000001. 618032. 618033. 618034. 236075. 236075. 854106. 854107. 854108. 47214. This sequence is of several powers of φ up and down from 440 hz (φ⁻² to φ⁵). Look at the spectra for a full dose of xen.

*Golden ratio on C. 1.6180339887498948482 (φ) = 833.0902963567409 cents. MIDI pitch bend: 75,74

*Silver ratio (δS) on C. Just: 1+√2:2 = 325.86 cents. MIDI pitch bend: 35,72

Atmospheric engine control unit ecm pcm h#6667440.

Atmospheric engine control unit ecm pcm h#6667440 node a.

Atmospheric engine control unit ecm pcm h#6667440 node c.

*Young temperament major third on C. = 391 cents.

*Septimal meantone perfect fifth on C. = 696.88 cents.

*Young temperament widest major third on C. = 407 cents.

Hekt on C. 31/1300 ratio. 1.463042 cents.

Ratio between pitch and length of an organ pipe: octaves.

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

Fluid calculator ratio.

Sound of writing sms on a cell phone (high noise ratio).

I tried to offset fibonacci sequence to the left and right channel to create a scalar field.

Stereo recording of a crackling fire. Recorded using an electret microphone on hi-md. Has been processed but still has a bad signal to noise ratio.

Cw contact of s57lc with ok1has. S57's keying has funny dot-dash ratio - nearly 1:1. File made by nokia 6230i mic/trx loudspeaker in location jn79nd.

A weird beep created using a ehx memory boy modulating the pitch with a square wave at a fast ratio. Recorded with an sm57 in front of a fender blues junior.

I created a dtmf tone with an amplitude of 0. 8 and a tone/silence ratio of 550 and during 7s. Then i amplified 1. 3 db sound. And finally i multiplied the speed of 0,960.

Recording of a 28 inch subatomic gong where the sound reverberates in a 22 foot by 11 foot room (same ratio as the kings chamber in the great pyramid). Time between gong hits are allowed to let the sound resonate through the room.

Chirp sound, 250hz - 800hz square waveform. Linear interpolation. Wet reverbed and compressed to 3:1 ratio. Equalized with riaa wave curve (top-left to bottom-right). Each chirp lasts 3. 750s. Repeats 4 times layered over itself, including the last chirp without any layered sounds on it.

This is an editied version of acclivity's sound file, "30832_acclivity_summereveninginmygarden". His original file contains a barking dog, which depending on your usage, can deter from the intent of your project. Since acclivity's recording has excellent signal to noise ratio, and has captured some beautiful birdsong, i thought other people might be able to use this edited file with all the dog barking taken out.

Using strike function on the cš-l wavefolder with tempi sequenced by rené passed through struck optomix erbe-verbe and mimeophon. Morphagene running max. Wave folder strike tempo. The secret´s in the erbe-verb marbling. (ratio between size, speed and pre-delay). Splice is morphagene oven-ready with markers set. Enjoy hot!.

A marimba note being struck while thrown in to the air. Can't remember the mic that was used but it was a condensor mic. This was recorded in my room so unfortunately the signal to ambient noise ratio isn't great. The sound can be used for free (though it would be great to hear about what you do with it). It may not be re-distributed as it is, or as part of a compiled sound library.

A simple recording of a metal drawer. Recorded with zoom h4n + sontronics stc-10 pencil condensors. This was recorded in my room so unfortunately the signal to ambient noise ratio isn't great, i think it's just passable though. The sound can be used for free (though it would be great to hear about what you do with it). It may not be re-distributed as it is, or as part of a compiled sound library.

I grabbed a metal mallet (mini sledgehammer) and dropped in on cement in various ways. Lightly and a bit harder. Recorded into my ntg3 in a garage sectioned off. Signal to noise ratio was really good because it was a loud sound. H5 was my recorded. Cleaned some hum using rx4. Boom!. Pretty please, post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.