111 Royalty-Free Audio Tracks for "Remains"

00:00
02:09
A song from The Remains of Tom Lehrer
Author: Untitled
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02:14
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
01:49
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
06:25
Song from The Remains of Tom Lehrer
Author: Untitled
00:00
01:28
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
02:26
Song from The Remains of Tom Lehrer
Author: Untitled
00:00
03:33
Song from The Remains of Tom Lehrer
Author: Untitled
00:00
01:53
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
02:54
Song from The Remains of Tom Lehrer
Author: Untitled
00:00
05:31
Song from The Remains of Tom Lehrer
Author: Untitled
00:00
04:09
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
02:23
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
01:54
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
02:41
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
03:27
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
02:13
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
04:54
Song from The Remains of Tom Lehrer
Author: Untitled
00:00
02:41
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
02:24
A song from The Remains of Tom Lehrer
Author: Untitled
00:00
00:08
This is a splice job i did on the original "please, do not be alarmed, remain calm" sample from "moonraker" by foremost poets.
Author: Code A
00:00
00:07
From my mod - evil voice saying all that remains is that it burns.
Author: Mrgreaper
00:00
00:57
My dog, a golden doodle, barking crazily at his archenemy, the vacuum cleaner. It wasn't even on but the hate remains. . .
Author: Strongbot
00:00
00:07
This is an experimental loop from the production of song recording "indigenous creature" and remains unused. It originates from our own playing of hand drum then highly fx'd.
Author: Fieldofsky
00:00
00:22
Low rumble of an office chair rolling and dragging against the floor. Multiple takes, slow/long and fast/short ones. Recorded with a røde videomic from close range. Processed slightly, a little hiss remains.
Author: Elonen
00:00
00:07
It is a strong sound that in a moment it is perceived that it becomes weak but returns to its initial state and remains constant. It was activated by opening the water tap and the hose.
Author: Richard
00:00
00:23
This is a manhattan subway announcer suggesting that passengers should "remain alert".
Author: Alyceobvious
00:00
07:12
Long recording of early morning birdsong from within my tent while camping. Recorded on an r-26 portable recorder. Lots of noise removal with izotope rx6, some remains but could be good as a faint atmospheric sound.
Author: Dr
00:00
04:26
Since i was walking in the riaza river gorges i saw a lot of ants on the remains of an animal. I put over a pair of contact mics trying not to disturb to the ants. Maybe the sound you can hear in this audio is produced by the ants eating or the. "hoces del río riaza" natural park (segovia) / 2010-09-04 11:00.
Author: Manuel Calurano
00:00
00:05
Scenario: dog is given a treat on a tempered-glass dinner plate, which he licks clean. Plate remains on the no-nap outdoor carpet, unnoticed, because it isn't terribly important that it be picked up right away. In the meantime the wrapped-up power cord to a shop vac falls to the floor, right next to it. As i walk by i accidentally kick the electrical plug, striking the plate. Woww gotta record that. . .
Author: Nuncaconoci
00:00
02:39
Who has ever experienced complete inner peace and tranquility knows the feeling of peace that remains for days in your system. Of course there are always those impressions around you that distract you from that. But by regularly absorbing that silence, that tranquility, this peace grows. Eventually the feeling of peace is ruling and there is only just an occasional little storm. That keeps you alert, so that is good as well. So, peace at last.
Author: Huggingbear
00:00
00:22
Old tape recording of 'motor vehicle' stationary with engine running, possible taxi. Recorded circa 1983, onto a memorex 120 tape, using a transistor radio/tape recorder (ghetto blaster) with built-in left & right microphones. 20 seconds is all that remains extant on what was longer at one time. If i remember it was recorded late at night outside my bedroom window, i'm quite sure it was a taxi. Location: middlesbrough, england, uk.
Author: Signtoast
00:00
00:02
This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.
Author: Veiler
00:00
00:03
Noise left after dithering and phase canceling a tone. A tone was created with audacity's tone generator. Another version of the tone was made by downsampling and dithering the original tone in ableton live. I then phase cancelled the two sounds by switching the polarity of one of the tones and blending them back together in audacity. Because of the phase canceling, none of the original tone can be heard. Only the noise added during dithering remains.
Author: Brett Lavallee
00:00
08:02
The strong thought makes ordinary to special oneby: maqsood hasnifree abuzar barqi kutab'khanafeb. 2019.
Author: Maqsood@Mailworld
00:00
02:17
This is the original, unrestored file. "Shine On, Harvest Moon", by husband-and-wife songwriting team Jack Norworth and Nora Bayes was one of the big hits of the 1908 Ziegfield Follies, and remains well-known to this day. This recording from 1909 features two of the biggest stars of early-twentieth-century America, Ada Jones and Billy Murray. Produced by Edison Records, this is Edison Standard Record #10134.
Author: Jack Norworth, Nora Bayes, Ada Jones, and Billy Murray
00:00
00:02
An awesome Cuckoo Clock Sound effect for some crazy lunatic out there. Sound taken from a public domain movie, so the sound remains public domain. I reworked it.
Author: Mike Koenig
00:00
24:34
The recording starts with gentle rain and slow thunder rolling across the sky. The thunder is predominantly in the first half of the recording. The rain increases in intensity in the second half, peaking about three-quarters of the way through. Recorded on a sheltered, outdoor stairway, in a suburban location in south-eastern england, in august 2013; using a zoom h2n recorder set on mid-side stereo, at a 120 degree spread. The original recording was heavily edited, to remove traffic, trains, planes and parakeets(!). Some light, occasional, background traffic noise remains, however.
Author: Yammerhant
00:00
02:10
Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase with a different piano sound. Slight echo added.
Author: Scott Joplin - composer.
00:00
00:20
The regular chugging of the electric trolley car motor in new orleans on the st. Charles avenue line. When the car stops, the voices of the passengers remain in jumbled conversations.
Author: Cognito Perceptu
00:00
00:15
Three barks from lottie, a small family dog. Mic: rode nt4recorder: tascam dat recorder. Processed using izotope rx 7 de-clip to improve clipping – some artifacts remain, but it should be usable.
Author: Thaighaudio
00:00
02:12
Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Original UniRecord, 1916. Maple Leaf Rag published 1899. Українська: Скотт Джоплін грає композицію реґтайму «Maple Leaf Rag» у 1916 році.
Author: Untitled
00:00
03:23
The Liberty Bell march, by John Philip Sousa (1854-1932), played by the New York Military Band. Recorded on Edison Blue Amberol cylinder record #3220 (unrestored version).The march is often associated with the British TV comedy program Monty Python's Flying Circus (1969–74), which used the piece as a signature tune. Nevertheless, the march remains popular with British military bands. Der Freiheitsglockenmarsch von John Philip Sousa (1854-1932), interpretiert von der New York Military Band, aufgenommen auf Edison Blue Amberol Zelluloidzylinder Nr. 3220 (Unrestaurierte Version).Der Marsch wird oft mit der englischen Comedy-Show Monty Python's Flying Circus (1969–74) assoziiert, die ihn als Titelmusik einsetzten. Dennoch ist er nach wie vor bei britischen Militärkapellen beliebt.
Author: John Philip Sousa. Recorded by the New York Military Band. Edited and converted to OGG by User:Husky
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