462 Royalty-Free Audio Tracks for "Resonance"

Liquid poured in a glass. Recorded very close, a lot of low end and bass resonance from the glass bottle.

The ringing of a bell with a gong-like resonance in an urban park. The background is a steady hum from moderately distant traffic and songbirds enjoying a cool but sunny day.

I used 2 low frequency operators (lfo) on a low pass filter (24db) on a generic pink noise sound with medium resonance settings, one of these lfo's was manipulating the other one with a random ramp, to make it sound more diverse and realistic. I put an aditional long envelope on the q (resonance) also, not to mention some chorus at a low tempo to make it kinda binaural with a stereo delay at a short time setting. . . I hope you enjoy it!.

Ben burtt style retro laser gun blast made from hitting a long fence wire. I left more of the tail resonance on this one. This recording is unprocessed so you can shape it yourself.

Hard finger rubbing rim of a champagne flute so it creates lots of crazy low resonance. Very suitable for scary sounds. Trimmed for looping. Stereo.

The wolves howl under the moon at night. Synthesizer used: v-station, 3 sine vcos, filter: just a little bit resonance, pitch modulation with lfos and wheel, eq and delay.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

A drone sound i created using a dsi mopho, recorded in logic. I didn't use any fx. It's a filter sweep with some resonance and lfo 1 is modulating pan position.

This is a recorded sound of nails tapping a fence. The different modification steps :. - fade-out effect- wahwah effect with the following parameters :lfo frequency : 1,5hzstart-up phase : 0 degdepth : 100%resonance : 1. 0wha frequency lag : 10%.

I created this sound with additive synthesis ,using different eg`s and five different sounds for low ,middle and high harmonics. The pluck noise is a filtered noise at the resonance frequency of 523 hz.

A wind chime with eight metal tones surrounded by a bamboo resonance tube. A1-d2-f2-g2-a2-d3-f3-a3. Ortf wide stereo fieldrecorder: tascam dr-60d mkiimicrophone: 2x røde m5.

An assembled drumloop, made out of free oneshot samples and a free vst plugin. The snare has a nice added resonance to it that makes it bang hard and appear quite acoustic for what it is.

Various slap sounds recorded in a both with an neumann u87i. There is a metallic resonance from one of the music stands. The slaps hit various body parts (face, neck, belly). Feel free to use however you like.

This is a pack of 20 synthesized snare sounds with different "variables" for varieties. Wave forms slightly differ as well as the cutoff frequencies, resonance, and noise lengths are all slightly different from each other.

A "singing bowl" from nepal, played with a contrabass bow. Recorded with a neumann 184 cardioid and a focusrite scarlett, for a project in the percussion room of my university, so may have background noise. The resonance may be cut. Feel totally free to use!.

Banging on a geometric metal sculpture with my hand and recording the long reverberations with a vintage sony f-98 cardioid mic plugged into my iphone 6. I used various parts of the hand, the palm, fingernails, fist, and knuckles.

Fire siren with fade in and fade out, change of frequency, of the starting phase, of and resonance. This song is normalized. It's like someone who is hearing a fire siren playing with his ears.

A wine glass made to resonate by running a wet finger around the rim of the glass. This recording has slight clicks as the camera uses the automatic gain control. I would not recommend this for serious recording. Recorded on a canon d550 camera.

I used a plug-in called harmor on fl studio 11 and i messed around with highpass and lowpass filters with a very wide resonance. Of corse you can use this ''thing'' for whatever you want because it's totally unoriginal and easy to make.

Taking a medium blade out of its sheath. One arm sword, big knife, or dagger, for foley or game effect. Same sound without the high pitch metal resonance in the pack.

This second sound is a recorded sound of a bike chain, i modified it using some effects :1-normalize2-wahwah effect with-frequency = 3. 3 hz-start phase = 0-depth = 70%-resonance = 2. 5-wah frequency shift = 30%3-melt closingthe final sound gives an impression of a sound under water.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

It is what the title says "modified doepfer a-124 vcf5 wasp filter"listen and you will understand ;-)i the middle of the sound/beat i turn up resonance. I have connected cv2 to the bass pitch signal. Funny effect.

Creategenerate sine wave tone, frequency = 340. 00 hz, amplitude = 0. 80, 30 secondsduplicatedapplied effect wahwah…frequency = 4. 0 hz, start phase = 280 deg, depht = 92%resonance = 6. 9 frequency offset = 30%applied effect : tremolodeleted 30 seconds at t = 0. 0generate sine wave tone, frequency = 330. 00 hz, amplitude = 1. 00,30 secondsapplied effect wahwah… frequency = 1. 5 hz, start phase = 359 deg, depht = 33%, resonance = 6. 9, frequency offset = 30%duplicatedtime shifted tracks/clips right 0. 61 secondsmixed and rendered 2 tracks into one new mono trackapplied effect : tremoloapllied effect : apple : audistortionapplied effect : valve saturationapplied effect sliding time scale/pitch shiftduplicatedgenerate sine wave tone, frequency = 120. 00 hz, amplitude = 1. 00, 22. 000000 secondsdeleted 44. 91 seconds at t = 0. 00mixed and rendered 2 tracks into one new mono trackapplied effect: compressornormalize to 0 db.

Raindrops hitting my bedroom window. Recorded in carson, ca. Used a zoom h6 with the xy attachment and windscreen on, pressed mics against window for a contact recording. This was done in order to capture full resonance of the glass. (geotag is not at my actual address, but a nearby location. ).

Fiddling with a disposable plastic comb, mainly by plucking and stroking the edge and side of its teeth with my fingers. I also play around with the comb in my mouth a bit, using the resonance of my vocal cavity to modify the sound, and also running the teeth of the comb over my own teeth.

Fiddling with a disposable plastic comb, mainly by plucking and stroking the edge and side of its teeth with my fingers. I also play around with the comb in my mouth a bit, using the resonance of my vocal cavity to modify the sound, and also running the teeth of the comb over my own teeth.

Here's the sound when danny phantom is going ghost! i'm told it also resembles the sound effect in the yu yu hakasho opening. The sound is just two white noise whooshes on top of each other, one descending in pitch and one with a little more resonance ascending in pitch. Made in hybrid3.

Impulse response file for use in convolution reverbs. I recommend convology xt by impulse records, free and easy to use. Recorded in a glass box of a hotel shower. And we all know glassy resonant shower reverb is the best. Recorded with a sony d100. Self-reminder to bring more balloons next time.

Basically i connected one lfo to the polivoks in. Now when i think of it. Wonder if that added something…. And how much. And to cv1 i connected a square wave and to cv2 a wide frequency sine wave. Resonance at max. Think i have to reanalyse this patch later… i’ll be back!.

Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Creation date: 13 - 06 - 2017. Details of this sound:. Subject of recording:- object : small waterfall- material : water. Place of capture:- type : in forest- resonance : very low- distance from source : 2 m / 2 yard. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : rycote dr-40mwj. Recording parameters:- capture type : stereo- resolution : 16bit 44khz- input level: 60. Software used:none.

Impulse response file for use in convolution reverbs. I recommend convology xt by impulse records, free and easy to use. Recorded in a glass box of a hotel shower. And we all know glassy resonant shower reverb is the best. Recorded with primo em172 omnis plugged into a sony d100. Self-reminder to bring more balloons next time.

Two-pole circuit breaker recorded held in my hand, also pressed against a wooden board for more resonance. And some rattling mechanical handling noises at the end. Useful as electrical switch click. 96 khz, 32-bit float. Tlm-103 mic straight into pro tools. The only processing is a mild gate. At least it has a good noise floor.

Recording of water running down the bathtub drain after the bathorganic rhythms are emerging out of one another as the water is whirling down and getting less in volume as the whirl changes in speed and volume and resonance with the metal tub and the drain tuberecorded with a stereo microphone on minidisc the microphone left dangling and turning over the water to create random panning.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Creation date: 14 - 60 - 2017. Details of this sound:. Subject of recording:- object : upright piano- material : wood and strings- peculiarity : quite high. Place of capture:- type : inside- resonance : none- distance from source : above. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit 44,1khz. Software used:- fl studio 11. Fx added:- edison : remove noise, reverse spectrum and suppress reverb.

Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

This is a recording of two gretsch catalina maple floor toms, one 14 inches in diameter, one 16 inches. I replaced the original tom feet with pearl air suspension feet, which gave a huge improvement in tone, resonance and sustain. Recorded with a sony ecm-ds70p stereo recording microphone into an iriver h340 mp3 player. Normalized in sony sound forge.

This is taken from (and an answer to) mxsmanic's "trip on métro line 9 in paris, france", at 2:20 exactly: metro on rails through the tunnel, which resonance creates this sound (very familiar to me as i live here). Interesting to notice that the sound's frequency stays around 483hz, which was (in the ancient solfeggio frequency science attributed to pythagoras) the frequency of "opening consciousness".

Skewer slam is a combination of my knife sharpening sounds and metallic impacts/wobblers (some not yet uploaded here!) to create a sesnsation of something big, intense and lethal coming towards whoever it either find offensive or is ambulatory. As a personal note; the distortion you hear is not because of clipping in the initial recording but because of the higher acoutistic resonance and limiters applied which will not sound like this when downloaded.

Creation date: 16 - 06 - 2017. Details of this sound:. Subject of recording:- object : bedside lamp switch- material : plastic- peculiarity : button + sizzles of bulb. Place of capture:- type : inside- resonance : none- distance from source : 20 cm / 1 lien. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit and 44,1khz. Software used:- fl studio 11. Fx added:- edison : to amplify the signal and to suppress parasites. _______.

Tabla is percussion instrument with two drums 'daya' and 'baya'. Only the 'daya' drum is usually tuned. For checking the tuning the 'na' bol is played. Recorded using samson-go portable condenser mike at home. Placing the mike too close to tabla was clipping the sound and if placed away, it was not picking the extended resonance. Hence the mike was moved closer after attack, hence the apparent increase in amplitude and some doppler effect is seen.

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

Some generative wildfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise, and the wind was made by bandpassing white noise with a high resonance and randomly sliding the filter frequency. Everything was sent into a reverb and a stereo expander.

This is a repost of beerbottlewhoo. Ogg. It's the same sound except that this one is in wav format. Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

This is a remix of oceas 8th loop at 130bpm, the samples in this pack were made mostly by running the original loop through a custom plugin i made with synthedit. The general idea of the plugin is to seperate the incoming audio into 8 seperate channels using high-resonance bandpass filters, then run each of the 8 channels through its own special effect including reverb, delay, harmonic generation, ring modulation, modulation of the original signal by the harmonic generation signal out, and another reverb.