851 Royalty-Free Audio Tracks for "Rs"

Electric train arriving station. Exterior platform. Quiet ambience. Coimbra-a station, portugal. Boom + stereo l+r48k24bsound devices sd 688mic st km184 (st)mic mkh70 (boom)metadata included. Ch1: boomch2: st-lch3: st-r. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

Daisy Bell sung by the DECtalk speech synthesizer. Using v4.61.02 for Windows. In G major at 200BPM, roughly. The input code is as follows: [:phoneme on] [d<40,27> ey<860> z<40,24> iy<860> d<40,20> ey<860> z<40,15> iy<860>] [g<40,17> ih<220> v<40> m<40,19> iy<260> yx<40,20> or<260> ae<300,17> en<300> s<40,20> rr<260> d<40,15> uw<860> _<900>] [ay<860,22> m<40> hx<40,27> ae<810,27> f<30> k<30,24> r<30> ey<860> z<40,20> iy<860>] [ao<200,17> el<100> f<40,19> or<260> dh<40,20> ax<260> l<40,22> uh<560> v<40,24> ax<260> v<40,22> yu<860> _<600,24>] [ih<260,24> tx<40> w<40,25> ow<180> n<40> t<40> b<40,24> iy<260> ax<260,22> s<40> t<40,27> ay<560> l<40,24> ih<220> sh<40> m<40,22> ae<60> ae<100,24> ae<100,22> r<40,20> ih<560> jh<40> _<560,22>] [ay<300,22> k<40,24> ae<520> en<40> t<40,20> ax<260> f<40,17> or<560> d<40,20> ax<260> k<40,17> ae<260> r<40,15> ih<560> jh<40> _<560>] [b<40,15> uh<220> tx<40> yu<560,20> d<40> l<40,24> uh<210> k<30> s<30,22> w<30> iy<260> t<40> _<560,20>] [aa<560,20> en<40> dh<40,24> ax<260> s<40,22> iy<260> t<40> _<260,22>] [ah<150,24> v<40,25> ax<110> b<40,27> ay<260> s<40,24> ih<260> k<40,20> el<260> b<40,22> ih<260> el<260> tx<40> f<40,15> or<250> t<10> t<40> uw<860,20> _<900>]

Electric train halting and then leaving station. Exterior platform. Quiet ambience. Coimbra-a station, portugal. Boom + stereo l+r48k24bsound devices sd 688mic st km184 (st)mic mkh70 (boom)metadata included. Ch1: boomch2: st-lch3: st-r. Use freely on your personal commercial and non-commercial projects. Don't put this raw sounds/files on youtube or anywhere else. You can use them in creative way as a part of art-form, but not "re-distribute" as (royalty free) stock material. Thank you.

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

I was experimentally, recording the garage door opener, but then this happened: next door neighbor kick-starts motorcycle, idles it, an aircraft passes by, and then the motorcyclist rides away. Recorded sound is indirect except for a brief moment when the motorcycle pulls past the open garage door in the alley outside. Set up with schoeps cmc6-uxt/ mk41+mk8 ms stereo in rycote zeppelin on tripod in small suburban single-car garage that faces an alley between lots. Ms-decoded and recorded as l+r channels on sound devices mixpre-6 @ 24/192. Some light post-processing to adjust levels as well as a little compression on the loudest moment.

I was demoing the new digital performer 10. 1 with a royer r-10 pair in blumlein array but wanted to check out one of the ribbons because it possibly sounded blown so i went ahead not bothering to create a new mono file. The mic was tracked through a yamaha mixer into digital performer via a motu 624. I have various cymbals including a paiste hi-hat and a zildjian ride which i bowed or scraped. There is an occasional tiny bit of noise from the hard drive, sorry. It has the hiccups. Some of these have an effect or two like a flange on one or more and a bit of delay but mostly you just hear the marvelous and very interesting cymbals!.

This recording was done early one morning in may 2012 in the middle of scotland. You can hear the usual sounds of the countryside at this time of year and day. The two front microphones were facing the river tay, the two back ones drummond hill. This is the sound those front ones captured. All of them microphones were audio technica at-3031 ones, connected to the rme quadmic preamp into an edirol r-44 recorder. To get a quadraphonic or surround sound you have to download both tracks (they are next to eachother on the list) and alter them the way you want. If you compare them, then it shows what a difference it makes where you point those microphones.

Idea for a base for a radio bumper. I found another track in which someone had said, "du bist der hörer. Wir sind das radio. " so i recorded myself repeating these sentences, which translate from german into english as, "you are the listener. We are the radio. " i also overlaid it over a track of generated sine waves, one in each channel (l-r), chosen to be discordant (like a radioactive effect). Sine waves are 10. 5 seconds, i left 4. 5 seconds at the end to overlay your content (maybe an ident or whatever). Have fun!. Created for my online radio station (sscr tampa), but released in the public domain/creative commons zero/"copyleft" to the maximum extent allowed by law. Voice is my own, tones generated on my computer.

Mashing up two sounds that i found on free sound. Com. They are sounds of two different type of music instruments. Here are the original pieces:. 1. Erhu at luxun park in shanghai by taurin barreraa recording from luxun park in shanghai, china. An old man is playing an erhu by the edge of a pond. You can hear the amplified erhu as well as some of the park. Recorded with an edirol r-09 hr in shanghai, china, spring 2011. Http://www. Freesound. Org/people/taurindb/sounds/136051/. 2. Africa pavilion drum jam by rtb45recording of a rather hot impromptu african drum jam made at the africa pavillion, world expo, shanghai china. Recording with sony pcm-d50http://www. Freesound. Org/people/rtb45/sounds/160489/.

Pieśń z muzyką Władysława Tarnowskiego do wiersza Ludwiga Foglára pt. "Ob du nun ruhst " (wydana w Wiedniu r. około 1870, wydawcą był V. Kratochwill.) Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 16:44, 10 February 2016 (UTC)). Pieśń była dedykowana Melanie Foglár-Deinhardstein, żonie Ludwiga Foglára, zarówno przez męża-poetę, jak i przez kompozytora. "Ob du nun ruhst " - song to poem by Ludwig Foglár and score by Władysław Tarnowski, (ed. V. Kratochwill, Vienna, ~1870); accompaniment and instrument instead the voice by Marcin Tarnowski.

Upper maxwell falls, evergreen, co, at the top of the falls. Recorded at dusk (~8:00pm) 2017-08-23, approximately 16'c, conditions clear. This was recorded from nearly the same position as a binaural recording made of this waterfall last month, posted here: http://freesound. Org/people/chromakei/sounds/398021/. Schoeps cmc6-uxt mk41+mk8 ms rig on rycote windscreen system shockmount on mic stand, in zeppelin without windjammer > sound devices mixpre-6 @ +56db gain, ms bal @ c, limiter on @ 24bit/192khz l+r > adobe audition (edited, no processing except mid-side mix adjust and downsampling w/dither) > flac.

These are claps recorded by three people at the same time. The kind of soft but very fast clapping that you would put in a spanish flamenco song or (as it was the case for the session) an argentine folklore song (chacarera). Soft clap — very tight, soft hitshard clap — tight, hard hit. Soft group — a little less tight, sounds like many people, still softhard group — less tight, many people, hard hit. Soft supergroup — i put three takes of this at the same time (one l, one center, one r), some hits sounded better than others so i picked the ones that sounded the best. Soft hits. Hard supergroup — same three takes put together. Hard hits.

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: trem_a2_v1_1. Wavinstrument family: stringsinstrument: cello sectionarticulation: tremolonote: a3midi note: 57midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 royer r-101. Performer: cristobal cruz-garcia, addy harris, parker ousley.

Cct110: found in translation (show notes). Hosted by lily yu. This podcast gives a brief overview of youtube’s recent update on the on-site comment translating software and examine how it is beneficial in establishing contact with other youtube communities. We will also look at who this change affects the most, how the comment section influences youtube and how this change is part of a global movement for connection. Podcast contentsintroduction 0:00 – 0:11imagine you are reading the comments 0:12 – 0:50history of the translate button 1:01 – 1:09what it does 1:10 – 1:13errors in translating 1:14 – 1:24benefits 1:25-1:40who uses it 1:41- 1:53importance to youtube 1:54 – 2:26importance to the world. 2:27 - 2:43conclusion – 2:44 - 2:59. Song credits (listed in order of appearance). “winsquare. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/527650/. "piano, bach fantasia, a (h1). Wav" by inspectorj (www. Jshaw. Co. Uk) of freesound. Org. “upbeat theme loop. Wav” by mrthenoronhahttps://freesound. Org/people/mrthenoronha/sounds/506893/. “jingle_achievement_00. Wav” by littlerobotsoundfactoryhttps://freesound. Org/people/littlerobotsoundfactory/sounds/270404/“parallel universe” by andrewknhttps://freesound. Org/people/andrewkn/sounds/404458/. “winfretless. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/521644/. Podcasts discussed. 23 youtube stats that matter to marketers in 2022. Social media marketing & management dashboard. (2022, february 14). Retrieved march 3, 2022, from https://blog. Hootsuite. Com/youtube-stats-marketers/r/timeworkssubmissions - youtube's comment translations are very broken. Reddit. (n. D. ). Retrieved march 3, 2022, from https://www. Reddit. Com/r/timeworkssubmissions/comments/rnte1g/youtubes_comment_translations_are_very_broken/.

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain and removed noise for a good, clean signal). Date and location: april 2019, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: dcclar_stac_a#2_v1_rr1_sum. Wavinstrument family: woodwindsinstrument: clarinetarticulation: staccatonote: a#3midi note: 58midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, 1 royer r-101 close, 2x sdc's xy farperformer: dean coutsouridis.

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

Pieśń z muzyką Władysława Tarnowskiego do wiersza Ludwiga Foglára pt. "Du buch mit sieben siegeln" wydana w Wiedniu r. około 1870, wydawcą był V. Kratochwill. Pieđ} Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 10:59, 6 February 2016 (UTC)). Pieśń była dedykowana Melanie Foglár-Deinhardstein, żonie Ludwiga Foglára, zarówno przez męża-poetę, jak i przez kompozytora. "Du Buch mit sieben siegeln" - song to poem by Ludwig Foglár and score by Władysław Tarnowski, (ed. V. Kratochwill, Vienna, ~1870); accompaniment and instrument instead the voice by Marcin Tarnowski (M.Tarnowski (talk) 10:59, 6 February 2016 (UTC)).

We are writing the end of the 20th century _ _ _ cheer up !. After a nice concerto @ the charlatans, ghentduring the infamous ghentse fiestas ! ! ! ! !one of the guitarists of the band torturadodrives back home,. . . 72h after the concertthat is. . . He don't remember having slept. . . Ghentse fiestas are hardcore, he does rememberthe hamburger @ the vlasmarkt though. . . &he thought he heared 'vree wijs' like a thousand timesbut back then he couldn't decifre the real meaning of thosemumblings. . . So he always answered back to the girls, with 'i'm latino !' ( the usual reply). Hm,. . . Suddenly on the radio he hears musicwhich strangely seems familiar to himwhen the radio host describes the artisthe seems to be talking about the torturado boi ??!!!!##is he ??!!!!!#é"'((('à)§!(çà. Is this some kind of message from the future ???. The reference of glenn branca is there, but 2015 ??? never happened yet. . . Wooooooojoo !!!!. There is also this clear 'why nut' 2020 duyvisch nuts publicity reference !!!that he obviously doesn"t get yet, but an invisible force, makes him grab some nuts (not what you think), he bought just before entering the car ??!!! (you see!). Is this some kind of message from the future ???. No ! as the host continues the little descriptionhe makes a t e r r i b l e trabalengua or you knowknot explosion with the tongue & has to repeatthree times the sequence of the stroboscope. Wtf is going on here. . . The future seems to besending a very unflattering non elegant message to him _ _ _. It just seems to be just a rehearsal for a descriptionof the solo artist he is going to be. . . What the fuuuuuuuuukkkkk ?!!!èy"é'!'"''çé'ç"'à"'"é'é")*¨%££££££=:;ù%%%%. -----------------------------------------------------------------------. Recorded with my new dpa 4060very happy with iti can write a whole essayabout how i found it & stuffbut i think it's better totell you live in a barwith a beer or 5 ! ! ! ! ! !. 11112020josé !. P. S. All references to real persons/situations/musicians/latino's/birthdates, es-pe-cially for tindr dates / ! \ are very fictive, jaja !.

This sound file incorporates sounds from freesound. Org due to the pandemic at hand and not being able to go out and record these sounds individually. The addresses i chose are sportsman’s park racetrack (cicero) and mission hills golf club. I made a substitution with one sound file that i recorded myself in nature in my neighborhood to incorporate the sounds of a golf course. Although the other file was used from freesound. Org. This piece uses these sounds from freesound: vw golf r, by everydaysounds. Additionally, what can be heard on this file is the sounds of birds chirping and rain falling as well as the sound a fast car speeding around a track to propose some contrast. Something that could spark the listener’s interest is that not often does nature and the machines that we humans make harmonize with each other, but in this i think they flow just fine. Https://freesound. Org/people/everydaysounds/sounds/268622/.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: pizzt_a2_v1_rr1. Wavinstrument family: stringsinstrument: cello sectionarticulation: tight pizzicatonote: a3midi note: 57midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 royer r-101. Performer: cristobal cruz-garcia, addy harris, parker ousley.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: dcclar_suslong_a#2_v1_rr1_sum. Wavinstrument family: woodwindsinstrument: clarinetarticulation: long sustainnote: a#3midi note: 58midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, 1 royer r-101 close, 2x sdc's xy farperformer: dean coutsouridis.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: vlnens_susvib_a2_v1. Wavinstrument family: stringsinstrument: violin sectionarticulation: vibrato sustainnote: a3midi note: 57midi velocity (center): 63location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, royer r-101 closeperformer: lily lyons, meitar forkosh, brendan klippel, sadie currey, rosy timms.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: spic_b1_v1_rr1. Wavinstrument family: stringsinstrument: cello sectionarticulation: spiccatonote: b2midi note: 47midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 royer r-101. Performer: cristobal cruz-garcia, addy harris, parker ousley.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: vlnens_spic_a3_v1_rr1. Wavinstrument family: stringsinstrument: violin sectionarticulation: spiccatonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, royer r-101 closeperformer: lily lyons, meitar forkosh, brendan klippel, sadie currey, rosy timms.

Overflight of 2 fighter jets (eurofighter). In quadro (in 5. 1-terms: l-r-sl-sr) you will hear them coming from front-left flying "above the head" to rear-right(roughly spoken). The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-).

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: susvib_a2_v1_1. Wavinstrument family: stringsinstrument: cello sectionarticulation: vibrato sustainnote: a3midi note: 57midi velocity (center): 63location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 royer r-101. Performer: cristobal cruz-garcia, addy harris, parker ousley.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: vlnens_pizz_a3_v1_rr1. Wavinstrument family: stringsinstrument: violin sectionarticulation: pizzicatonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, royer r-101 closeperformer: lily lyons, meitar forkosh, brendan klippel, sadie currey, rosy timms.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: vlnens_trem_a3_v1. Wavinstrument family: stringsinstrument: violin sectionarticulation: tremolonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, royer r-101 closeperformer: lily lyons, meitar forkosh, brendan klippel, sadie currey, rosy timms.

Large industrial refridgerator, electric machine engine noise, field recording,. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a refridgerator in an industry in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Wish you success!kent. Ps. Please comment and rate. .

River, stream, creek, sound of waves, moving water, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate & rec format: 44100 hz & wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a fast-flowing creek on an ordinary autumn day in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

A looping lo-fi excerpt of felineterror's song 'r-s 5'. There is alot going on under the hood here, everything from an analog bass exciter, feeding into a audio rectifier, creating that unique bass tone. A highpass filter, feeding into a delay. And then a tape emulator, featuring frequency loss, tape degradation and wow'n'flutter. Other versions of this remix:. . Since my ears can't hear any frequencies above 14khz (please remember to wear ear defenders around loud machinery! thank you. <3), i can't hear tape hiss very clearly, and are afraid i might overdo the volume. Therefore i think its best to leave any tape hiss up to you, if you want any, there's plenty of recordings here on freesound, for example this one (cc-0). 120 bpm | original by felineterroruse this however you like!. Have fun, see you on the other side!.

Recorded from my balcony (unfortunately. . . )zoom h6120 degrees xyh-6 zoom mic. Free to use, please put a link in your project description; johnaudio. Nl. Left rightpeak amplitude: -0,95 db -0,95 dbtrue peak amplitude: -0,94 dbtp -0,94 dbtpmaximum sample value: 7515676 7130260minimum sample value: -7301133 -7516359possibly clipped samples: 0 0total rms amplitude: -26,88 db -26,93 dbmaximum rms amplitude: -6,48 db -7,61 dbminimum rms amplitude: -44,86 db -44,77 dbaverage rms amplitude: -30,27 db -30,35 dbdc offset: 0,00 % 0,00 %measured bit depth: 32 32dynamic range: 38,37 db 37,16 dbdynamic range used: 29,40 db 28,65 dbloudness: -23,36 db -23,04 dbperceived loudness: -16,91 db -16,12 dbitu-r bs. 1770-2 loudness: -22,95 lufs. 0db = fs square waveusing rms window of 50,00 msaccount for dc = true.

Cafe/cafeteria (with permission), calm & relaxed, porcelain, sound of people talking, and children in the background. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a cafeterian during lunchtime in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

Electric machine engine, rumble, large air-conditioner. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: november 2015, a rather large air conditioning unit in a public parking garage, in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Electric machine, engine, large air conditioning unit, hum, noise, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a rather large air conditioning unit in a public parking garage, in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records. This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877 Català: La cavalcada de les valquíries, interpretada per l'American Symphony Orchestra per a Edison Records en 1921. Valkyrieridtet opført af American Symphony Orchestra for Edison Records i 1921. "Ritt der Walküren" aus Die Walküre, dem zweiten Teil des Hauptwerks Der Ring des Nibelungen von Richard Wagner, uraufgeführt im Jahr 1870. La chevauchée des Walkyries, interprété par l'American Symphony Orchestra pour Edison Records en 1921.

Laboratory refrigerator, with beeping, plus the sound of a door being closed in the background, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a laboratory in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Midnight recording from the streets of neukölln, berlin, on new years day 2009. In germany, this is the one day of the year when members of the general public are allowed to set off fireworks. Echoes of bombs and fusillades ring out across the city, while clouds of smoke tumble menacingly through the streets. Close by, a peaceful child sets off sparklers, and is astonished by the display. In the morning, the streets are littered with their remnants -- charred bits of paper, streaks of red ash. Recorded with an edirol r-09. From a contemporaneous news report:. "clashes in three german cities marred new year celebrations, with police facing their toughest challenge from a crowd of mostly young revellers in the capital berlin in the small hours of yesterday. One small breakaway group from that crowd, which numbered 1,000 at the peak, tried to fire a skyrocket inside a police station and invade it, police spokesman frank millert said. The rocket lodged in a broken window and burned itself out, but several police were injured by the flying glass. Police arrested three on arson charges. Earlier, elements from the same crowd in the prenzlauer berg district had smashed the windows of a passing tram and bombarded a police patrol car with firecrackers. The trouble abated about 3am. ".

Wo ist doch (a cantata) by Dieterich Buxtehude, performed live by self. Text/lyrics Soprano Wo ist doch mein Freund geblieben? Will Er mich denn nicht mehr lieben? Er hat sich in dieser Nacht, da ich aus dem Schlaf erwachte und an seine Huld gedachte, aus dem Bette weggemacht. Ach ich habe den verloren, den ich einzig mir erkoren! Ach, ich habe nicht betrübt! Er ist der, der mir gefallen, darum soll mein Stimm erschallen: Soprano/Bass Schönste(r), wo befindst du dich? Soprano Hör ich doch des Freundes Worte! Ruft Er nicht an diesem Orte? Soprano/Bass Schönste(r), wo befindst du dich? Bass Du hast mir das Herz genommen, Vielgeliebte! Soprano Ich will kommen, eile fort, erfreue mich! Komm, mein Freund, in meinen Garten! Bass Willst du mich daselbst erwarten? Sieh, ich steh schon vor der Tür, sieh, ich komme, meine Taube, denn dein wohlgegründter Glaube zeucht und neigt mich hin zu dir. Soprano Wenn du unter deinem Schatten mir die Ruhe willst gestatten, dann so ist mir ewig wohl. Soprano/Bass Ich lieb dich, weil du mich liebest und dich mir zu eigen giebest. Nichts ist, das uns scheiden soll. Soprano Du bist, Schönster, meine Sonne. Bass Dir ist schon die süsse Wonne und die Ruh von mir bereit. Soprano/Bass Komm mein Schatz, lass mich dich küssen, denn so kannst du mir / kann ich dir versüssen, alles Leidens Bitterkeit. Soprano Endlich hab ich den gefunden, den ich lieb, meine Freude. Bass So ist verschwunden dir die schrekkensvolle Zeit, weil ich dein bin, meine Freude. Soprano/Bass Komm nach dem gehabten Leide hin, wo dir das Herz/ die Freud bereit. So lieben die Seele und Jesus zusammen. Sie lieben beständig, man scheidet sie nicht. Sie brennen und stehen in lieblichen Flammen, die Seele vergnügt sich in seligem Licht. Wir sehnen uns alle mit Herzens Verlangen, wann werden wir einsten dich, Jesu, umfangen?

Hello and welcome!. Before creating my game, i've created music. Unfortunately, it turned out that the created music does not match the atmosphere of the game i'm working on in any way. :)if you think that the soundtracks might be useful to you, please use it!. Music is under creative commons 0 license, but i would really appreciate it if you could mention me or my current project (even better!). /////////////////////////////////////////////////////////////////. I am 1 dev working on the game called neither day nor night. Check it out! if you like what you see then please wishlist the game on steam: https://store. Steampowered. Com/app/1167380/neither_day_nor_night. An example of how you might give credit is by putting something like this in the description/credits of your work:"x soundtrack" by carnotaurus team. (and preferably a link to the steam or twitter if possible!). Enjoy, and have a good day. Twitter: https://twitter. Com/carnotaurusteaminstagram: https://www. Instagram. Com/carnotaurusteamyoutube: https://www. Youtube. Com/channel/uc-b4_-y7p1urnbh-1zekj9wreddit: https://www. Reddit. Com/r/neitherdaynornightfacebook: https://www. Facebook. Com/carnotaurus. Team. #neitherdaynornight #ndnn #gamedev #indiedev #indiegame #gamemakerstudio2 #adventure #platformer #action #puzzle #games #gaming.

I'm attempting to create a controllable thunderstorm for a film, and this is my first legitimate attempt. This recording consists of 4 samples of rain, and another 3 samples of rain+thunder that i recorded one afternoon. Equipment used was the inbuilt mics on a roland r-26, and a sennheiser me66 into a sound devices 702. The clips were recorded at 96khz/24-bit, and they were processed at 48khz/24-bit. For processing, i put the samples into kyma, and crossfaded for texture. The howling wind sound is an analog-style low pass filter's frequency, level, and resonance being controlled by a wacom intuos4 pen/tablet. The rain slowly swells, which was done by changing parameters of a granular reverb. The thunder was also controlled by the wacom tablet, with x, y, and z (pressure) dimensions mapped to making the thunder swell in level, density, and texture. This could have been output in surround, but i don't have that many monitors ;). This style of "rain-synthesis" can also go on indefinitely. Please let me know what you think of the quality of this track; eg, if it sounds real, if the wind sounds ridiculous, too much thunder, etc. Use this sound (wherever) if you want to, or let me know if you'd like an mp3 of this, or for it to last longer. I'd like some credit if you do use it, but it's no big deal. A blog is up explaining the method of creation here:http://www. Kylehughesaudio. Com/2/post/2013/02/tempest. Html.

36-string upwards glissando on a synthesized autoharp. Made with sox:. Sox -n -r 48000 -b 16 autoharp-up1648. Wav synth pl "f2" pl "g2" pl "c3" pl "d3" pl "e3" pl "f3" pl "f#3" pl "g3" pl "a3" pl "a#3" pl "b3" pl "c4" pl "c#4" pl "d4" pl "d#4" pl "e4" pl "f4" pl "f#4" pl "g4" pl "g#4" pl "a4" pl "a#4" pl "b4" pl "c5" pl "c#5" pl "d5" pl "d#5" pl "e5" pl "f5" pl "f#5" pl "g5" pl "g#5" pl "a5" pl "a#5" pl "b5" pl "c6" delay 0 0. 05 0. 1 0. 15 0. 2 0. 25 0. 3 0. 35 0. 4 0. 45 0. 5 0. 55 0. 6 0. 65 0. 7 0. 75 0. 8 0. 85 0. 9 0. 95 1 1. 05 1. 1 1. 15 1. 2 1. 25 1. 3 1. 35 1. 4 1. 45 1. 5 1. 55 1. 6 1. 65 1. 7 1. 75 remix - fade 0 6. 1 norm -1.

36-string downwards glissando on a synthesized autoharp. Made with sox:. Sox -n -r 48000 -b 16 autoharp-down1648. Wav synth pl "c6" pl "b5" pl "a#5" pl "a5" pl "g#5" pl "g5" pl "f#5" pl "f5" pl "e5" pl "d#5" pl "d5" pl "c#5" pl "c5" pl "b4" pl "a#4" pl "a4" pl "g#4" pl "g4" pl "f#4" pl "f4" pl "e4" pl "d#4" pl "d4" pl "c#4" pl "c4" pl "b3" pl "a#3" pl "a3" pl "g3" pl "f#3" pl "f3" pl "e3" pl "d3" pl "c3" pl "g2" pl "f2" delay 0 0. 05 0. 1 0. 15 0. 2 0. 25 0. 3 0. 35 0. 4 0. 45 0. 5 0. 55 0. 6 0. 65 0. 7 0. 75 0. 8 0. 85 0. 9 0. 95 1 1. 05 1. 1 1. 15 1. 2 1. 25 1. 3 1. 35 1. 4 1. 45 1. 5 1. 55 1. 6 1. 65 1. 7 1. 75 remix - fade 0 6. 1 norm -1.

[[this sound pack contains 8 sounds total, and this is # 4 of 8. ]]. Note: this sound (as all my sounds on freesound. Org are) is **public domain**. Use it, sell it, do anything and everything with it. No need to credit me. I only hope it's useful for someone! however, i'd love to hear about any projects you use my sounds with!!. Abstract, creepy sounds i recorded after watching this video on hans zimmer's creation of the score to the original dark knight soundtrack:. Https://www. Youtube. Com/watch?v=r-l1rctgtoe. (fascinating video, give it a watch! :d). - i found an old rusty razorblade (if it ain't rusty it ain't emo, amiright? amiright? oh god that's in poor taste)- and just started scraping it over the copper-wound strings of my seagull s6 acoustic guitar in which i've installed an electronic pickup. - recorded into reaper on my mid-2014 macbook pro, via direct in through a zoom h4n in audio-interface mode. Only processing: gentle eq highpass at 95 hz. And some slight gain reduction. These sounds remind me somehow of creepy film scores where the strings do that erratic pizzicato thing that sends tingles up your spine. Tell me what you come up with, i'd love to know!!.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

This is a failed attempt at sampling a rock drumkit on 6 tracks. The channels are as follows:. 0: oh l1: oh r2: kick3: snare4: room l5: room r. I've captured this into ardour 5. 12 using 3 different audio interfaces:. Behringer umc202hd - overheads (dynamic mics)line 6 pod studio ux2 - kick and snare (condenser + dynamic)zoom h2 - room ambience (built-in xy condenser mics). This file is a 6-channel 24-bit flac file encoded using ffmpeg from the raw wav files exported from the original ardour session. There are several issues with this recording however:. 1. The tracks seem to drift, because the individual audio interface clocks were not in sync. The proper way to record multitrack audio is using a single multichannel audio interface - but i didn't have one. 2. There's either x-runs or some usb transfer issues creating small glitches and dropouts in various tracks her and there. Don't know why did this happen, as we've been tracking the real drummer's performance without these issues. Now - fixing these issues manually would be an insane amount of work, but i hope maybe someone has means to either solve them with programming a special tool, or know a tool that could fix these, and make this recorded session ready to be sliced as a drumkit for say - drumgizmo. There's some really good stuff in here - an i was able to cut and mix some really nice drum samples, that i've been using for years, but it's not ready to be fully sliced for maximum flixibility. The instrument was played by myself - it's a drumset by pearl (don't remember the details), owned by the drummer of a band i recorded this with. The band was called small hint - hence the drumkit name. We were recording an ep, and i used some free time left to capture this as well. The ep was never finished and we disbanded soon after. Regarding fixing the issues - here's what i think needs to be done:. 1. I think each hit would have to be automatically phase-aligned on all 6 channels, to correct for the drift. 2. I think it should be possible to automatically detect clicks by simply watching for a sudden change in amplitude between adjacent samples - marking bad areas and then using something like audacity's repair effect to interpolate the waveforms. I think the glitches have much steeper changes in amplitude than even the drum transients, so it should be possible to differentiate between those automatically. If you found a way to fix at least some of these problems - please let me know!. If you've made some "remixes" on freesound - i'd also love to know that. Apart from that - sample what you can out of this and make some sick drum tracks!.