7,522 Royalty-Free Audio Tracks for "Sample"

I recorded some rain outside my front door. This is a tuned (a440) sample which you can use to achieve a sort of soft-yet-textured synth string sound in a virtual instrument like ableton's sampler. I think adding a little fake vibrato to it with multiple conflicting volume lfos sounds pretty nice. You're free to use this sound without attribution. Please link people here to share rather than redistributing yourself. If you do use this sound, let me know! i'd love to hear what you do with it.

Hello,. This is the sample pack that i completed for the sound design course at slam academy. The theme of this pack is sounds that could be used to make melancholy and dark sounding music, but use however you see fit. I used ableton’s operator and analog synthesizers and xfer’s serum plugin to create this sounds. All processing was used using ableton’s stock effects and serum’s stock effects. I hope you enjoy my sounds :). - milesperhour.

A second bass-drum l∞p variation from"1 drum kick l∞p-104- mrjmix series. Wav"< https://freesound. Org/people/mrjmix/sounds/541414/ >----------------------hypno-paradise version----------------------. You incorporate this sample into your project. . . Awesome!if you use the loop you can change it too, or not, but mostly i'm curious and would like to hear how you used this loop. So send me the link and i'll share it again!. Artistically. #mrjimx 🃏.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

Inspired by the hustle and bustle of a trip to europe, i made such a short project. After listening for a while, it sounds like advertising music. Maybe it seems like a cleaning product or an application can be used to advertise. For those who want to develop, i can share the sample audio files i prepared for the project. I hope you enjoy listening.

It is a recording made with the following instrument´s: 1. Tuperware plastic and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

This little distorted bass one-shot was made using a combination of sine-compression and filtering techniques in conjunction with reverse reverb/ bit-crushing. I also added a pitch fall near the end. Please feel free to use this however you like!. If you'd like to credit me somewhere that'd be great, but it's not a requirement. Comment down below where you used it as i'd love to hear!. Have fun!.

A sample that was made completely by accident. I was recording outside my local park and trying to capture the bird calls (with a semi-successful effort - too much motorway noise is a bit of a bummer) one morning and aimed my uchó pro at the ground as i stood on a sludgey leaves and wet sticks with the input too high - overdriving it but also somehow making a gore sound effect. When i imported it to reaper, time-shifting it - i spotted the unique flavor of crunchiness and wetness it gave.

I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. Using s-layer, the sample-mangling plugin from twisted tools, i focused on generating short, punchy impulses that leaned into the resonant character of the original monos recordings. These sounds might be useful for ui buttons, as well as designing modern-retro sounds for games.

This is a section of the pack with 50 bass drum varieties. Most of them are just minor changes and they resemble extremely "similar" sounds however they're based on different wave forms which are mixed together to form varieties. Other parameters were mashed, some may have distortions some may not. All the sounds you hear are synthesized. Generally these sounds are for dance music, some of them are well suited for more experimental music as well. But it should not be limited to just techno or trance. . . .

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

Just think about it - doesn't this sound like a sound effect for when a ill (or sick or drunk or so on. . . ) player jumps in a game? that's what i thought, and i hope you have fun with it!. Thanks for listening, and if you like this sound effect, you might also like my youtube channel (sample: https://www. Youtube. Com/watch?v=2u7lmcevx9e&t;=98s). P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.

Test subject is given two types of music to listen to, and asked to describe their difference. The color of the first kind of music is not provided, but the color of the second kind of music is orange. This is possibly a color code for the experiment, but may also be what a person with synesthesia sees when they hear it. The first kind of music is considered as merely "entertainment", hence its descriptionthe second (orange) kind of music, according to the subject, affects our spirit, to which the experimenter says "sure".

This is basically a remix of of previous recording. This field recording at frog hollow estate, daylesford, victoria, australia was after dark on a still night when the frogs went mad with joy. And why wouldn't they after 10 years of drought and now it's so wet and the pond they live in is so full with beautiful rainwater. In 15 years this is the noisiest night of croaks. Recorded on a zoom with 96k sample rate and 24 bit depth. I selected these settings to register the whole range of our frog croaks.

Explosion sound. The explosion sound was a mixture of a the initial explosion, the a wind sound that may be heard when there is an explosion and the rumble effect that would also be picked up on. I had to re sample all of these separate operator sounds and then put the audio track in a sampler the add some final touches. These included large hall reverb and utility for the large impact explosion and rumble sound as well as panning, reverb and delay for the wind sound to give it the effect of traveling around a surrounding area with the sound slowly decaying.

My floureon bm 800 tends to get a loud buzz when not used for a while. . . And a good old smack literally fixes it. I did this naturally for this sound sample, but i figured it would make an interesting sound to post here. I would very much like to read how you used this sound in the comments, it's fun to see how people use my stuff. Given the cc0 license, you don't have to credit me of course, it is in the public domain after all, but i wouldn't exactly come complaining if you did!.

It is a recording made with the following instrument´s: 1. Pianito toy model n88e / hk-6015c from china; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

It is a recording made with the following instrument´s: 1. Glass cup and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by roland tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

Huge thanks to erokia for moderating the 9 latest sounds these past days!. --------------------------------------------------------------. Feel completely free to sample "the_hereafter. Wav"!. --------------------------------------------------------------. Sounds like a fusion of good, positive and strong energy. This sound can for example be used in games, for example when the player experiences a beautiful place - you name it!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

My first little attempt at making some film-like sound effects. Alot of bass in this one, tried to cut it below 30-50hz. I just want to point out to the people having a listen, that the sample that streams on the website has a small static-like noise in it. . The download version will not have this noise, i believe the compression for streaming degraded the sound a bit.

Here's a recording of a small campfire in the forest at night made in saint-urbain (charlevoix) pq, canada in a night of august 2014. You can hear wind in the leaves and crickets in the background. It was made with a sound devices usbpre2 into a tascam dr-680 (spdif) and 2 microphones studio project c1 in ortf stereo pattern. A little correction was made in equalization of the sample and the volume was augmented w limiter. It's in 24 bits 96khz , 40hz low cut.

408 cc-zero sound samples culled from freesound. Org and merged into one file. Each 44k mono sound is marked with a cue point that indicates the source. All sounds are public domain and do not need to be credited, and the same goes for this upload -- but if you would like to thank the creator of a sound and/or tell them where you used it, just search for the file name found in the sound's cue point and it will take you to their page here on freesound. Important:if you intend to register a copyright with the government for an original work of yours that uses any public domain sounds, you must indicate them in the registration process, because you cannot copyright public domain sounds.

A sample from a quick flight that i took with a friend on september 8th, 2015. Audio was recorded with a zoom h5. You can hear the engine start, then we idle on the runway for a bit, and you'll hear us make a proper takeoff at about 13:30. After that it generally sounds the same. You'll hear when i crank the level down after takeoff, but you'll be able to easily compensate for it if you're serious about needing sustained flight noise for a small plane. The plane was a 1964 cessna 172e and were flying around vancouver, bc.

It's a recording of me taking some vitamin pills (3xrutinoscorbin). You can hear me taking the box, opening it, pulling out the blister, poping out the pills, putting the blister back into the box, closing the box, throwing it away, taking the pills into my mouth, taking a glass of water, dringing water, swallowing pills, putting the glass on the table, and breathing out. There is much background noise, bu it's static and i leaved a clear sample so you can denoise this. Recorded with a zoom h2 into ardour daw. Originally 4800khz/16-bit wav. Converted to flac with ardour.

This is a bassline of dnb, got 16 bars on 180 bpm or 8 bars on 90 bpm. I did it with a synth using abletondon't forget there is the possibility of you having to amplifier and compress for give more punch. Feel free for use it!. A tip from me to you is cut the bassline in pieces, explore all the locations where you can use for start a song. . . Use short parts of the bassline and use stretch and pitch techniques. Just explore and imagines freaky ways of change small samplers to a big and nice bassline! :d.

Another "shoegazey" clip using guitar though many pedals (boss xtortion > danelectro eq > boss me-30 (no effects on, but working as a slight boost) > eh small stone > korg ax3g (on a pitch/harmonizer setting) > boss dd-20 > behringer ultra vibrato > alesis nanoverb > mixer > soundcard. ) it's kind of similar to the beginning of "souvlaki space station", but it is in no way an approximate recreation (or even the same notes, i'm sure) of it. I messed around with levels and soundcard settings and was able to get a much cleaner, less distorted recording (compared to the guitar drone sample uploaded previously. ).

Stereo recording of a train arriving and departing at aldgate east tube station, and another train departing on the other track. London underground trains have rubber wheels and a characteristic kind of rumble. The doors open and close automatically. Faint tannoy announcement in the background, and a couple of electronic warning tones when the doors open and close. Aldgate east station is huge but has a surprisingly 'dry' and 'dead' acoustic so that it is very quiet when the trains have gone. Recorded on a zoom h2 recorder, front microphones, 90 degree separation. No amplification or equilisation on this sample.

I made a synth snare sound by using deflemask to make it. I also did this with the synth kick sound, too. Do whatever you want with this (like sounds or music) and credit me if you want as pk superstar256 (in a fan project) or ismo-kun games (in a commercial project). Yes, you can use this in things that can make you money, just don't make money off of this sound of its entirety in unedited form. Author's notes: "i was thinking of processing this and the kick sound with distortion and bass boosting, but i decided to leave them unedited. ".

I played the melody and solo of against all odds by gerald albright (ca. 100 bpm, key: db maj)and put effects on it. If you want to have a dry version or something different on the saxophone pls write a comment. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.

A twisted sound of screeching metal and various slam sounds. Made from. . . Well you know from my previous uploads. This sample inspired by twisted metal black a car combat game which had a combination of grungy, dirty and suspensful sound designs of which compliment the downtrodden style are some of my styles of foley considering the genre of "industrial" of technology, metal, machinery and transhumanism. Applications could be used in very run down areas as a cue sound, foley/ambiance for when a person is to be trapped and face danger and/or simply a jumpscare.

An imaginary steam-powered machine runs up to speed and slows to a halt. Created in flstudio 11 with a commuted synthesis model for emulating engines and other cyclic mechanical sounds, also known as virtualmachine, by rurik leffanta. See http://www. Xoxos. Net/about. Html. Flstudio 3x osc noise was used as a hissing sound similar to venting of high pressure steam. The hiss is granulated to simulate a slight sputtering effect. As the machine tempo increases, lf rumble is introduced to evoke the notion of a rolling load. The rumble dies away as the machine slows down. 100% synthesised sound. No audio sample is present in this recording.

The samples of these different types of hickory drumsticks was recorded with reaper and m-audio firewire 410 sound card. All these sounds was picked-upped by akg d5 microphone. There are these samples of. Wav 16 bit 44. 100 khz sound quality:. 1. Pro mark l. A. Special dc hickory march drum sticks2. Pro mark l. A. Special hickory drum sticks 5 a;3. Lutner woodtip hickory drum sticks 7 b;4. Pro mark l. A. Special hickory drum sticks 5 b;5. Lutner hickory drum sticks rock nylon;6. Lutner hickory drum sticks 2 bn;7. Pro mark l. A. Special hickory drum sticks 5 bn;8. Pro mark l. A. Special hickory drum sticks 2 bn;9. Pro mark l. A. Special hickory drum sticks 2 b;10. Lutner hickory drum sticks 5 a.

A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.

It's me saying some words. I've recorded my speech and then used ardour's (http://ardour. Org) looping funtionality (which have proven to be rock-solid) to perform theese glitches. I used my mouse to select random ranges in the session, then used the "]" key to set tre selected region as a loop range. And also used "l" key to start looping if i accidentaly clicked on the playhead (which makes it stop playing). I also used space bar to break the loop into normal playback. There was a limiter in ardour. Recorded the performace using jack_capture cli program. I cut out some silence using audacity and converted the recording to flac.

This is a small jam i recorded myself on my diy spring reverb circuit i've built for a friend. It sounds really good with music. In this session, i've only used coninuous triangle/sine/square waveforms and jammed on my for pots: input gain,hp filter cutoff, feedback amount, output gain. I'm sorry if the recording clips sometimes, but there's a big dynamic so i couldnt see how much loud it was. Feel free to take it and use it for sampling or sound design layering.

A selection of crispy spring onion sounds, suitable for sound effects. Recorded with a sennheiser mkh60 microphone. Sample rate is 96khz, bit depth is 24. Visit our website: www. Pureaudioninja. Com. If you like our sounds, or have any feedback, please leave a comment!it would be great to know how we can make improvements!. If you use our sounds in your production, it would be cool to hear what you used it for, and if you want some karma points, you may credit us as 'pure audio ninja' in your productions.

My contribution to the freesouond collaborative performance of gyorgi ligeti's "poème symphonique for 100 metronomes". The metronome is marked "wittner" and "made in w. Germany". It ran for a little over 13 minutes at about 140. 7 bpm. Recorded on the hardwood floor of my bedroom, with the mic in front about 30 cm away. Equipment used: oktava mk102 mic, art digital mpa preamp, m-audio audiophile card. This sample is completely unprocessed. It looks limited or clipped, but i can't hear it - must be from the tube preamp (i had the gain cranked way up). It's pretty quiet, but if you listen carefully you may hear some noises in the background, especially near the beginning where i leave the room.

A field recording i made. The original file was about 3 hours long, i just cut a cool piece out and uploaded it :: gear: one røde nt-1a (right channel) and one shure 8700 (left channel; eq-based hiss reduction) :: setup: both microphones were mounted next to each other with an offset of about 2. 5 meters :: the preamp for the nt1-a was the on-board preamp of the yamaha mg16/4 mixing console. Directly recorded to adobe audition 3. 0. :: if you like (or dislike) the sample, download, rate and comment!.

I made a synth kick sound by using deflemask to make it. I also did this with the synth snare sound, too. Do whatever you want with this (like sounds or music) and credit me if you want as pk superstar256 (in a fan project) or ismo-kun games (in a commercial project). Yes, you can use this in things that can make you money, just don't make money off of this sound of its entirety in unedited form. Author's notes: "i was thinking of processing this and the snare sound with distortion and bass boosting, but i decided to leave them unedited. ".

Sound of balinese chimes recorded with tascam dr-60 d mkii linear recorder and pair of akg p120 electret condenser microphones on a stagg smc3 3m xlr cable. Knobs of sensitivity were turned in position of highest sensitivity. Microphones were configured as stereo pair and placed face to face in front of each other in distance of 75cm. Microphones placed on stands. Chimes was held in the hand between mics along the way of sight of them, with smallest bell on the side of right microphone. Recorded afternoon in a bedroom with closed door and windows in a house next to high street. Recorded in 96khz and 24bit. Trimmed and normalized in flstudio edison. Normalization made sample 32bit.

A sputtery drum beat. The bass is from freesound, the snare is from a small chop of my fist hitting an oil drum, and the small breath that acts as percussion is from a children's toy. The hi-hats are from vinyl crackles and mistakes in other recordings, made to sound like the crackles themselves are making the music. 88 beats per minute. Used this in my song tai chi, chai tea: https://soundcloud. Com/user-32192831-668958257/tai-chi-chai-tea.

A background retro rain loop, created in milkytracker fromwhite and brown sound waves. If you use the resampler of your audio editing software,you can create different effects with this sample. Sounds like: "rain from indoors", "heavy rain", "light rain" etc. . . -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

This is a percussion beats made at tempo 124. It spans 8 bars and is ready to be looped in your daw. This is a sound i've found in my old foxdot projects, it has a really cool "ocean" or "wave" noise-like sound that repeats at the right then left of stereo, in the end of each 4-bar segement. It layers multiple kicks and snares, with one of the sounds being stretched, that produce this "wave" sound. It can be evaluated in foxdot with the following code to replicate this result. D1 >> play(p[" [--]o h: -"]. Layer("mirror"),dur=pdur(5,8), rate=expvar([0. 09,2],8),sample=2, pan=sinvar([-1,1],16),amplify=0. 5).

This loop can be used in modern electronic music and other musical categories such as free forms like live dj-sets or jazz-like compositions etc. Film-makers, djs, instrumentalists or vocalists can use it as a background for own pieces since this material are premastered and ready for use. We release this source-track under creative commons zero license (http://creativecommons. Org/publicdomain/zero/1. 0/) which allows copying, modifying, distributing and performing commercial use of derivative artworks, all without asking permission. Of course, we would be very glad to hear such pieces. Some our ready to use free sounds: https://soundcloud. Com/tonux-gix/sets.

Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: april 2016, field-recording, sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate.

During my exchange semester i took a class called "sound and electronics in theater". We had to do an editing project where i had to make a 30 second sample of the sentence “a large monster charged a whole group of people. Many people died, but then one man grabbed a machine gun/knife and gunned down/chopped up the monster. ”i only used sounds from freesound. Org and edited and aranged them with reaper. This is what the result sounds like. (well in this uploaded version i removed the ripped spoken quotes from terminator because they were not from this website here :p). Used sound files:30279_thanvannispen_scream_group_women85847__mwlandi__meat_slap_385849__mwlandi__meat_slap_59429_thanvannispen_women_scream_aaa19312__martian__classic_double_swwosh_22350_studiorat_scream_boom_0127980__erdie__rubbing_metal0133447_dobroide_20070407. Slaughter. 0433568_erh_grod_11_animal_535716_analogchill_scream35984__hardpcm__wood02537822_the_bizniss_beast_breathing40158__sagetyrtle__crash43603__freqman__object_falls_5_48673_sea_fury_monster_2 render 00148673_sea_fury_monster_250724__rutgermuller__footsteps_metallic_muffled_louder_www. Rutgermuller. Nl_58793_syna_max_death_scream66113__spazzo_1493__knife_chop22698_dj_chronos_loop_233629__themfish__bulb_smash55234__slykmrbyches__splattt21324_cdrk_scream_02.