955 Royalty-Free Audio Tracks for "See"

Jetzt fahr'n wir übern See

Tochter Zion, freue dich

See the conqu’ring hero comes (from Joshua and Judas Maccabaeus) Tochter Zion, freue dich (Evang. Gesangbuch 13; Gotteslob (2013) 228)

Near saint-nazaire in france, a march on rollers in the direction of the sea. Recorded with a zoom h4.

i see you in furbish.

Impact expression.

Vögel zwitschern an einem frühlingstag am see.

hey, i see you in furbish.

i can't see you in furbish.

Patrick saying farewell as he leaves. Recorded with iphone 11 internal mic.

Submarine sonar.

Saw it.

Creaking see-saw at the children's playground in wellington's botanic garden. Recorded with a tascam dr-44wl.

Me as an announcer.

A ghostly voiceover i threw together in audacity and modified a bit in soundbooth. Feel free to use, credit really appreciated!.

In the book of revelation the lamb of god opens the seals to reveal the four riders of the apocalypse. In turn each calls "come and see" voice recorded with voice recorder on android cell phone and processed/layered 4 times using pitch shift in audacity. This is myself doing some voice acting for my music projects.

This sounds like something else, but my bf bought a new starter motor for my car. I guess he didn't think i should be able to hold it up in the palm of my hand. It's a small car, after all.

Whispering saying "what the frick do i say. . . ". Good for dark music or casting a spell or evil.

I recorded myself running my fingers across a metal radiator, and myself saying i see dead people. I then edited it on audacity.

Just a nod to negativland; a child says yellow, black and rectangular. Is there any escape, from noise?.

What do you see everyday? this is a voice over for like a short and simple story telling or a intro conversation starter.

Household Gods, Aleister Crowley "ALICIA: Yes! in that shadow lurks a smile. See; from that jagged cloud Diana starts Like a deer from the brake; her silver splendour darts Through the crisp air to the grove upon the isle... Do you see her? Do you see her?"

Won't see it comin' (Feat Aequality & N'sorte d'autruche) by Alpha Hydrae

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Auf dem See. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: On the Sea.

Stripper Beat (see other contributions) with Clay the Kid on lead guitar.

Romance, composed by Sergei Rachmaninoff in 1887. See Romance - Rachmaninoff.png.

Big Lou on lead over my Stripper Beat backing track (see my other contributions)

I'll See You In My Dreams on tenor saxophone by Beachcomber. With Band in a Box accompaniment. Gear: Selmer (USA) Liberty TS501L Bronze tenor Sax with Vandoren Optimum TL4 mouthpiece and Rico Reserve #3 reed.

George Frideric Handel: Messiah

Oh, My Corn Field! (Op. 4, No. 5), composed by Sergei Rachmaninoff. Also see Corn song

George Frideric Handel: Messiah

Big Lou Jammin' and Mixing to R8SlowShuffle (see other contributions)

A Bull of Heaven musical piece.

Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png

Oh Gee, Say Gee, You Ought To See My Gee-Gee From The Fiji Isle, a song published on player-piano scroll by the Recordo company (serial number 65080). https://archive.org/details/78_oh-gee-say-gee-you-ought-to-see-my-gee-gee-from-the-fiji-isle_billy-murray-lew-br_gbia0004051a

Created by Hyacinth (talk) using Sibelius 5. See: Image:Debussy Prélude 8.JPG

Four-four pattern with open (o) and closed (+) hi-hat (see: percussion notation).

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

Four Flams (see w:Flam) performed by the United States Navy Band

Mozart's Excerpt K331. Created by Hyacinth (talk) 23:06, 5 November 2011 (UTC) using Sibelius 5. See: File:MozartExcerptK331.png

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

Chromatic scale ascending on C. Created by Hyacinth (talk) 22:25, 7 October 2010 in Sibelius. See: :Image:Chromatische toonladder.png

Synthesized midi rendering of first Kyrie movement of Missa prolationum by en:Johannes Ockeghem. Created with Lilypond. See File:Ockeghem Prolationum Kyrie full.pdf for score.

1000 Hz tone, created by Denelson83 Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

The Più vivo section in Six Moments Musicaux, No. 4. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 4.png.

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

A section in Six Moments Musicaux, No. 1. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 1.png.

Roland CR-78, Rhumba beat with metallic effect. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

MIDI rendering of first ten bars of psalm motet "Domine, ne in furore" by Josquin des Prez. See File:Josquin Domine ne in furore.pdf for source.