285 Royalty-Free Audio Tracks for "Self"

Dropping a stone brick onto a pile of stones, recorded using a self written app on my samsung galaxy phone, converted from mpeg v4 to mp3 using online-audio-converter. Com.

Dropping a stone brick onto a pile of stones, recorded using a self written app on my samsung galaxy phone, converted from mpeg v4 to mp3 using online-audio-converter. Com.

Made using ableton and some self-generated feedback in the studio, this was produced for a stage play in which a character is electrocuted by a faulty amplifier.

This sound is a simple recording of my self roaring and manipulated with cs6 audition. I used this with some feedback based delay and some reverberation to simulate the sound of a dinosaur dying in a game.

Typical cmaj - fmaj - gmaj - cmaj chord progression played with the "space rez" patch i self-programmed in ichiro toda's synth1, with some heavy tal-reverb 4 applied over it.

Turning on a tap running water into sink, recorded using a self written app on my samsung galaxy phone, converted from mpeg v4 to mp3 using online-audio-converter. Com.

Opening or closing a zipper on a backpack, recorded using a self written app on my samsung galaxy phone, converted from mpeg v4 to mp3 using online-audio-converter. Com.

Recorded from inside a plastic tube scraped accross the floor, recorded using a self written app on my samsung galaxy phone, converted from mpeg v4 to mp3 using online-audio-converter. Com.

Breaking or snapping multiple wooden twigs or sticks at once, recorded using a self written app on my samsung galaxy phone, converted from mpeg v4 to mp3 using online-audio-converter. Com.

A hardcore kick i made a few years back. Made a great track out of this, it's called ready to die by my self dre hectik. Hardcore techno. Rave till day break!.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

Well, the title is kind of self-explanatory. Recorded on april 2018, this is the sound of a 18 weeks old fetus heartbeat, beating at 150bpm (approx). Or that's what they told us at the clinic :).

Ein krähender hahna crowing cock. Also check out our new video about a guy who is living self-sufficiently:. Https://www. Youtube. Com/watch?v=ndkarjy8dbq&t=1s.

Semi-generative analog synth sequence (with delay) in random keys. One of a set (a - h). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patch notes:matriarch self-patched & sequenced by noodleboxminimal post-processing in live.

Wo ist doch (a cantata) by Dieterich Buxtehude, performed live by self. Text/lyrics Soprano Wo ist doch mein Freund geblieben? Will Er mich denn nicht mehr lieben? Er hat sich in dieser Nacht, da ich aus dem Schlaf erwachte und an seine Huld gedachte, aus dem Bette weggemacht. Ach ich habe den verloren, den ich einzig mir erkoren! Ach, ich habe nicht betrübt! Er ist der, der mir gefallen, darum soll mein Stimm erschallen: Soprano/Bass Schönste(r), wo befindst du dich? Soprano Hör ich doch des Freundes Worte! Ruft Er nicht an diesem Orte? Soprano/Bass Schönste(r), wo befindst du dich? Bass Du hast mir das Herz genommen, Vielgeliebte! Soprano Ich will kommen, eile fort, erfreue mich! Komm, mein Freund, in meinen Garten! Bass Willst du mich daselbst erwarten? Sieh, ich steh schon vor der Tür, sieh, ich komme, meine Taube, denn dein wohlgegründter Glaube zeucht und neigt mich hin zu dir. Soprano Wenn du unter deinem Schatten mir die Ruhe willst gestatten, dann so ist mir ewig wohl. Soprano/Bass Ich lieb dich, weil du mich liebest und dich mir zu eigen giebest. Nichts ist, das uns scheiden soll. Soprano Du bist, Schönster, meine Sonne. Bass Dir ist schon die süsse Wonne und die Ruh von mir bereit. Soprano/Bass Komm mein Schatz, lass mich dich küssen, denn so kannst du mir / kann ich dir versüssen, alles Leidens Bitterkeit. Soprano Endlich hab ich den gefunden, den ich lieb, meine Freude. Bass So ist verschwunden dir die schrekkensvolle Zeit, weil ich dein bin, meine Freude. Soprano/Bass Komm nach dem gehabten Leide hin, wo dir das Herz/ die Freud bereit. So lieben die Seele und Jesus zusammen. Sie lieben beständig, man scheidet sie nicht. Sie brennen und stehen in lieblichen Flammen, die Seele vergnügt sich in seligem Licht. Wir sehnen uns alle mit Herzens Verlangen, wann werden wir einsten dich, Jesu, umfangen?

Beethoven bird - self-explanatory. Three chirps: at beginning of recording, at -14 seconds and -4 seconds. Recorded with tascam dr-40 and reprocessed to remove background noise. If anyone knows the species for this distinctive call, please post.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Self-noise test of digital output of sound devices mixpre-d, of watch ticking recorded with rode nt1a. Designed as comparison with tascam dr-70d and sony m10 (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

A background sound design element used to create suspense in a horror scene. Very subtle, flowing modulation. Sounds similar to wind. Recorded with a roland groovebox self-sample utility straight to wav, though results in reduced high frequencies.

I burped while recording, and part of it sounded just like a pig. You might expect this to effect my self esteem, but pigs are actually brutally effective fighters and can hold their breath for several months at a time. True story.

A slap self applied to the right cheek with the right hand followed by some pain whispers and background noise from the cars in the street. Recorded with samsung galaxy s7 voice recorder app with high quality settings.

Long record of city rain with thunder. Recorded with 2 x rode nt3 (in stereo mode) using focusrite saffire. Stereo created with v-mode stand for nt3 microphones (self-made). No postproduction.

Recording of a self-serve soda fountain. Begins with ice falling into a cup followed by the drink filling up from a carbonated nozzle. Recorded in the east village commons dining hall at the university of georgia using a roland r-09.

Taking apart a stone wall next door and loading it into a dump truck to be sold for building materials. The recording is in the nature of self defense. This is one particular concise crash. Recorded on a canon s21s. .

A distorted arpeggio with sharp release and long sustain used as a background layer for an a-ha moment in a film. Used a roland groovebox self-record utility straight to wav, which is pretty good, though it results in quieter high frequencies.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Self-noise test of line-level input of tascam dr-70d, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with sony m10 and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

Self-noise test of line-level input of sony m10, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with tascam dr-70d and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

A short layer of rhythmic clanging created as a scary atmosphere in a chase scene. Used a roland groovebox with the self-sampling utility directly to wav. I've found this method results in good sounding recordings, but reduced high frequencies. Sorry, don't know the bpm.

Recorded with sennheiser 8020 in a self made jecklin disk setup to sounddevices 477. Movo wst80 windprotection. I erased the few passing cars but otherwise no filtering. There is of course a lot of low energy which could be filtered or used. . .

Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.

Recorded my self and edited in protools 9 for a theatre performance. Used a ksm 32 and a zoom digital recorder. Text as follows "this concludes our broadcast day. Good night, and god bless america. ".

A self generated cue for a musical. I ha imagined a kite in flight, subsequently caught and destroyed by a nearby tree. I used a stock wood crack, and source files from robinhood76 and aust_paul, plus effects. Completed in pro tools 10.

This is a digital swoosh sound that i made for a track because i couldn't find one so i made it my self using a synth and an fx vst, it sounds like a cross between a sea wave and a jet pass.

Single-pitch heavy distortion with multi-layer. Mild modulation. Made for a emotionally intense moment in a horror film. Toward the middle you will hear a very quiet rhythmic element. Used a roland groovebox self-sample utility directly to wav, which results in good recordings, though reduced high frequencies.

This is not just an ordinary buzz, but is also an electromagnetic oracle that predicts a call. And so, this is just a reconstructed sound ever made on sunvox. ---------------------------------------------------------------. Used music: dj polkovnik - techno 2006 (from spaces. Ru)(c) cherryberd, 2023.

Self explanatory. An empty sound for the 'two minute silence' on armistice day on 11th november each year. This sound has a creative commons 0 license: you don't need to credit me when using it.

This is the announcement made inside a sanisette (a self-cleaning, high-tech street toilet found throughout paris) when the door opens after pressing the button to go in. The mechanical noises are unavoidable because the announcement is triggered by the opening of the door. Recorded with zoom h4n built-in mics / 94 khz / 24-bit stereo.

This is a short section of a very small group of people clapping, either to suggest a very small group being polite, or an awkward and uncomfortably small reaction from a larger crowd. Recorded on blue snowball for the super legit podcast, from layering a variety of self-recorded small bursts of slow applause.

More than two centuries ago some extraordinary people put together documents recognizing what everyone knew: power and control by anyone other than one's self ends, stops, halts, wherever our noses begin. Or whatever part of the body happens to be foremost. Today, hell, it's "fuck that. Do what i say. ". We'll just see about that.

Sounds made with analog modular synth. Analog delay and spring reverb. Is this music or sound-design? something in between. Anyway its made with generative technique. The synth is working by it self. Machine composition.

Kinda self-explanatory, the 8-bit bleeps and bloops from playing a video game. Recorded like this, it was kinda ridiculous but very fun:my laptop when i was playing that little dinosaur game that loads when your page doesn't load -> 1/8" to rca cable -> used one of the rca outputs -> rca to 1/4" adapter -> scarlett 2i2 -> protools.

A metallic pad with lfo weaving in and out in amplitude/filter. Includes some lfo modulation, so some peaks are longer than troughs and vise versa. Used in an experimental scene to symbolize birth. Recorded with a roland groovebox self-sample utility straight to wav, which is pretty good sounding. Though i've found this method results in reduced high frequencies.

No reverberation of the drip2 sample. "plippy". Legend:. "plippy" - short, low attack, low release. "ba-doom-umf" - heavy bass, similar to a large mass object being dipped underwater. Low attack, medium decay, low-medium sustain, low release. "slappy" - self-explantory, low attack but high release. "no-oh-wah" - sort of surreal acoustic profile. A combination of low attack, low sustain and release.

Some sound fx made with modular synth. Could be useful at drum sounds or game sounds. The sounds are unedited and you have to cut em out you self. Sounds a little 8-bit. . . The reason are they are generated from square waves.

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

Impulse response file for use in convolution reverbs. I recommend convology xt by impulse records, free and easy to use. Recorded in a glass box of a hotel shower. And we all know glassy resonant shower reverb is the best. Recorded with a sony d100. Self-reminder to bring more balloons next time.