238 Royalty-Free Audio Tracks for "Semi"

Another series of unintelligible goblin-talk, chattering along in different moods. Recorded on zoom h2, only effect: raised voice by three semi-tones. Feel free to add any effects you need to make it a real goblinish experience!.

Yesterday's edited and shorter recording when it was quite windy. Even with a wind sock over the mics i wasn't able to cut out the wind but hope this is an acceptable edit after going over the recording and taking out the worst bits.

A fountain from a swimming pool. Pool is in a backyard from a house off a semi-busy street, so there is some faint traffic, also some birds and faint wind chimes. Recorded with a roland r-05 digital recorder.

Ice rink skating in februari 2012 on a sunny day. Multiple recordings of skaters passing by. Unexperienced children as well as semi-pros can be heard passing by from right to left. Recorded in annen, the netherlands with a zoom h2 recorder.

Recorded inside of a small, semi-old, elevator in an apartment building going up. Date/time: 30 january 2023, afternoonlocation: malmö, swedenrecorder: zoom h1n. Feel free to use these sounds in any of your projects. Please attribute to cher1101.

A short section of electronic music created in logic with sculpture soft synth, mastered yet fully dynamic and ready to go. Enjoy! 16bit. Wav 44100.

Sounds made with modular synthesizers clouds texture synthesizer & marbles random sampler & semi modular synthesizer behringer crave. Recorded with audacity wav format mono, sampling rate 44100hz 16bits. The 64 wav files complete the 4 mb which supports the korg volca sample. Make noise ;=).

Ambient recording of a semi-residential area in banff, alberta. Recording is quiet. Birds and light wind in nearby coniferous trees can be heard. Recorded using the zoom h2n recorder on the ms raw setting. Decoded to stereo.

The sound of summer in japan. Surrounded by cicadas everywhere in the quiet grounds of sanno hie jinja in akasaka, tokyo i recorded this with 4 mics. Mixed it down and ran it through a compressor/limiter.

A pencil writing on some cardboard. Makes a good scratching sound for something like note taking or plain writing. It's semi-erratic with a couple pauses in between and i took different distances from the mic and angles with the pencil to try and get different sounds.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

Walking down a semi-busy street with fireworks exploding in the background. Cars and trucks driving by. Similar to a street with explosions or gunshots in the background. Clip # 2. Recorded: august 2014, with android voice recorder (mono), outdoors in ottawa in the evening.

Semi-generative melodic analog sequence drenched in delay and reverb. Key of c pentatonic minor, 96bpm. Patch notes:. Moog matriarch sequenced by intellijel metropolis, filtered by ssf stereo dipole and reverb by noise engineering desmodus versio. Minimally post-processed in ableton with compression, eq, and transient control.

Audio sample: steel guitar rag (leon mcauliffe) made with guitartempus testing the virtual steel string acoustic guitar.

Casio mt-36 drum hits. A bit quietly and noisily recorded, but my soundcard can't do much better. Amazing analogue(?, some sounds sound like semi-digital) drum hits, sound kinda like sega genesis noises coupled with a roland 808 charm. I think you may find something worth preserving here - i think at least they're very worth preserving.

Robin, sparrows, other birs and cows in the neighborhood of a cowshed, semi reverberated accoustic. We can also ear some activity from the farm and an engine. France, no 2022. Recorded with 2 clippy em172 in an ab setuprecorded on sounddevice mixpre648 khz, 24 bits, wave stereo.

A field recording of a semi-rural stream and cicadas. The cicadas life cycle means that in some years they are particularly abundant. The recording was taken with a tascam dr-70d (internal mics) and very little processing (only high pass filter to remove location rumble) 24 bit 44. 1 khz.

Collection of 3 places of a smaller river, sorted from slow/quiet to fast/loud. Each spot has 3 perspectives: close, semi close, and distant. Recorded with the m/s capsule of a zoom h6, so it is mono compatible. All of the sounds are part of the pack "rivers" if you want to download all sounds at once.

A simple arpeggiated chord. Spaghetti-western guitar is a set of distorted, semi-ambient electric guitar. It was made with stereotypical cowboy themes in mind, but could be adapted for other uses. All sounds are public domain and do not require credit, but i'd love to hear about how you use them!.

Racking the slide on a glock semi-automatic pistol. It may have been a model 17 or 19. Can't remember now. May require some trimming and buffing. I think i recorded this with an akg perception 200 using cool edit -- and i did it to get my room-mate to leave (after we recorded the sounds of several of his guns and a sword. . . ).

Korg monotribe processed by a doepfer a-100. (bbd and a-199 spring reverb)the clock source is semi-randomized by an lfo and korg sq-1. Recorded with a zoom h-5 and transcoded with ocenaudio.

This is a file that uses multiple files from this website put into one. I wanted to make a semi realistic gunfight and found a few clips to use. There is a lot of gunfire in the beginning. A quarter or halfway through the audio, the gunfire peters out to a few weapons and background noise firing with the occasional sniper fire.

10am sunday in the middle of the lockdown for corona virus, covid19. Recorder left in garden then edited down to remove most of dog barking at neighbours, the few cars that passed and distant conversation that might otherwise ruin the purpose of recording just the bird song. Not the best example of bird song for which i will have to get up at dawn.

Ambience of a quiet street in hamburg with light rain, cars passing by frequently, sound of light rain and raindrops from trees, traffic noise in the distance is very audible. Recorded with a ~30cm ab pair of neumann km183 microphones on a zoom h4.

A man calls cows for milking "allez!", some cows gently moo, hooves on concrete floor. The milking machine start, a woman voice is also calling the animals. General ambiance, small milking parlour with 16 cows and semi automatical machines. Listen also to:. France, nov2022. Recorded with schoeps ab ortfrecorded on sounddevice mixpre648khz, 24 bits, wave stereo.

Mid morning bird song from the 50+ house sparrows that use our side garden to eat from the feeders, perch on the hedges and generally don't go too far away before coming back for another meal. The recent garden birdwatch survey has been published which shows sparrow numbers have increased but are still down from where they were when i was a lad. I'm 72 so that's a long time ago!.

I noticed one night my broken metallic glass screen door was making quite a ruckus in the wind. I grabbed my zoom h1 and a roll of duct tape and taped it to the interior portion of the door. I proceeded to record the semi-contact-mic results here in at 96 khz / 24 bit. Plenty of good stuff to pull from here, imo. Hope you can get some use out of this one. Enjoy.

Short field recordings made with my iphone in august 2013 while visiting family on one of the many small residential islands located in beaufort, south carolina (of forrest gump, the prince of tides, the big chill, and the great santini fame for any movie buffs out there). The loud buzzing is the ear-piercing mating call of the cicada insect, a sound that's hard to escape in the sultry summer months and semi-tropical environment of the south carolina low country. You can also hear tree frogs and i think maybe some birds too. Unfortunately there's also a little ambient whine of an air conditioner at times and me tip-toeing quietly around on the crunchy gravel dirt road. . . Because i didn't realize my iphone would do such a good job of picking up the sound of my footsteps. :). Feel free to make use of these recordings!if you do use them in some way in a project, i'd be curious to hear from you.

You are bidding on! no, these are my pss 270 synth cutter,i finally busted that bitch out of storage again, it is processed through a korg kaoss pad with the reverbeffect. So it is semi noisy, enjoy. ! good for some back drops, if youmess with the glitches you can hit a key to sync the key to a drumloop,and the drumloop becomes the keyloop, ryhthmic isnt it. . . . . I love everyone. Enjoy!.

This is a seamless loop of a semi-rare instrument called the ukelin, out of tune and played incorrectly on purpose. It was given to me as a gift today and i had to sample this thing. This is before i tuned it, bowed across the strings you're expected to pluck and strumprocessed with dmg channel comp, voxengo elephant, internal daw eq, and valhalla room. Multiple loop sections overlayed/crossfaded relooped, then overlayed, crossfaded and relooped again.

The sounds of solway's scrap yard on toronto's ernest avenue. It is an old industrial neighbourhood, rapidly gentrifying. The gentrifiers resent the scrapyard, but it was there first. You can hear the sounds of a mobile crane on caterpillar tracks dumping scrap into semi-trailers which will soon pull out for the steel mills of hamilton. As the trucks are loaded, the drivers chat in the background. Recorded with a roland r05 and a sennheiser mke 400 stereo mike with home-made wind screen on 30 september 2011.

A sample that was made completely by accident. I was recording outside my local park and trying to capture the bird calls (with a semi-successful effort - too much motorway noise is a bit of a bummer) one morning and aimed my uchó pro at the ground as i stood on a sludgey leaves and wet sticks with the input too high - overdriving it but also somehow making a gore sound effect. When i imported it to reaper, time-shifting it - i spotted the unique flavor of crunchiness and wetness it gave.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

A semi-rare and priceless recording (at least to me) of a whippoorwill; a bird who, unfortunately, is declining in many areas of the country. This recording contains more hiss than many of my existing nature recordings, but i still want to post it so you can get sample of this wonderful signature sound of summer woods at dusk. Recording made in the shawnee national forest in late may of 2010 using my zoom h4n recorder. I used an audio technica at8035. I was trying out this microphone. This particular microphone does have a narrow acceptance angle, which is probably 1 reason for the hissiness. Still, go out in the summer woods around dusk sometime and maybe you will get lucky and hear this beautiful little bird whose distinctive calls have livened up the woods for generations of many youngsters – including me!.

This file was recorded on november 19 2013 at london's euston railway station quite close to the arrivals board. It was achieved using an olympus ls-100 digital recorder with cad m179 microphones attached to a jecklin disk (see wikipedia) to obtain the best sound possible. As opposed to quasi-binaural recordings where the user attaches small diaphragm microphones to his/her shirt collar (my usual recording method), the jecklin disk can be mounted on a semi-fixed object such as a floor-standing microphone stand which it was in this case, and left for a few moments for the best possible outcome. Using a jecklin disk means that there are no minute movements from a person trying to stand as still as possible, and for some unknown reason, this setup is able to differentiate in front and behind sound image although i personally do not know why this is the case.

So one of tac0's friends came by with a civilian style contact stun gun and tac0 does what he does best, blasts it a small room for 1/10 of a second. Mp3 48,000 hz at 256 kbps. Also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.

This is an updated (improved is debatable) version of my previous electric contact stun gun firing sound, except longer and without peaking. Oh and higher sampling rate so you can hear all the higher frequencies better when you pitch it down. You'll immediately notice it sounds like the boring buzz of a bee. Oh well, not like you'll get a lightning storm. That's about it. Don't forget to have fun. Copy pasta---also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Or some gau-8 avenger. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.