82 Royalty-Free Audio Tracks for "Seven"

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00:14
Lanner's Schönbrunner, Op. 200, No. 4, mm. 17-23
Author: Hyacinth
00:00
00:53
The Seven Joys of Mary
Author: Melody: from England; setting & sound file: Rabanus Flavus (Peter Gerloff)
00:00
03:15
Edison Amberol Blue Record 2791. Sung by Rhoda Bernard. Cohen owes me 97 dollars (pol. Cohen jest mi dłużny 97 dolarów) – piosenka z 1906 roku charakterystyczna dla twórców i wydawców z Tin Pan Alley skomponowana przez Irvinga Berlina w wykonaniu Rhody Bernard. Čeština: Píseň Cohen owes me 97 dollars je typická pro newyorská hudební vydavatelství Tin Pan Alley, složil Irving Berlin, nahrál Rhoda Bernard roku 1906. Македонски: Коен ми должи 97 долари — песна во композиција на Ирвинг Берлин. Изведено од Рода Бернард, 1906 г.
Author: Irving Berlin
00:00
00:54
Me reading "one five seven lounge" in various styles. Fulfilling request: http://www. Freesound. Org/forum/viewtopic. Php?t=13569&sid=3768de9e712aaf5d4bbb37a510ff6b7a.
Author: Pyrx
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00:01
Fn five-seven firing last round, locking the slide.
Author: Vabadus
00:00
00:05
Short intro cover for the track "seven nation army" form white stripes, with a rubber band.
Author: Eusouojorgefonseca
00:00
01:57
A large pane of mirror glass sitting across two sawhorses is drummed on, making a surprisingly big resonant drum sound. At about 0:18 the inevitable happens: several extra smashing and shattering sounds are audible after the initial break.
Author: Alienistcog
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00:03
My impersonation of the timecard announcer guy from spongebob squarepants. "seven days later" i say.
Author: Insanity
00:00
00:20
Sound originally recorded by enjoypa. Edited to exactly 60bpm.
Author: Carmelious
00:00
00:17
Seven rounds from a lever-action marlin 1984c (cowboy rifle) in. 357 magnum. In most cases, the reports come rapidly on one another - this was necessary in order to eliminate background noise pollution. In one or two cases, there is a nice "decay" as the shot echoes into the distance.
Author: Jon
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00:15
Counting 1 to 10 - australian female voice. Recorded with zoom h4n pro.
Author: Funnyvoices
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00:03
This is an attempt to create the sound of a high velocity handgun, the five seven by twenty eight milimeter, in which the first shot is normal, just edited for the echo associated with a larger caliber handgun, and second shot is editied slightly to mimick the effect of a "silencer". Recorded with samsung hmx-f90,. 22 magnum fired on private firing range, edited with windows movie maker. Enjoy.
Author: Mnslugger
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01:49
Re: http://www. Freesound. Org/forum/sample-requests/32458/.
Author: Tekgnosis
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00:09
Seven steps in A12 equal temperament on middle C. 3(7/12)=1109.47 cents.
Author: Hyacinth
00:00
00:09
*Bohlen-Pierce seven steps on C = H. 37/13 = 1024.13 cents. MIDI pitch bend: 92,71
Author: Hyacinth
00:00
00:06
Seven six chord on C (C7/6). Created by Hyacinth (talk) 15:53, 26 June 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:09
*Seven-hundred-fifteenth harmonic on C = F↑. Just: 715/512 = 578.16 cents. Limit: 13-limit. MIDI pitch bend: 1,57
Author: Hyacinth
00:00
00:09
*Seven-hundred-thirteenth harmonic on C = E♯+. Just: 713/512 = 573.31 cents. Limit: 31-limit. MIDI pitch bend: 58,55
Author: Hyacinth
00:00
00:09
*Seven-hundred-seventy-seventh harmonic on C = G♯+. Just: 777/512 = 722.12 cents. Limit: 37-limit. MIDI pitch bend: 10,71
Author: Hyacinth
00:00
00:09
*Seven-hundred-seventy-ninth harmonic on C = G. Just: 779/512 = 726.58 cents. Limit: 41-limit. MIDI pitch bend: 64,72
Author: Hyacinth
00:00
00:09
*Seven-hundred-thirty-fifth harmonic on C = G+. Just: 735/512 = 625.92 cents. Limit: 7-limit. MIDI pitch bend: 37,72
Author: Hyacinth
00:00
00:09
*Seven-hundred-sixty-fifth harmonic on C = F+. Just: 765/512 = 695.18 cents. Limit: 17-limit. MIDI pitch bend: 58,62
Author: Hyacinth
00:00
00:07
*Seven-hundred-forty-first harmonic on C = G♭. Just: 841/512 = 640.00 cents. Limit: 19-limit. MIDI pitch bend: 102,76
Author: Hyacinth
00:00
00:09
*Seven-hundred-twenty-fifth harmonic on C = F♯+. Just: 725/512 = 602.20 cents. Limit: 29-limit. MIDI pitch bend: 90,64
Author: Hyacinth
00:00
00:09
*Seven-hundred-thirty-first harmonic on C = F♯. Just: 731/512 = 616.47 cents. Limit: 43-limit. MIDI pitch bend: 34,69
Author: Hyacinth
00:00
00:09
*Seven-hundred-ninety-ninth harmonic on C = G♯. Just: 799/512 = 770.46 cents. Limit: 47-limit. MIDI pitch bend: 70,54
Author: Hyacinth
00:00
00:09
*Seven-hundred-seventy-fifth harmonic on C = F+. Just: 775/512 = 717.66 cents. Limit: 31-limit. MIDI pitch bend: 83,69
Author: Hyacinth
00:00
00:09
*Seven-hundred-ninety-fifth harmonic on C = G♯. Just: 795/512 = 761.77 cents. Limit: 53-limit. MIDI pitch bend: 98,51
Author: Hyacinth
00:00
00:09
*Seven-hundred-eighty-third harmonic on C = G+. Just: 783/512 = 735.44 cents. Limit: 29-limit. MIDI pitch bend: 43,75
Author: Hyacinth
00:00
00:09
*Seven-hundred-fifty-ninth harmonic on C = F↑♯+. Just: 759/512 = 681.55 cents. Limit: 23-limit. MIDI pitch bend: 12,58
Author: Hyacinth
00:00
02:49
Bailey's Lucky Seven under the direction of Sam Lanin perform Gee! But I Hate To Go Home Alone. Gennett Records 1922. Bailey's Lucky Seven unter der Leitung von Sam Lanin spielen Gee! But I Hate To Go Home Alone. Gennett Records 1922.
Author: Hanley
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00:15
The Fall of the Village of the Infinitesimal Forest at the Hands of the Royal Aggressor [An Epic in Seven Parts] by Room 34
Author: Room 34
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00:13
The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.
Author: Untitled
00:00
02:49
Classical algerian music (San'a of Tlemcen) Istikhbar Mezmoum, vocal improvisation in the mezmoum mode (one of the seven fundamental algerian modes).
Author: Lazaar BEN DALI YAHIA [1894-1940] (Laazar Sliman)
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00:10
CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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00:33
“Jupiter, the bringer of jollity”, part of "The Planets", Op. 32, a seven-movement orchestral suite by the British composer Gustav Holst, Excerpt for timpani article on the English Wikipedia
Author: (See Musopen for author information)
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01:42
French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.
Author: Composer: Erik Satie Performer: La Pianista
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03:38
French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.
Author: Composer: Erik Satie Performer: La Pianista
00:00
02:43
French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.
Author: Composer: Erik Satie Performer: La Pianista
00:00
03:58
French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.
Author: Composer: Erik Satie Performer: La Pianista
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02:20
French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.
Author: Composer: Erik Satie Performer: La Pianista
00:00
02:53
French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.
Author: Composer: Erik Satie Performer: La Pianista
00:00
02:03
French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.
Author: Composer: Erik Satie Performer: La Pianista
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00:06
Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?
Author: Hyacinth
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00:02
Is a pack of seven dices a d4, d6. D8. D10, 12, d20 and a d100/20.
Author: Myssyf
00:00
02:02
Regular forest river after seven sunny days.
Author: Haklberinko
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00:10
For a game called seven nights at freddy's.
Author: Dumbstorm
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00:16
Seven short evil chuckles. Raw recording with a little dc bias.
Author: Remarknl
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