82 Royalty-Free Audio Tracks for "Seven"

Seven chicks about 3 weeks old in nesting box linked to tv in lounge.

This is the sound of seven chakra tuning forks that have been struck and then placed on a wooden box.

A swarm of cicadas in the distance. They come up from the ground every seven years.

Rock Seven seconds of orgasmic metal glory! To hear more of the diverse musical catalog of Brett Van Donsel, visit www.brettvandonselmusic.com - Brett VanDonsel

Synth phrase looping. Seven youths. Fl studio.

Made this sound in massive part of my recent collab ep on soundclound, my soundcloud is s7even up.

I took an elk's mating calls and manipulated them to sound like a monster scream. I use this for nightgaunts in our podcast ballad of the seven dice.

I recorded seven types of a voice saying, “oh baby!”. You can use these sounds however you want. Just give me credit before using it!.

“noc noc'': knocks on wood with quick breaks. Three knocks, then seven knocks, then seven knocks again. Sound recorded by adobe auditions, with shure vp89 shotgun microphone with behringer u-phoria umc404hd audio card. Sound recorded at ort school's foley studio in february 2022. ". "noc noc”: batidas na madeira com intervalos rápidos. Três batidas, depois sete batidas e novamente sete batidas. Som gravado pelo adobe auditions, com microfone shotgun shure vp89 com placa de áudio behringer u-phoria umc404hd. Som gravado no estúdio de foley da escola ort em fevereiro de 2022. ".

A bit of outdoor sound that is almost nothing, yet provides a sense of realism to conversation or other sounds. A minute and seventeen seconds of loop-able background recorded before seven am.

Seven different varieties of "ow. " this was recorded using an audio-technica atr-3350 lavalier omnidirectional condenser microphone clipped to a microphone stand and fed through a yamaha audiogram 3 usb recording interface. It was recorded and edited using adobe audition.

An abberation breathing. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches and used reverb to give it that strange feeling.

Using a mfj electonic keyer paddle. . The "sos" code is repeated at about 20 words per minute seven times. Interior recording - stereo 44. 1khz at 16bits with sony mini-disc recorder 2005.

Originals made with these tools :# fl studio 11# adobe premiere pro cs3# boss digital studio br-864# microphone sony f-730# harman kardon 20 in analog system# suzuki electric guitar sls-50bk# keyboard casio.

This is a recording of a train going through two stations in a city (bristol)on the seven beach line. It is a diesel train. It is not a high speed train.

A short piece of text beginning "until the philosophy which holds one race superior. . . " read out at the request of user escortmarius. Seven takes, getting progressively further from the mic and more emotionally varied. Mic: akg c414, converter: steinberg mr816x, daw: cubase 6.

Seven minutes of weirdness. . . Experimenting with the free vst plug-in called manic from de la mancha;http://www. Delamancha. Co. Uk/manic. Htmthe vocal samples are a free set from les productions zvon called julie's vocal fx volume 2;http://www. Lesproductionszvon. Com/freesounds. Htm.

An echoing call of the idiot god from the deep recesses of space. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to draw it out and deepen it.

A gibbering mouther roaring at an adventurer. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

A gibbering mouther shrieking after being frightened or damaged. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

A gibbering mouther crying while wounded or dying. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

Over seven minutes of rolling waves breaking next to shore. It was windy, so you hear some of that too. Occasionally you can hear people and birds in the background. Recorded on a tascam dr-40 and cleaned up in audacity. If you use it, shout-outs welcome: production-now. Com.

An insectoid clicking noise being used for echo location. I used this for a monster our party faced in ballad of the seven dice. This was done by foley work i was doing. I modified my voice with numerous effects in audacity to change the pitches as well as increase the speed of it.

Sb 9. 16. 24 — thus jamadagni, being worshiped by lord paraśurāma, was brought back to life with full remembrance, and he became one of the seven sages in the group of seven stars. Sb 9. 16. 25 — my dear king parīkṣit, in the next manvantara the lotus-eyed personality of godhead lord paraśurāma, the son of jamadagni, will be a great propounder of vedic knowledge. In other words, he will be one of the seven sages. Sb 9. 16. 26 — lord paraśurāma still lives as an intelligent brāhmaṇa in the mountainous country known as mahendra. Completely satisfied, having given up all the weapons of a kṣatriya, he is always worshiped, adored and offered prayers for his exalted character and activities by such celestial beings as the siddhas, cāraṇas and gandharvas. Sb 9. 16. 27 — in this way the supreme soul, the supreme personality of godhead, the lord and the supreme controller, descended as an incarnation in the bhṛgu dynasty and released the universe from the burden of undesirable kings by killing them many times. Sb 9. 16. 28 — viśvāmitra, the son of mahārāja gādhi, was as powerful as the flames of fire. From the position of a kṣatriya, he achieved the position of a powerful brāhmaṇa by undergoing penances and austerities.

A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.

Deep male voice counting to ten with additional words for video games. Transcript:one, two, three, four, five, six, seven, eight, nine, tenready?let's go (v1) let's go! (v2)levelbeginmatchvictoryfailurefightlevel onelevel twolevel threeupgradebonus. You have my express permission to use this track any way you like. Please visit steprockmedia. Com for custom work and mention freesound for a discount.

This is the sound of metal dock posts being driven in during maintenance at a marina in vancouver, canada. They pounded some of them a hundred times without out any obvious movement. This is a recording of seven consecutive hits. There is a lot of echo after each strike with the slight sound of rattling chains after each one.

Hello,this is the_very_real_horst out of duisburg, germany. Sound you'r listening to belongs to two little tibetan silver bowls;those normaly were used in couples of two, three, seven or nine as sacrificial bowl on home altar of tantric buddhisme, with rice, water, salt etc. For they have different sound, i pushed them with my ancient pendant of alittle chinese sword; that i find it sounds good;. Thank you for sharing my interest for ancient musicinstruments. Joy and peace on your way,the_very_real_horst from duisburg, germany.

Formatted for use in the make noise morphagene. Seven chords from my fender rhodes, each on its own splice, centered around a bb-minor root. The rhodes was running through an mxr zw-44 for mild overdrive, and the signal was boosted with a focusrite scarlett dynamic octopre. This reel was originally created for a guest post on the noise engineering blog: https://www. Noiseengineering. Us/blog/2017/9/18/modular-tips-and-tricks-guest-post-rheyne. Here's a video using this reel: https://youtu. Be/cyhpcbu71rc.

Finally, my first contribution to freesound. Org. I'd be interested to know where you use this. There was a single hornet airshow in kuopio harbour today. Recorded the whole seven to eight minutes long show in a relatively secluded location, so there is minimal to none audience in the recording. I left half a minutes of ambient recording to both ends of the recording. Recording device: sony pcm-m10recording format: 24 bit, 48. 0 khz, stereo pcm, wav.

Over 250 public domain sounds curated from freesound and the internet archive. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them. To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. For any internet archive sounds without an address, you just need to search the public domain files for the song/video name. Use this search argument: licenseurl:http*publicdomain* and (name of file here). Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.

This intro was produced for the german "grinkenschmidter winterfest 2018" show and is now available for you. Text:ladies and gentlemen - may i have your attention please!the show starts in ten - nine - eight - seven - six - five - four - three - two - one - go. -----------------------------------------------due to recent events i would like to share this statement with you:no, i did not sold this countdown sample. It was - and of course still is - cc0 licenced and you are allowed to use it anywhere. If you receive a copyright claim from youtube or someone else this is generally because people used it in their productions and distributed them commercialy, which is ok, because this sample is cc0 licenced. But the "content id scanning system" of youtube thinks by mistake that the distributor is the exclusive copyright holder of that sample/track. Such systems are prone to errors and will probably never work perfect. . . If you run into such issue, please dispute the copyright claim and refer to this sample on freesound. Org and the cc0 licence:http://creativecommons. Org/publicdomain/zero/1. 0/. Regarding to all my sounds you are really safe when you do this and if you require any further assistance please do not hesitate to contact me!. You can find more information here:https://freesound. Org/help/faq/#a-freesound-sound-i-used-in-a-youtube-video-got-copyright-claimed-what-should-i-do-----------------------------------------------.