82 Royalty-Free Audio Tracks for "Seven"

Seven different varieties of "ow. " this was recorded using an audio-technica atr-3350 lavalier omnidirectional condenser microphone clipped to a microphone stand and fed through a yamaha audiogram 3 usb recording interface. It was recorded and edited using adobe audition.

An abberation breathing. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches and used reverb to give it that strange feeling.

This is a recording of a train going through two stations in a city (bristol)on the seven beach line. It is a diesel train. It is not a high speed train.

Using a mfj electonic keyer paddle. . The "sos" code is repeated at about 20 words per minute seven times. Interior recording - stereo 44. 1khz at 16bits with sony mini-disc recorder 2005.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

A short piece of text beginning "until the philosophy which holds one race superior. . . " read out at the request of user escortmarius. Seven takes, getting progressively further from the mic and more emotionally varied. Mic: akg c414, converter: steinberg mr816x, daw: cubase 6.

A large pane of mirror glass sitting across two sawhorses is drummed on, making a surprisingly big resonant drum sound. At about 0:18 the inevitable happens: several extra smashing and shattering sounds are audible after the initial break.

Seven minutes of weirdness. . . Experimenting with the free vst plug-in called manic from de la mancha;http://www. Delamancha. Co. Uk/manic. Htmthe vocal samples are a free set from les productions zvon called julie's vocal fx volume 2;http://www. Lesproductionszvon. Com/freesounds. Htm.

“Jupiter, the bringer of jollity”, part of "The Planets", Op. 32, a seven-movement orchestral suite by the British composer Gustav Holst, Excerpt for timpani article on the English Wikipedia

An echoing call of the idiot god from the deep recesses of space. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to draw it out and deepen it.

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

A gibbering mouther roaring at an adventurer. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

A gibbering mouther shrieking after being frightened or damaged. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

A gibbering mouther crying while wounded or dying. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

An insectoid clicking noise being used for echo location. I used this for a monster our party faced in ballad of the seven dice. This was done by foley work i was doing. I modified my voice with numerous effects in audacity to change the pitches as well as increase the speed of it.

Over seven minutes of rolling waves breaking next to shore. It was windy, so you hear some of that too. Occasionally you can hear people and birds in the background. Recorded on a tascam dr-40 and cleaned up in audacity. If you use it, shout-outs welcome: production-now. Com.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three published in 1893, and the first piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three published in 1893, and the second piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Sb 9. 16. 24 — thus jamadagni, being worshiped by lord paraśurāma, was brought back to life with full remembrance, and he became one of the seven sages in the group of seven stars. Sb 9. 16. 25 — my dear king parīkṣit, in the next manvantara the lotus-eyed personality of godhead lord paraśurāma, the son of jamadagni, will be a great propounder of vedic knowledge. In other words, he will be one of the seven sages. Sb 9. 16. 26 — lord paraśurāma still lives as an intelligent brāhmaṇa in the mountainous country known as mahendra. Completely satisfied, having given up all the weapons of a kṣatriya, he is always worshiped, adored and offered prayers for his exalted character and activities by such celestial beings as the siddhas, cāraṇas and gandharvas. Sb 9. 16. 27 — in this way the supreme soul, the supreme personality of godhead, the lord and the supreme controller, descended as an incarnation in the bhṛgu dynasty and released the universe from the burden of undesirable kings by killing them many times. Sb 9. 16. 28 — viśvāmitra, the son of mahārāja gādhi, was as powerful as the flames of fire. From the position of a kṣatriya, he achieved the position of a powerful brāhmaṇa by undergoing penances and austerities.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.

Deep male voice counting to ten with additional words for video games. Transcript:one, two, three, four, five, six, seven, eight, nine, tenready?let's go (v1) let's go! (v2)levelbeginmatchvictoryfailurefightlevel onelevel twolevel threeupgradebonus. You have my express permission to use this track any way you like. Please visit steprockmedia. Com for custom work and mention freesound for a discount.

This is the sound of metal dock posts being driven in during maintenance at a marina in vancouver, canada. They pounded some of them a hundred times without out any obvious movement. This is a recording of seven consecutive hits. There is a lot of echo after each strike with the slight sound of rattling chains after each one.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the sixth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Hello,this is the_very_real_horst out of duisburg, germany. Sound you'r listening to belongs to two little tibetan silver bowls;those normaly were used in couples of two, three, seven or nine as sacrificial bowl on home altar of tantric buddhisme, with rice, water, salt etc. For they have different sound, i pushed them with my ancient pendant of alittle chinese sword; that i find it sounds good;. Thank you for sharing my interest for ancient musicinstruments. Joy and peace on your way,the_very_real_horst from duisburg, germany.

Formatted for use in the make noise morphagene. Seven chords from my fender rhodes, each on its own splice, centered around a bb-minor root. The rhodes was running through an mxr zw-44 for mild overdrive, and the signal was boosted with a focusrite scarlett dynamic octopre. This reel was originally created for a guest post on the noise engineering blog: https://www. Noiseengineering. Us/blog/2017/9/18/modular-tips-and-tricks-guest-post-rheyne. Here's a video using this reel: https://youtu. Be/cyhpcbu71rc.

Finally, my first contribution to freesound. Org. I'd be interested to know where you use this. There was a single hornet airshow in kuopio harbour today. Recorded the whole seven to eight minutes long show in a relatively secluded location, so there is minimal to none audience in the recording. I left half a minutes of ambient recording to both ends of the recording. Recording device: sony pcm-m10recording format: 24 bit, 48. 0 khz, stereo pcm, wav.

Edison Amberol Blue Record 2791. Sung by Rhoda Bernard. Cohen owes me 97 dollars (pol. Cohen jest mi dłużny 97 dolarów) – piosenka z 1906 roku charakterystyczna dla twórców i wydawców z Tin Pan Alley skomponowana przez Irvinga Berlina w wykonaniu Rhody Bernard. Čeština: Píseň Cohen owes me 97 dollars je typická pro newyorská hudební vydavatelství Tin Pan Alley, složil Irving Berlin, nahrál Rhoda Bernard roku 1906. Македонски: Коен ми должи 97 долари — песна во композиција на Ирвинг Берлин. Изведено од Рода Бернард, 1906 г.

This intro was produced for the german "grinkenschmidter winterfest 2018" show and is now available for you. Text:ladies and gentlemen - may i have your attention please!the show starts in ten - nine - eight - seven - six - five - four - three - two - one - go. -----------------------------------------------due to recent events i would like to share this statement with you:no, i did not sold this countdown sample. It was - and of course still is - cc0 licenced and you are allowed to use it anywhere. If you receive a copyright claim from youtube or someone else this is generally because people used it in their productions and distributed them commercialy, which is ok, because this sample is cc0 licenced. But the "content id scanning system" of youtube thinks by mistake that the distributor is the exclusive copyright holder of that sample/track. Such systems are prone to errors and will probably never work perfect. . . If you run into such issue, please dispute the copyright claim and refer to this sample on freesound. Org and the cc0 licence:http://creativecommons. Org/publicdomain/zero/1. 0/. Regarding to all my sounds you are really safe when you do this and if you require any further assistance please do not hesitate to contact me!. You can find more information here:https://freesound. Org/help/faq/#a-freesound-sound-i-used-in-a-youtube-video-got-copyright-claimed-what-should-i-do-----------------------------------------------.