51 Royalty-Free Audio Tracks for "Sine Wave Tones"

Sine wave test tone at 440hz.

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409 Hz tone

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I ported this file in audiocheck. Net/audiofrequencysignalgenerator_sinetone. Php.

422.5 Hz tone

423.2 Hz tone

Full volume 1 kilohertz sine wave in stereo.

451 Hz tone

480 Hz tone

439 Hz tone

435 Hz tone

450 Hz tone

430.54 Hz tone

880 Hz tone No creative content.

A post-industrial feeling created with a tone generator, layering and reverb.

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

A simple 440 hz tone (sine) created in audacity. Or at least that's what it's supposed to be. . . For some reason, when i uploaded it, it sounded all distorted.

A test tone that can be used for final mix for tv and other similar media. It contains 10 seconds of silence and then 30 seconds of a 1khz test tone (sine wave) with the digital level set at -6dbfs. Uploaded as 24/48 wav for post production work. See http://en. Wikipedia. Org/wiki/dbfs for some details on analogue alignment levels.

An augmented fifth in just temperment. The first tone is a sine wave of 300Hz, the second is 468.75 Hz, the third is the interval. Made with NCH tone generator

1000 Hz tone, created by Denelson83 Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

This is a smoothly rising shepard tone that i created using adobe audition 3's tone generator. I generated the tone as sine waves in 7 different octaves and mixed the results together. The period of repetition is 10 seconds. (this is a second version in which i removed the phase variance, making the sound monophonic for all practical purposes).

First, a 440hz tone will play on the LEFT side. Then, it will stop and play a 440hz tone on the RIGHT side. This is for testing which side is which, and if your stereo system is working properly.

This tone is 485hz, slightly below the note b3 (493. 8hz). It's roughly the same frequency of the b tibetan bell in this package. End and start are well glued into a continuous wave (tested in unity 3d). Made with audacity.

A sound file playing the interval of an augmented fifth, in equal temperment. The first tone is a sine wave at 300 Hz, the second is at 476.1 Hz, the last is the interval. Made with NCH Tone generator.

Set computer volume level at normal. Using headphones or your speakers, play each tone, gradually decreasing the volume until you cannot detect it. Note the volume setting (i know, this isn't easy if you don't have a graduated control, but you can make some arbitrary levels using whatever indicator you have on your os). Repeat with next tone. Try the test with headphones if you were using your speakers, or vice versa. Fyi: http://en. Wikipedia. Org/wiki/hearing_range.

This sound consists of sine waves only playing the musical note c, each for a total of 10 seconds. Rendered as a 200/32 wav file (linear pcm, 32 bit little-endian floating point, 200000 hz) in audacity.

This is part of a experiment on pitch difference. The audio consist on the 12 semitones of an octave, made up with sine waves.

I made this using two oscillators in native instrument's fm8 synth. There is nothing too fancy, just two sine waves played out the same output, but one has an offset of 440hz, and the second oscillator has an offset of 330hz. I then just played two notes that didn't sound too dissonant, and then ran it through some low-fi processing.

Example of a simple sine wave that is timed by limiting the number of samples. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

I generated a sine wave with audacity, and applied the wahwah and phaser effects multiple times with different settings. I don't know what i would use this for, but it's fun to listen to.

I wanted to make a very gentle wakeup alarm for my android phone. It's a 25-minute long fade in of a pure 3-khz tone. Created with audacity. I encoded this to ogg vorbis for personal use, but i'm sure you can do this better for yourself (maybe you'll prefer other format), so here you have a quality flac file for source.

Its a sine wave folded 4 times by a cgs inspired wavefolder module (kinda like the metalizer from the minibrute). The whole thing is then modulated with an external function generator that controls amount and frequency of modulation. This is what came out and it's pure junky drone noises, so goddamn nasty. Absolutely love them. Feel completely free to sample this and use it for your own purposes. This is a diy synthesizer i'm building and unfortunately it is still a prototype, but i'm gonna finish it soon and hope to sell it. Cool indeed, isn't it?.

I made this as a near ultrasonic sms signal. Created and edited with audacity, filtered with glame bandpass filter. If you hardly cut a pure tone, you introduce a whole lot of other frequencies to the signal at the cutting point. To avoid this after the cutting you need to filter the whole thing with a bandpass filter to ensure you have as little other frequency content as possible. It will audibly soften the start and the end of the sound. That's what i did here.

**warning**: do not play this sound with full volume on speakers with an amplifier; you risk damaging the driver through exertion. Format: wav - 24 bit, 44. 1khz [mono] - loopabledescription:a 30 second long pure sine wave of 14hz, at a constant spl level of -5 decibels. The audio file is loopable with a coherent crossing point from end to beginning. If you would like to read up on the infrasound phenomenon go here:http://goo. Gl/gmbsvm. Methodology:synthesis generation in sound forge pro macosx. -------------. This can be used for experimental purposes. I used infrasound in a horror film; attempting to create a physical sense of terror with the motion picture at specific times. It is believed by some that a high enough amplitude of infrasound can be used as a weapon. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this sound is licenced under cc0 [public domain] - so you are free to use and abuse it. I wouldn't mind a credit though if you're feeling generous. . .

A simple sine wave beep running through soft saturation and modulation, then being exported deliberately at 8khz and 8bit to simulate the low quality of a phone call. Use this as a standard beep sound coming through a phone speaker. The latter half is a little faster to enable a simulation of hanging up or the call being rejected.

Four seconds of 1khz. You've probably heard it before in a tv test pattern or to censor out swear words. You can use it for any of these and more, you don't have to credit me! (this sound has a creative commons 0 license)thanks, and have fun with this sound!kwahmah_02.

Sine wave tone in 440hz.

Sine wave tri tone down large verb.

Pure tone put through paulstretch effect in audacity gain a ghostly ambience.

A 1khz wave, often used as an effect for a flatline, test pattern, censorship, etc. This one more for effect (such as a movie) than a test tone. There's a nice stereo effect to make it more exciting, made by producing it as a sine wave for the left channel and a triangle for the right. The sine wave is at a slightly lower volume to make the 1khz fundamental the same volume level in both channels.

Generated in audacity by applying the vocoder effect to a sine-wave tone from a spoken work, "yes", recording and then removing the voice component. A short sine-wave tone was then appended to the end of each pulse to create a futuristic heartbeat sound. File available in. Wav,. Mp3, and. Aiff formats.

A simple ringtone from star trek: into darkness created with after effects. It was simply a sine wave produced in adobe after effects, edited with a few volume adjustments.

Creategenerate sine wave tone, frequency = 340. 00 hz, amplitude = 0. 80, 30 secondsduplicatedapplied effect wahwah…frequency = 4. 0 hz, start phase = 280 deg, depht = 92%resonance = 6. 9 frequency offset = 30%applied effect : tremolodeleted 30 seconds at t = 0. 0generate sine wave tone, frequency = 330. 00 hz, amplitude = 1. 00,30 secondsapplied effect wahwah… frequency = 1. 5 hz, start phase = 359 deg, depht = 33%, resonance = 6. 9, frequency offset = 30%duplicatedtime shifted tracks/clips right 0. 61 secondsmixed and rendered 2 tracks into one new mono trackapplied effect : tremoloapllied effect : apple : audistortionapplied effect : valve saturationapplied effect sliding time scale/pitch shiftduplicatedgenerate sine wave tone, frequency = 120. 00 hz, amplitude = 1. 00, 22. 000000 secondsdeleted 44. 91 seconds at t = 0. 00mixed and rendered 2 tracks into one new mono trackapplied effect: compressornormalize to 0 db.

Bass warning!a 13second sinewave, the tone sweeps up from exactly 20hz to 190 hz then stops. It was recorded in logic pro & i use it from time to time to do sub sweeps. If your speakers are loud please don't have them cranked up without hearing low first.

This sound was created as follows:. -zynaddsubfx free (and insanely amazing) software synthesizer generated simple g tone using a sine-wave adsynth engine- creative sbs 250 speakers played it back distorting the sound naturally and adding some interesting stereo phasing effects (is that caused by analog signal cable being longer for one speaker?)- i was manually changing the volume using the speaker's potentiometer (whitch is dirty and added some interesting noises on the right speaker, and also at peak loudness during the 54th second the right speaker is quiet)- the output was captured by zoom h2's rear mics- and recorded via usb into audacity free audio editing program- i exported the recording as 16-bit flac.

For this sound, i generated a sine wave at a frequency of 440 hz, an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- tremolo2- repeat (x2)3- fade in (half of the sounds)4- fade out (the other half of the sounds)5 -studio fade out6- cut a part7- repeat8- cut to have the song 3 times. After all this effects, the sound is like an alarm.

Yes! så nöjd att detta ljud hände, typ! let me take this info in swedish, okay. Buchla style slow krell. En modulerande osc och en som moduleras, men man hör bägge i mixen! ena osc går via en lpg den andra via vca/mix. Till det "skrynkliga" ljudet använder jag en pip slope modulerad av jerkoff och sloth. Ljudkällan är en sinus som går via en lugnt modulerad wave shaper. En envelope follower plus sloth ger en trg till en s/h ibland och då byts tonen. Skrynkelljudet går även till mitt analoga delay. Tonen är även liiite modulerad av en env. Ganska west coast och buchla. . . Google translate :-)buchla style slow krell. A modulating osc and one that is modulated, but you can hear both in the mix! ena osc goes via a lpg the other via vca / mix. To the "creepy" sound i use a pip slope modulated by jerkoff and sloth. The sound source is a sine that goes through a quietly modulated wave shaper. An envelope follower plus sloth gives a trg to an s / h sometimes and then the tone changes. The cry sound also goes to my analogue delay. The tone is also liiite modulated by an env. Pretty west coast and buchla. . .

This is my recreation of the noise in the background of a video shot on a consumer grade minidv camcorder (a well used one). I haven't had a minidv camcorder on hand for a few years and nobody i knew would give me a recording of just tape motor noise so i went to create the noise myself. This sound is a combination of a very badly pressed dvd in my computer's drive mixed with a tone made in audacity (up one octave from the tone that the disc ended up creating), all mixed down and brought down in volume. I know it's not a prefect recreation, but i don't have a minidv camcorder on hand so this is about as good as i can get it. If anyone has access to an anechoic chamber, a fresh tape, and a well used consumer grade minidv camcorder, please get in touch with me. I'd like the real deal better than my recreation that i did in my spare time. Note on recreating the noise out of hdv camcorders. They have slightly different hardware and as such will create different bearing noise (most times, there's an extra whine on top of the familiar bearing whine heard from standard dv camcorders). I forget the exact frequency, but it's somewhere in the neighborhood of 840hz-860hz and it's a sort of sine wave, but a modest bit more jagged. You'll have to provide your own stock camcorder mic hiss as each camcorder is different (not for definite sure on sony camcorders, but canon camcorders have a pink-ish white noise in about that era).