658 Royalty-Free Audio Tracks for "Solo"

Sonido grabado el 28 de abril de 2020 con un celular huawei en dosquebradas, risaralda. La industrialización no solo está en las fabricas de la ciudad, hoy las maquinas intervienen en casi todas nuestras actividades.

Enregistrement de l'exposition coloniale

A short jati (phrase) played on the mridangam, a percussion instrument used in carnatic music of india. It is a part of a long mridangam solo. The mridangam is tuned to c#.

Enregistrement de l'exposition coloniale

Test guitar solo. Bright noise as artifact of notebook mic input agc (automatic gain control) made in the imposition of a previously recorded. Recorded: 20-10-2013notebook: aspire-5742g, windows 7, asio4all driver, sonar x2, noise gate and vox plug-ins. Guitar: squier stratocaster, south korea, early 1990, with pickup saymour duncan at bridge position. Very very old strings. Guitar connected directly to notebook mic input. Exported to wav 44000/16. Encoded into mp3 with linux console: lame -b 320 -m s soloprev3. Wavlame version: lame 64bits version 3. 99. 5 (http://lame. Sf. Net).

1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 2a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Pericón nacional (Aire Nacional) Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

1st release date: 1908 1st recording date: 31 December 1907 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: Tango de los negros Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

Soundtrack made by two tracks of guitar and some delay effects. Recorded with a cheap spanish guitar to test my brand new akg 214. Recorded at home through an avid fast track solo device to reaper.

This is a sample of my own voice that i am using in a song. This would work well in the breakdown sections of metal songs. I use it right before a solo.

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This strange sound was produced by sliding a empty bottle upside down through a glass of water, changing its resonance and the frequency of the sound. Recorded with focusrite solo, sennheiser 64.

Keyboard deephouse edm loop sample masteredi made the score in maestro. Edited: adobe + fxs + mastered.

Alien tech sounds in separate wave forms, to splice up or use consecutively as recorded. "raiders of the lost clam!!!" uses freesoundorg sounds!.

Written by Bix Beiderbeck (1903-1931). Performed by Jess Stacy.

I have performed this improvisation with my oboe (marigaux) in my house in rome , italy , 1 september 2015. I recorded with a tascam dr - 05 and i added a bit ' reverb with logic pro x.

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Bluesharp loop sound hard rock guitarampplayed my blues harprecorded tascam dr-05xedited: adobe + fxs + mastered.

A stretched and reverberated version of the final minor 9 chord of my song for solo piano, titled fate. It had no purpose just sitting in my audio folder so i decided to upload it here. Enjoy!.

Adult male laughing, solo in studio record. Use it for whatever, would love to know what for! email me if you'd like, no credit needed, chadchenail1@gmail. Com.

Italiano: Vincenzo D'Annibale (musica), Libero Bovio (parole): «O Paese d' 'o sole». Versione solo strumentale ottenuta al sintetizzatore dotato di banco audio Musyng Kite da 0,99 Gigabyte di Cose Vidal (2014).

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1st release date: 1910 1st recording date: 26 February 1910 Place of recording: Buenos Aires (Argentina) Author(s)/Composer(s): Arturo Navas (1876-1932) Lyricist(s): none Music arranger(s): none Conductor: none Performer(s): Arturo Navas (1876-1932) Vocal range: Baritone Title/Work: El Cimarrón - Cifra, 1a parte Content: Male vocal solo, with guitar Genre(s): Folklore (Argentina/Uruguay)

Enregistrement de l'exposition coloniale

On a music tour mostly travelling along the volga river and stopping at various places on the way. Captured on portable cassette recorder. Deep into the night on deck of boat, a trumpet. May 1992.

This is a recording on an old italian violin of me improvising, exploring dynamic range, free rhythms, tonal variation, and glissandi. It was recorded in my living room with a zoom h4n recorder. I added a small amount of reverberation using audacity.

Enregistrement de l'exposition coloniale

Experimented with some gargle sounds. Might work well with monsters or zombies. Cut these samples up and use them however you like!.

Enregistrement de l'exposition coloniale

I played the melody and solo of against all odds by gerald albright (ca. 100 bpm, key: db maj)and put effects on it. If you want to have a dry version or something different on the saxophone pls write a comment. Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls also write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.

Blues harp guitar amp distorted sfx loop soundplayed my blues harprecorded tascam dr-05xedited: adobe + fxs + mastered.

Heavy distortion with some ample amount of delay. The very beginning is rather moody and trippy, then it kicks in for a slow arena rock style guitar solo, then some random notes for the ending.

This is a solo acoustic slide guitar noodling round with a country-ish melody. I've added some splices here and there to make it easier to navigate. Quite good fun to modulate the position and gene size to create some eerie rhythmical effects. Have fun!.

A binaural recording of the tea river in pontevedra, spain. File recorded with soundman okm ii classic/studio solo and a tascam dr100 mkiii. 96 khz sample rate.

Amazing Grace (solo vocalist with acoustic guitar accompaniment) performed by Southern Aire of the United States Air Force Reserve Band. Track 18 from Glorious Past, Boundless Future (2002).

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Little loop with some soloing over it about halfway through, chop the beginning for an intro or use the wacky melody that comes in about halfway through. Its basically in lydian mode, so suitable for indian or just for fun.

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A sample of 4 quick hammered notes (a,b,d,e)on a electric guitar using the neck pick up. I recorded it through a pod xt and an old 4 track. It was cut from a song i recorded for my solo project "the heirs of rockefeller".

Performed foley recording for picture of a man who walks slowly in his old abandoned camping hut/house. There's walking, stopping and some foot scrapes as well. Might be useful!. Sennheiser 416 into uad solo 610 tube preamp.

Enregistrement de l'exposition coloniale

A binaural field-recording of the tea's riverside( pontevedra, spain). Sample rate: 96khz. Equipment: soundman okm ii classic/studio solo and tascam dr-100 mkiii. A raw recording (non edited).

Weird e-piano/synth ditty, used a few times in tracks over the years. Has a peculiar moody quality. Anyway i'd probably just process the hell out of it with distortion/granulation/slicing and using it as a droney texture because it's sloppy and weird.

Me lighting up a. . . Cigarettei used this for a audio poetry project and thought it might be useful. The recording is not edited and thus relatively quiet, but since the quality is rather good you should be able to amplify it as needed. Recorded with rode nt1-a via focusrite scarlett solo 1st gen.

Female zombie roar type 01 from my zombie voice sound pack. Check the entire pack here : https://payhip. Com/b/nzch for only just 5 you get 73 high quality 16-24bit wav files - designed zombie voice sounds for usage in film, tv or games.

A sample of me pumping 8th notes in the key of g (notes used e,g,b,d)on a late 70's ibanez bass. I ran the bass through a pod xt and an old 4track. It was cut from a song i recorded for my solo project "the heirs of rockefeller".

A short cello phrase recorded in amstelveen (netherlands) on the 22th of september 2012. A rme fireface 400 soundcard was used and ableton live as recording software. The resulting sound is a mix between recording with a zoom h4n (used as microphone), a dpa 4099 and an oktava mk-012 microphone.

From a song in an upcoming release for noise collector's net label. I put them together in fl. Of course, at archive. Org, free to mix and remix, sample whatever ya want ;) tried to make the tracks sound realistic. Hope these are helpful, especially the drum solo and breaks!.

From a song in an upcoming release for noise collector's net label. I put them together in fl. Of course, at archive. Org, free to mix and remix, sample whatever ya want ;) tried to make the tracks sound realistic. Hope these are helpful, especialy the drum solo and breaks!.