658 Royalty-Free Audio Tracks for "Solo"

From a song in an upcoming release for noise collector's net label. I put them together in fl. Of course, at archive. Org, free to mix and remix, sample whatever ya want ;) tried to make the tracks sound realistic. Hope these are helpful, especialy the drum solo and breaks!.

From a song in an upcoming release for noise collector's net label. I put them together in fl. Of course, at archive. Org, free to mix and remix, sample whatever ya want ;) tried to make the tracks sound realistic. Hope these are helpful, especialy the drum solo and breaks!.

Me lighting up a. . . Cigarettei used this for a audio poetry project and thought it might be useful. The recording is not edited and thus relatively quiet, but since the quality is rather good you should be able to amplify it as needed. Recorded with rode nt1-a via focusrite scarlett solo 1st gen.

Female zombie roar type 01 from my zombie voice sound pack. Check the entire pack here : https://payhip. Com/b/nzch for only just 5 you get 73 high quality 16-24bit wav files - designed zombie voice sounds for usage in film, tv or games.

As there was hardly any car circulating during the first french confinement, i had the idea of recording the blackbird from my garden day after day around 6 a. M. This recording was made on april 15, 2020 with the sony ic recorder. Enjoy the solo by this little composer!.

A. Timmons pickup in the bridge position with mid-long reverb using some pinch harmonics on some tones. The dark airy, possibly almost cavernous, desolation you asked for. . . Be more specific regarding pitches/keys, any tweaks. . . I'll find you.

How can they tell that I'm Irish? performed by Edward M. Favor (1856-1936). Edison Standard Record #10345 from 1910 Comic song. Vocal solo with orchestra accompaniment. Composed by Clarence Wainwright Murphy (1875-1913)

Early morning bird calls, knysna forest, featuring the turtle dove on solo, the hadeda on horns, the sunbird on backing vocals, and a choir of nameless others. Recorded in knysna forest, south africa, using a behringer c1 mic with audiobox sound card interface. Light compression, amplification and eq on studio one software.

From a song in an upcoming release for noise collector's net label. I put them together in fl. Of course, at archive. Org, free to mix and remix, sample whatever ya want ;) tried to make the tracks sound realistic. Hope these are helpful, especialy the drum solo and breaks!.

From a song in an upcoming release for noise collector's net label. I put them together in fl. Of course, at archive. Org, free to mix and remix, sample whatever ya want ;) tried to make the tracks sound realistic. Hope these are helpful, especialy the drum solo and breaks!.

From a song in an upcoming release for noise collector's net label. I put them together in fl. Of course, at archive. Org, free to mix and remix, sample whatever ya want ;) tried to make the tracks sound realistic. Hope these are helpful, especialy the drum solo and breaks!.

From a song in an upcoming release for noise collector's net label. I put them together in fl. Of course, at archive. Org, free to mix and remix, sample whatever ya want ;) tried to make the tracks sound realistic. Hope these are helpful, especialy the drum solo and breaks!.

A short clip of of a screaming electric guitar lick i made on my 1982 gibson les paul custom with marshall amp. It was recorded on a multi track music program, i then added chorus effect, the microphone was hooked directly to the desktop computer with reverb from a 50 watt marshall amp. This lick was played by me on my guitar.

Performer: Enrico Caruso (1873-1921) Voice: Tenor Title/Work: Scordame (Forget Me) Content: Tenor vocal solo, with orchestra Genre: Vocal music Composer: Salvatore Fucito (1875-1929) Recording date: Camden, 11 September 1919 Release date: 1917

The slumber aria Schlummert ein, ihr matten Augen from the cantata Ich habe genung, BWV 82 for solo bass, obbligato oboe and strings by Johann Sebastian Bach, sung by Hans Hotter with the Philharmonia Orchestra, conducted by Anthony Bernard, with oboist Sidney Sutcliffe. Recorded at Kingsway Hall, 24 March 1950.

1920 recording of Bach's Air for G string (Air on the G string) (BWV 1068, D major. arr). Violin solo by Joel Belov with piano accompaniment by Robert Gayler.

A solo violin sample from edirol orchestral was used a base, using pitch bend and then layering against pitch shifted copies of the original. Then lots and lots and lots of reverb and maybe other effects. I spent way too long on this for no certain outcome but actually it was perfect for the radio drama i was theoretically producing it for.

A close-up stereo recording (3 meters) of a freight train idling then passing by. You can hear the train slowly accelerating more and more, until it is going by at very fast speeds. After the train has gone by, the train can be head in the distance. (sound was recorded using a mzr-700 md recorder and a sony ecm-ms907 microphone).

한국어: 홍난파 (1898년 ~ 1941년)가 작곡 및 연주를 한 "조선의 애수". 1924년 콜롬비아 레코드에서 작곡하여 연악회에서 발표하고, 1931년 콜롬비아레코드에서 녹음한 바이올린 독주곡. The Violin solo titled "The Sorrow of Korea" which was both composed in 1924 and recorded in 1931 by the Korean composer Hong Nan-pa (1898 ~ 1941). More information about the work in Korean

A simple electric guitar melody. I don't even have a guitar, i just downloaded a playable guitar app and played around with the strings, coming up with this simple piece. You can use this sound in any way you want, as long as you give credit to 'kleber kgf'. Good luck with your projects!. "who edits the editors?".

Claude Debussy's Syrinx (1913), for solo flute, originally composed as incidental music for the incomplete play Psyché by Gabriel Mourey. Performed by Sarah Bassingthwaite using a Muramatsu silver flute, a = 442, at Brechmin Auditorium, University of Washington, October 2006. Recorded by Stephen Bangs.

Wrote/recorded a short rock song at 120 bpm in ableton live 9:guitar recorded direct into a scarlett 18i20 then used guitar rig 5 plugin from native instruments. Ezbass for bass. Ezdrummer for drums. Chords: am, c, g, f#. Additional notes:-11. 7 lufs integrated. -3. 5 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Car horn honking like a guy stuck in traffic (which i know all too well). Two versions of irritation. Recorded using a audio technica at891r with a scarlett solo preamp then cleaned up using izotope rx8 advanced to remove some ambient noise. No need to credit if you don't want to. You may use as much as you want for whatever you want. Hope it helps!.

I get so turned by a woman in sexy black lingerie that i have no choice but to beat my dick furiously moaning and grunting till i cum. Https://www. Google. Com/search?q=olivia+cloud+lingerie&tbm=isch&ved=2ahukewjp48tkoqj4ahviwoukhxg_bsuq2-ccegqiabac&oq=olivia+cloud+lingerie&gs_lcp=chjtb2jpbgutz3dzlxdpei1pbwcqazoeccmqjzoecaaqhjoecaaqgdogcaaqhhaiogqihhakuoqgwksqylqqaafwahgagahbdygbizasaq8yltqumy4wljeums4wljkyaqcgaqhaaqe&sclient=mobile-gws-wiz-img&ei=_wumyqnofcielwtx_pqoda&bih=680&biw=360&prmd=inv#imgrc=lpgehv-ixjwqym.

1st release date: 1928 1st recording date: 13 October 1927 Place of recording: unknown Author(s)/Composer(s): Landon Ronald (1873-1938) Lyricist(s): Edward Teschemacher (1876-1940) Performer(s): Doris Vane (1874-?) Vocal range: Soprano solo with cello obligato and piano Title/Work: O lovely night Genre(s): Song

Happy summer time chill guitar theme, some kind of pop theme, happy and melancholic. You can use this theme in your in commercial and non-commercial creation work but you must write me as author of this guitar theme. If you like what you hear please consider a small amount (even one dollar is enough) of donations to support my work. Thank you!. Paypall:jazzgitara@gmail. Com.

A woman screaming in terror. Original recording of a cast member for a community theater production of clue. This was used for an off-stage scream by the actor playing the maid, yvette. The actor granted permission to upload this file for creative commons use. In fact, it was her idea. Date recorded: october 2020. Equipment used:. Shure sm-58 microphone ->focusrite scarlet solo (gen 3) usb audio interface ->lenovo ideapad s540 laptop. Recording software:. Audacity.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Handmade!. Taken from my biker thriller audio drama: throttlecheck that story out here:https://youtu. Be/7nvvursoqxq. If you like my work, check out my website as well:www. Welvynzporter. Com. Never stop pluggin', am i right? haha. Attribution is never required but always very appreciated. :). I hope you this will be useful for you. Cheers~.

Come Down Ma Evenin' Star from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.

This is an aif (garage band) file of just good ol' tape hiss recorded from a jvc tape machine (cassette). It's just tape hiss. You can change the freq to help blend it in your recordings. I have the volume on this at a higher level. When i blend this with my digital recordings i turn it down just enough to hear it without it being too analog sounding. Hope you can use it. It's great for soft passes and solo instruments, much like white noise of a studio perhaps.

If charles dickens may be counted as an authority on the matter, to harbour a cricket in one's home was once an honour and a good omen. Perhaps it still is. That being the case, i am privileged, and i hereby share my good fortune with this community in the form of a recording of that hallowed insect's chirping. However, i do not find its call as soothing as some might, and if it continues to bruise the air with its incessant racket, i may be moved to seek it out and destroy it! so. . . Perhaps. . . In memoriam. . .

I was playing around with my sampler fx today and decided to rig up my electric guitar. I use a fender american special stratocaster, hooked up to an akai s2000 sampler with on-board fx - distortion and guitar metal applied in real time, the signal then sent through to amplitube fx rack on my computer with vintage crunch setting. This is a strum of the lower e open. I recorded a number of stabs and thought this clip might come in useful.

Label: His Master's Voice Cat. no.: DB 2706 Order number: 2RA 858 Matrix/StamperID: 2RA858 -I- 1st release date: 1936 1st recording date: 4 November 1935 Place of recording: unknown Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Eduard Mörike (1804-1875) Performer(s): Herbert Jansen, Baritone (1892-1965) and Michael Raucheisen, Pianoforte (1869-1984) Vocal range: Baritone solo with pianoforte accompaniment Title/Work: Vergangenheit Content: The Hugo Wolf Society Vol. 6 Genre(s): Tone poem Comments: RCM and ELP

The erhu (chinese: 二胡; pinyin: èrhú; [ɑɻ˥˩xu˧˥]) is a two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a southern fiddle, and sometimes known in the western world as the chinese violin or a chinese two-stringed fiddle. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of china. A very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as in pop, rock, jazz, etc. And makes a calm sound.

Title/Work: The hymns my Mother used to sing Content: Song of 1911, Baritone vocal solo and orchestra Genre(s): Christian hymns (sacred music) Author(s)/Composer(s): Frank Langford (unknown birth/death date) Music arranger(s): none Lyricist(s): Frank Gee-Fort (unknown birth/death date) Performer(s): Robert Carr, baritone (1881-1948) Conductor: none Place of recording: London (United Kingdom) 1st release date: 2 October 1911 1st recording date: 21 September 1911

Label: Disque "Gramophone" Cat. no.: DB 1001 Order number: 2-053278 Matrix/StamperID: CVE-31274-5 (A31274, 2-053278-P) 1st release date: 1927 1st recording date: 29 October 1926 Place of recording: - Author(s)/Composer(s): Julius Benedict (1804-1885) Lyricist(s): none Music arranger(s): Jean-Baptiste Arban (1825-1889) Conductor: Josef Pasternack (1881-1940) Performer(s): Toti Dal Monte (born as Antonietta Meneghel (1893-1975)) Vocal range: Soprano vocal solo, with orchestra Title/Work: Carnival of Venice Content: Part 1 Genre(s): Variations for trumpet Comments: RCM and SPU

I made this in garageband to something called victors crypt. I began recording bass, drums and the rest of the sounds, then i played my acoustic guitar over that. Made kind of a moody solo over it. Could be perfect for something that needs a scary atmosphere and a spooky feel. Maybe could be an intro for something. . . . Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Ghost Solos by Lucas Gonze

Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.

Parte de la colección: galpón samplesesta colección de samples son sonidos percusivos sacados de un tambor vertical de metal utilizado para hacer los hoyos necesarios para colocar los postes de luz,esta percutido con mis manos en distintos puntos intensidades y formasno tomen al pie de la letra los nombres que lo describen, son solo aproximaciones del sonido en cuestión, ademas la cantidad de samples me ha obligado en algunos casos a nombrarlos por letras o numeros,en los samples que llamo melódico; melo etc, pueden encontrar la posibilidad de ejecutarlos en un sample a la manera de un instrumento melódico percusivo,son muy usables, otros samples son ruidos de la tierra que contiene dentro el tambor y ademas encontraran ruidos de gemidos de mi perro y algunas palabras dichas por mi. . . . Estos samples pueden usarlos libremente y con creatividadese fue mi objetivo primero, el de ensuciarme las manos para conseguir sonidos unicos. . . . .

This is a recording of an escalator at the main bus station in helsinki, finland. I heard it making this sound one day. It was quite loud in the space and i heard if from far away. It sounded like a street performer playing an odd instrument. I imagined that a drummer would have had fun jamming along with this. I missed the opportunity to record it that week, but luckily the thing wasn't fixed the next week when i was again at the same place. This was recorded with iphone xr, so it's not super quality (i actually took a video really close to the escalator, hoping the video recording gives the best sound), but maybe somebody finds some use for this (the sound can likely be well isolated). This is as unprocessed as it can be, straight from the original video.

Maximus-simple 1 band limiter. 7 band eq-low filter 2. Delay-3 echoes. Vocodex-reverb 1. Reverb-the venue 2. C3+c4. Tempo140.

Vladimir oppenheim - ravel, ondine.

Danse sacrée, L 103, pt. 1, written by w:Claude Debussy, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Македонски: Свештен танец (L 103), I дел од Клод Дебиси. Deux Danses pour harpe et orchestre, część 1. Danse sacrée L. 103/1 Claude’a Debussy’ego w wykonaniu Orkiestry Kameralnej Korpusu Piechoty Morskiej Stanów Zjednoczonych pod dyrekcją mjra Jasona K. Fettiga i st. sierż. Karen Grimsey solo na harfie. Claude Debussy. Danse sacrée, L 103, pt. 1, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpe soliste le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Label: L'Anthologie Sonore Cat. no.: FA 805 B Order number: JF 7 / M3-102732 Matrix/StamperID: JF 7-1 / M3-102732 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. Récit de Bastien: He quoi? tu ris de ma prière; Duo de Bastien et Bastienne: Va, berger perfide Genre(s): Opera terminology Comments:

Label: L'Anthologie Sonore Cat. no.: FA 805 A Order number: JF 1 / M3-102726 Matrix/StamperID: JF 1-1 / M3-102726 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. 9. Air de Bastien: Oui, da! je ris de tes outrages; Air de Bastienne: Il n'est besoin que d'un sourire Genre(s): Opera terminology Comments: -