31 Royalty-Free Audio Tracks for "Splice"

Recorded from kontact various strikes all in the key of c, spliced in adobe audition.

Formatted for the make noise morphagene. This reel consists of a spliced breakbeat. The final splice is the whole loop without any splices. Trashy drum kit, recorded by me, re-sequenced with elektron octatrack and played through a crappy speaker.

Chopped up a splice loop, added additional one-shots & tons of resampling, adding fx, then more resampling again. A study of construction, deconstruction, and reconstruction; rinse & repeat.

Randomly played, spliced and quantized guitar track.

Mind the loudness and piercing frequencies. Feedback made using only a self-patched random*source serge triple+ waveshaper, or tws+. Recorded with and formatted with splices for use with the make noise morphagene, but can use for and with whatever of course. Warning that it's it's quite high pitched so you may need to pitch it down with the morphagene's pitch knob a good bit if you want it less harsh. I think i acidentally hit splice instead of record one time so there might be a random short splice somewhere, but maybe it adds some splice length dynamics. . .

A reel made with the shared system and moog mother 32, recorded with the morphagene. It contains 4 sounds with splice markers. Enjoy!.

This is a splice job i did on the original "please, do not be alarmed, remain calm" sample from "moonraker" by foremost poets.

The is a beat using a baby voice which i have found on this website. Thank you engangskameraten for uploading the original recording which is used to splice it and make the beat.

The classic amen break. Splice 1 plays the beak in it's entirety. It is then split int 8, 16 and 32 splices, giving 57 splices in total.

Ocean swell and tension added by sequence from o-ctrl through mimeophon. Thanks to makenoise for the sample (waterfall sampled at various stages). Wogglebug randomised splice shifting created the ocean swell ;).

Alien tech sounds in separate wave forms, to splice up or use consecutively as recorded. "raiders of the lost clam!!!" uses freesoundorg sounds!.

Formatted for use in the make noise morphagene. Nine chords from my fender rhodes, based around an a-minor root, each on its own splice. See a video of this reel used as a background pad: https://youtu. Be/upezmsyvst4.

Formatted for use in the make noise morphagene. This reel was used in the iterative morphagenetics: clocking and shifting video. It consists of one beat-oriented splice and was created with stock sounds in ableton live.

Dark, gritty action-esque electronic rhythm inspired by what i imagine a corrupted android would sound like. 100% loopable. Cut it, warp it, splice it however you'd like!. 130 bpm, made in fl studio. Credit is welcome, but not required.

I created a korg volca beats reel for the the make noise morphagene with reaper including markers which should turn out as splice points. There are a few examples of each sound where useful, e. G. One short bass drum, one medium, one long.

Chinese flute loop from morphagene processed to rainforest atmosphere by makenoise and cortini´s strega. Strega is also being sequenced by rené. Feel free to splice into morphagene and add markers to taste. It's sampled at 48khz 32 bit. I used reaper to record it. Most of all, enjoy!.

Chinese flute loop from morphagene processed to rainforest atmosphere by makenoise and cortini´s strega. Strega is also being sequenced by rené. A little harder hitting than its sister track. Feel free to splice into morphagene and add markers to taste. It's sampled at 48khz 32 bit. I used reaper to record it. Most of all, enjoy!.

Formatted for use in the make noise morphagene. Eight chords from my fender rhodes, each on its own splice, based around an f-minor root. The rhodes is running through an mxr zw-44 for some mild overdrive, and was boosted with a focusrite scarlett dynamic octopre. See a video of this reel here: https://youtu. Be/ybhmx38n5oo.

Note: audio may not sound of good quality in preview. A bass loop made with the free brainstormer synth (it's awesome, you can find it here: http://roazhondsp. Storm-mastering. Com/), and then heavy modulated using lots of bandpass & notch filtering automation, pitch automation, distortion, resampling, & multiband compression. I'd recommend to splice things up a bit by slicing it into pieces & arranging them into something new.

Note: audio may not sound of good quality in preview. A bass loop made with the free brainstormer synth (it's awesome, you can find it here: http://roazhondsp. Storm-mastering. Com/), and then heavy modulated using lots of bandpass & notch filtering automation, pitch automation, distortion, resampling, & multiband compression. I'd recommend to splice things up a bit by slicing it into pieces & arranging them into something new.

A recording of cameron, my cat, in the upstairs hallway letting us know she caught one of her toys. She howls like this most every night usually when we're downstairs watching tv. I'm guessing she feels we're not paying enough attention. Cut out all the silence between the yowls and added splice markers for use in a make noise morphagene.

Formatted for use in the make noise morphagene. This reel was used in the morphagene: plane of composition video. It consists of several splices of equal length to be traversed through linearly or nonlinearly. Audio is counting from 1 through 8 with various text-to-speech voices. The output has been edited so that the numbers appear at the same time in each splice for plane of composition traversal.

Using strike function on the cš-l wavefolder with tempi sequenced by rené passed through struck optomix erbe-verbe and mimeophon. Morphagene running max. Wave folder strike tempo. The secret´s in the erbe-verb marbling. (ratio between size, speed and pre-delay). Splice is morphagene oven-ready with markers set. Enjoy hot!.

A reel for the makenoise morphagene with each splice having two separate sounds with radical or subtle differences on the left and right channels. Great for stereo/split processing, a mix of tonal and atonal sounds made in ableton live with heavy use of madrona labs aalto and kaivo plugins. Additional plugins used:labs soft pianonasty dlasoundhack pitch delay and spectral compandtd tapewormu-he protoverb.

For use at your leisure. I make most of them at 140 bpm so hopefully one day they make their way into dubstep. If you wish to have anything specific composed just let me know. Chop/splice/dice/herbs and spice them, best served piping hot, enjoy. Fondest regards,. Recorded with logic pro 9 using the exs24 sampler of the steinway piano (logic pro default) with a touch of reverb to thicken out the sound.

This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

Formatted for use in the make noise morphagene. Seven chords from my fender rhodes, each on its own splice, centered around a bb-minor root. The rhodes was running through an mxr zw-44 for mild overdrive, and the signal was boosted with a focusrite scarlett dynamic octopre. This reel was originally created for a guest post on the noise engineering blog: https://www. Noiseengineering. Us/blog/2017/9/18/modular-tips-and-tricks-guest-post-rheyne. Here's a video using this reel: https://youtu. Be/cyhpcbu71rc.

A futuristic trance/house vibe that i made a while back, after playing mass effect 2 for the first time. I really loved the nightclub on omega, and i suppose it sort of inspired this. I'm never going to do anything with it, so i'll toss it on here in case anyone else wants to. Cut it, warp it, splice it however you'd like!. 124 bpm, made in fl studio. Credit is welcome, but not required.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

Collection of different human voices introducing original nitrate optical sound effects made for hollywood in the 1930s and 40s as digitized by craig smith. Sound effects extracted, these are mostly only the intro voices except for some small overlaps or tails. Sometimes it cuts off or on in the middle of a word but that's just what was available in the optical soundtracks. I plan to use these for a film but thought it might be fun for others to play with. Splice markers added in reaper, optimized for the make noise morphagene tape and microsound synthesizer, just rename the file to mg1 etc. , morphagene’s file-naming convention (but of course you don’t at all need the morphagene to use these).

Note: the high-pitched squeaks are artifacts from freesound's preview and aren't present in the actual recording. 10 minutes of a thunderstorm, recorded september 7th, 2019 from my apartment window in seattle. This is the raw recording straight from my zoom h5. Levels were kept low to minimize the chance of clipping. A few thunder sounds were still too loud, but luckily the h5 has a backup function that recorded an identical track 12 db quieter. I've uploaded that as well, so you can splice the two together to taste. Eventually i'll release a processed version with the two combined, plus compression and eq, but i wanted to upload the source material in case you'd prefer to diy it.