109 Royalty-Free Audio Tracks for "Spring Reverb"

Recorded with tc electronic 24d 24bit 48000.

An unsilent patch to celebrate that my spring reverb now is silent - when i want it to be silent. Spring reverbs can be sensitive to electricity. No my spring tank is hidden away!.

Heavily processed vst synth sounds using various phasers, reverbs and filters.

Spring reverb fender amp guitar.

For those who like a vintage sound, this impulse response tries to be the most faithful in the type of spring reverb used in the 60s, on vocals, on guitars, and mainly as a mixing reverb as an alternative to plate reverb if do you want the sound of a garage rock or dub. Depending on the context, you can leave the reverb in mono which reinforces the vintage character.

Tube spring reverb unit compressed on the tape.

Crashing noise from the spring tank reverb with tiny sounds. Made with the koma elektronik field kit fx.

Fostex 31801980's spring reverb studio effect. Impulse response taken with sine wave sweep and deconvolved using reaper. 44. 1khz 24-bit flac.

Working with my spring reverb.

I opened my fostex 3180 spring reverb and hit the springs. Useful for that dub track of yours.

A combination of several tube spring reverb units with a dark vintage character.

Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.

Pulse responses from great british spring reverb processed with equalizers, tube preamps and compressed with analog tape.

This is a small jam i recorded myself on my diy spring reverb circuit i've built for a friend. It sounds really good with music. In this session, i've only used coninuous triangle/sine/square waveforms and jammed on my for pots: input gain,hp filter cutoff, feedback amount, output gain. I'm sorry if the recording clips sometimes, but there's a big dynamic so i couldnt see how much loud it was. Feel free to take it and use it for sampling or sound design layering.

An impulse response i made of the spring reverb found in the roland re-301 chorus echo (1977) running into a mackie 8bus desk at "optimum" levels. Made and processed in reaper.

Classical "organ gallop" riff. Emulated spring reverb.

This is a sum of two units, a digital reverb ams rmx16 and spring reverb fisher k10 with gate, this was an experiment i wanted to do and by the way, it worked well.

Door spring recorded with boom microphone and sound devices mix pre 10 recorder.

It’s a mix the 80s gated reverb and the fisher k10 stereo (gated), this is an experiment that i did combining a thicker reverb with low frequency, with an impulse response from a 60s spring reverb unit, which brings a movement nice in the mix.

Rough recording of a trumpet playing into a yamaha piano.

Feedback drone made with doepfer a-199 sprv.

More sounds made with my analog modular synthincludes spring reverb feedback :-)more ring modulation noise.

Techno percussion loop made from samples and processed through a real analog spring reverb. Suitable for electronic music like dark-techno, dub-techno, house, ambient, dub-step.

Old-school sound made with analog modular synth - the old way. . . The reverb is a spring reverb - what else. . . ?.

A recording of a re verb from a british spring put through a convolution re verb loaded with a tunnel impulse made in bristol.

Pattern 1 with spring reverb feedback. Simple graphic score. Fun. Compare with https://freesound. Org/people/gis_sweden/sounds/435826/.

Roland sh-101 through roland spring reverb.

Impulse response of a 60s tube spring reverb unit, fisher k-10 in stereo at 96khz. It is very versatile it looks good on drums, guitars, percussions, synthesizers and vocals, in addition to the beautiful spring sound in stereo.

A spring assist knife opening with some reverb added. Used as a sound cue in a production of annie.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Sound of a loose metal spring being plucked with heavy reverb, could be a good sting for a horror sequence. If you find this handy, feel free to use for your project!.

A patch with a changing sequence made on analog modular synth. Spring reverb and analog delay. The changes are made with an chaos lfo. Its 10 min loop!.

A krell.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

Sine melody, midi looper n a bit of spring reverb. Maybe useful for background padding.

Atonal modular synth melody.

Organ "gallop" riff. Designed to be looped and pitched. Spring reverb (vst) effect.

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

The three parts are following the sam chaotic lfo.

I've created a snare from pink noise with voltage modular, added some spring reverb and a bit of distortion.

A krell patch.

Testing something. . .

I've created this snare with voltage modular, it's a dry sound made with white noise and spring reverb.

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

Yes, my wasp-filter is alive again!.

Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

A double krell with delay.

Modular synth generative feedback patch driven by feedback between flip-flop chaos (nlc), a vclfo and logistische gleichung (klangbau köln). Two simple voices and filtered noise. Some reverb from spring reverb.

Out of my control. . . . Let the synth decide.