25 Royalty-Free Audio Tracks for "Stable"

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. Die erste kommerzielle Jazz-Aufnahme: Livery Stable Blues, der Original Dixieland Jass Band, von 1917. Le premier enregistrement commercial de jazz : Livery Stable Blues en 1917, par l’Original Dixieland Jass Band. Italiano: La prima registrazione commerciale di musica Jazz: Original Dixieland Jass Band, Livery Stable Blues, del 1917 Norsk nynorsk: Jazz-songen «Song from a Cotton Field» av Bessie Brown

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78RPM, transferred to .ogg from a .mp3 file from The Internet Archive.

Livery Stable Blues by the Original Dixieland Jass Band, recorded 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. This version has been edited to reduce the hiss. Українська: «Livery Stable Blues» від «Ориджінал диксиленд джаз-банд», записаний 26 лютого 1917 року, перший випущений джазовий запис.

Cows in a stable making cows sound.

Recorded on zoom h2. This is the fence charger mounted on the wall of our barn. It was a windy drizzly day, so there's some background from noise on roof, also birds chirping.

Stable ambience.

Me in a stable where there where a lot of cows muhing. Recorded in the middle of it with a stereo microhpone (sony pcmd 100).

Horses shoe being cleaned.

An ambient field recording thru a window above a cows stable on a farm in the swiss emmental valley. Loud grasshoppers or crickets and the noises of cows moving around in the stable below.

Robin, sparrows, other birs and cows in the neighborhood of a cowshed, semi reverberated accoustic. We can also ear some activity from the farm and an engine. France, no 2022. Recorded with 2 clippy em172 in an ab setuprecorded on sounddevice mixpre648 khz, 24 bits, wave stereo.

A man calls cows for milking "allez!", some cows gently moo, hooves on concrete floor. The milking machine start, a woman voice is also calling the animals. General ambiance, small milking parlour with 16 cows and semi automatical machines. Listen also to:. France, nov2022. Recorded with schoeps ab ortfrecorded on sounddevice mixpre648khz, 24 bits, wave stereo.

Rattle metallic clang.

Rattle metallic clang.

Driving car on hihgway higher speed but stable.

A happy song with a stable hypnotic 'build up'.

A stable loopable heartbeat for multiple purposes. Recorded with a zoom h5 and edited with audacity.

Horn dropped on stone floor, second take. More of it being rolled over and swing itself into a stable position.

Tram departing from the stop in hervanta, finland. Sound recorded iphone 12 pro on a somewhat windy and snowy day. Stable sound of tram passing and recorder staying still.

Dl0ksc in cw qso of mar 10th, 2012, at 11. 50 utc on 10116 khz. Stable high frequency but multiple tone - spectrum. Audio frequency changes are due to my tuning of trx to hear multiple tone.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

The sequence is not stable. I'm not touching the synth. Te electronics are making variations. Not what i thought but interesting. Sequencing in my usual way with a vclfo. My plan was to upload a short loop, but the variations was so interesting. . . .

Three looping envelopes 2 on quadra and one pip slope. Forming a minimal rhythm. It's not stable. I make it even more unstable by injecting some cv to one of the envelopes. Maybe i injected a little to much? cool anyway.

In this recording you can hear book pages being turned manually at a slow but stable rhythm, at the library la fraternitat in la barceloneta. You can hear the page sliding agains other pages, creating a sound that almost reminds us of a knife; and the noise of the page being laid down. At some point there is also the sound of fingers rubbing on the page. Recorded with a zoom h4n pro by kalina and irene, students at esmuc in the framework of the etno3 class.

1 looping envelope and 2 vclfos in a dance. I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with the looping envelope in non looping mode. After about 19 sec i switch to looping-mode. Records and hope that a pattern should emerge. This time there is a pattern. Yay! not 100% stable but that's perfect!okay, it is harder to recognize patterns when a sequencer is involved.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".