158 Royalty-Free Audio Tracks for "Subtle"

A mixture of white noise and subtle beeping noises mixed in ableton live 9 and edited in audacity. Works well in a future setting with broken computers or communication of some kind.

A couple of ir from a field recording at carnarvon gorge amphitheatre, a very subtle sandstone acoustic, not a big reverb, but warms up a flute nicely. . . . This place is an ancient aboriginal initiation site.

Very low pitched and subtle rumbling. Protoplasm vst custom settings, applied effects delay, chorus, eq,rendered in fl studio @ 140bpmthe letter and number in the file name represent the note location of the sound.

Ticking sound from a mid-century phinney-walker small wind-up alarm clock. Clock is worn and has subtle unevenness. Loopable for tempo, but you might be able to tell where the cut is because of pitch shift.

Recording of the black sea, in sunnybeach/bulgaria. Recorded in the mornings without people in the background (some very subtle motor comes into the scene at some point).

A background sound design element used to create suspense in a horror scene. Very subtle, flowing modulation. Sounds similar to wind. Recorded with a roland groovebox self-sample utility straight to wav, though results in reduced high frequencies.

Night ambience in lyttelton manor: in this sound you can hear the subtle cars on the highway in the background and all the night animals. Recorded using the zoomh4n and the built in microphones. No processing was done to this sound.

Simple drone sound, created by using ableton's operator plus some granulator and effects. It can be used as a subtle background noise to make your scene tenser or etc. You get itexperiment with volume automation.

Rain: this is a very subtle rain sound. It is not sharp but it is very constant. The droplets are hitting hard ground. Recorded with the zoom h6, rode ntg. This sound is great to add volume to an already existing rain-ambience.

A low, rumbling bass sound with a short little "gurgle" at the end. A creepy sound for scary conditions. Made by low-passing a unisoned saw + subtle fx.

This is one from when i first got into digital music. I "penciled" in midi graphs, and manipulated other samples from a buddies sound bank, thus creating. . . Pollie soft. I love the mumbling bass rhythms in the background under the subtle jazz hits, maybe?.

A quick multisample snare hit i did with pro tools 10. I didn't add any reverb so y'all could choose one that fits your project, but it's full and punchy. Sum to mono if you don't like the subtle panning i added. Enjoy!.

Dove: the cooing of a dove is achieved through foley. Vibrato is added to an almost owl-like sound created by blowing air into ones crossed-over hands. It is a subtle cooing and varies in tone, tempo and amplitude. Recorded with the zoom h6, rode ntg.

I recorded this rainstorm with thunder in june 2021 in grimbergen belgium. The rain fell straight down with little or no wind, accompanied by subtle rumbling in the clouds with the occasional louder thunder discharge. Hope you like it. Use it freely.

Just your typical scream of pure evil from the depths of hell. Mix it in far into the background of a scary movie to give the audience a subtle feeling of unease, or at full volume for a truly horrific effect.

Ambience recording inside a moving vehicle. Contains flicker/indicator sound. Subtle hum of the air conditioner. Contains acceleration and deceleration sounds. Vehicle was bmw 320d m sport 2 liter turbo charged on a tar road. Recorded inside the vehicle using a zoom h6 recorder.

An ominous ambient background hum that is heavy on the bass and with other layers to add subtle complexity. Loopable. Good for a dramatic scene on a space ship to add tension. Created in adobe audition.

Clipping nails: you can hear the subtle click of a nail-clipper cutting down nails. A few options are available in track and they vary in duration, tempo and amplitude. Recorded with the zoom h6, rode ntg in a sound studio. Can be used in any make-over montage.

Quick flourishes of synth keys going up and down the pentatonic scale. Synth used was the korg ms 20 mini, analogue and monophonic. Subtle filtering and echo was placed on the recordings, as well as some reversing.

Simple drum & bass loop made with stacked drums. Each drum sample, if you'd like to use them separately:kick: https://freesound. Org/people/ianstargem/sounds/274775/snare impact: https://freesound. Org/people/alexthegr81/sounds/275410/snare release: https://freesound. Org/people/eryps/sounds/435389/snare (subtle white noise): https://freesound. Org/people/rossgalloway/sounds/176001/.

Ten whole minutes of night time suburban ambiance. Insects take center stage against a subtle backdrop of suburban sounds like cars and people. Might be good for a meditation session. 2 em172 omni mic capsules > zoom h1 > equalizer.

Basic drum loop. Original description:. A basic 120bpm housey loop with some subtle effects in the background. Made in fl studio.

Soft rain on an open roof window recorded from the inside. There's a suburban hum and ambiance with a few birds chatting and some thunder in the distance. Recorded in stereo with tascam dr-100 internal mics. Subtle compression and some eq was applied. 48 khz | 24 bit.

5/4/2020. Equipment:zoom hn1, two channel stereo. Location:franklin park, boston ma. Composition:foreground - a small running stream of watermid ground - birds, folks walking by talking and the occasional loud automobilebackground - wind and subtle automobile traffic. Next time i will use a wind screen🌬.

Sanitizing hands: this is a very useful sound effect in the times in which we live. You can hear the bottle spritzing sanitizer and then the substance, vigorously, being squished and rubbed into hands. Recorded with the zoom h6, rode ntg in a recording studio. This is a very specific, subtle sound that will prove useful.

First upload. Recorded with zoom h4n. It's flax seed in an empty plastic spice container. It's a 16th note rhythm amd it loops perfectly at 130 bpm. It has some fairly subtle panning effects. Eight quarter notes long, but also works really well every 4 quarters, every three etc. I. E. When doubled and even tripled on itself in a sequencer.

Blowing your nose: a very subtle sound but one that stays true to the common flue. You can hear the tissue crinkling when used, the slight sniffles and also the air escaping the man’s nose. Recorded with the zoom h6, rode ntg in a recording studio. This sound is great to pull focus to someone’s illness.

I build it in fl studio (32bits) with the soundfonts plugin (the soundfont used was "sgm")overdubs were done with a "strings" sample and the rest was just the pure instrument with eq and reverb. (it also includes a subtle piano and choir).

I was trying to make a subtle beat in the background of a song and turned up the cutoff and got this. It sounds like a robot frog to me, and i figured i might as well post it in case someone gets any use out of it. Changes pitch every four bars. 100 bpm.

Heres a quality fat "street" beat ready for use in a aggressive hip-hop or big-beat production. Long sample containing subtle variations and a ending tail fx. Lots of bass and sub in the kick, designed to bang hard in a car system. Ps:would appreciate a link to interesting finished productions using it!.

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

Tying shoelaces: a close-up listen to a very subtle sound when two pieces of string is being tied around each other. You can hear the fumbling of hands swooshing the string around each other and a harder sound of when the knot is being pulled so that it doesn't come loose. Can be used for dramatics and overexaggerating. Recorded with the zoom h6, rode ntg.

During the covid-19 lockdown, i spent some time walking where the city meets a mountain and discovered an area with loud but subtle electric infrastructure wires. These, along with cars, birds, and rustling leaves, are recorded with binaural microphones and cropped down to one minute.

Bowed cymbal swellsrare 18" zildjian eak crash rideviolin bowrecorded in 24 bit at 48khz with an mxl 603 mic through yamaha mg16xu mixer and motu audio express a/d in reason 6 with subtle modulation and filtering. Clips are cut from track with no fade-in/out. July 21st 2015 high noon in nyc during very hot-feeling 88º with high low-level ozone and abusive humidity of 74%.

A reel for the makenoise morphagene with each splice having two separate sounds with radical or subtle differences on the left and right channels. Great for stereo/split processing, a mix of tonal and atonal sounds made in ableton live with heavy use of madrona labs aalto and kaivo plugins. Additional plugins used:labs soft pianonasty dlasoundhack pitch delay and spectral compandtd tapewormu-he protoverb.

A tense but pretty still athmosphere created with a number of tools by me. Got some subtle movement in it and consists of several major parts. If you need a particular section of it, then use volume, proximity vst and reverb automation to smooth edges out. You can listen to my music at http://vospi. Com/.

Recorded inside of an abandoned building next to a boarded-up, old wooden exit door. Has a nice, subtle low hum, which is actually from a plane flying overhead. Also contains knocking sounds, which is most likely the door being a bit loose. Would be awesome for horror atmospheres. Feel free to use this sound for what ever you wish to. Credit is appreciated but not needed. Let me know what you use this sound for!.

Short recording of a car (specifically an suv, but could easily work for a sedan or light truck) driving in from a distance and parking. It idles briefly, and then turns off the engine. Also some light suburban neighborhood ambience (light wind, subtle traffic in the distance). Recorded with a sennheiser mkh-416 into a zoom f4 at 48khz, 24-bit.

Recorded at tea, a museum in santa cruz de tenerife. I was invited by dancer masu fajardo to create some sound ambients for a dance piece she was doing there, we decided to use only the sounds being created by her body and her interactions with the space. Here we can hear her stepping on a floor that's been previously filled up with salt. It's very subtle but works great as sime sort of glitch or crackle, if that's your thing. Recorded with a zoom h4 n.

This is just a simple four to the floor kick drum pattern at 120 bpm. I created the kick itself by layering various synth timbres in rob papen's albino plugin. Processing was also applied such as compression, eq and using subtle distortion in specific frequency areas to get it sounding like this. For anyone that would like to hear my music:https://soundcloud. Com/mattcmusic.

Field recording of a summer afternoon (28th june, ~20:30) in berlin lichtenberg. The recorder (edirol r-09rh) was set in a very high building, therefore the sound consists mainly of ambient noise, eventually with subtle concrete sounds (birds, childs, dogs, sirens,. . . ). The audio is unfiltered, so it's dominated by low-frequency energy. Filter as you wish :). (the web preview seems to have some high frequency artifacts. Download the wav file to get it on full quality).

(edit of other recording, with eq, reverb etc. ) recorded inside of an abandoned building next to a boarded-up, old wooden exit door. Has a nice, subtle low hum, which is actually from a plane flying overhead. Also contains knocking sounds, which is most likely the door being a bit loose. Would be awesome for horror atmospheres. Feel free to use this sound for what ever you wish to. Credit is appreciated but not needed. Let me know what you use this sound for!.

I took a few one-shot samples from a bunch of free packs i downloaded off the net (legally), i gave the kick some subtle crunchy distortion in the high end whilst trying to retain it's core sound and it's punch, i altered the transients and the pitch of the samples to make them pop more and sound more to the point and i placed a coloring compressor on the master to give it a bit more overal volume raise without causing it to clip in a bad way.

Clean recording of water being poured into a metal pot, meant to emulate the sound of water being poured into a kettle/teapot. Would work for pouring any liquid into almost any metal container (metal containers give off a subtle "twang" that isn't generally produced when pouring into other material containers such as glass, ceramic, plastic, wood, etc). Recorded with an akg p170 into a zoom f8n at 48khz, 24-bit. No processing of any kind applied.

This is a sawtooth waveform suitable for easily tuning guitar by ear, comprised of 20 seconds each of e-a-d-g-b-e in sequence. Adjust guitar volume to same volume as the tone, ideally through the same audio output. Tune the string close to the tone, then listen for the subtle beat-frequency indicating not-quite-perfect tune. When the beat frequency goes away, your guitar string is in perfect tune. Also useful for adjustable bridges. The open string and its 12th fret octave will both produce no beat-frequency when the bridge is adjusted properly.

A recording made february 24th, 2019 in a residential section of a small midwestern town. . . The stiff north winds are rattling the remaining dry leaves. . . You will also hear the subtle singing of the birds that always greet you in late winter. . . Birds like house sparrows and starlings. From time to time, you'll hear the tinkly, nice sound of some wind-chimes hanging on the front porch of some house. The skittering of dried and old leaves scooting across the ground also makes an appearance. Enjoy this cold late-winter soundscape!. Recording made around 8 in the morning with the fantastic sony pcm d100, using the internal microphones.

A sound that resembles a magical whistle could be described as a high-pitched, ethereal tone with a delicate and enchanting quality. It might have a mystical quality, as if it were summoning a spell or invoking a mystical creature. The sound may be soft and subtle, yet still manage to capture one's attention, drawing the listener closer in a hypnotic trance. Its otherworldly nature might conjure images of fantasy and wonder, and its timbre could be compared to that of a wind instrument, such as a flute or a panpipe. Overall, a sound that evokes a magical whistle would be both enchanting and mystical, capturing the imagination and inspiring wonder.

Recording of a door being opened and closed, and then opened and closed again. Very slight footsteps (on carpet) can be heard. The microphone (sennheiser mkh-50) was intentionally placed about 5 feet away from the door so as to capture some of the natural room sound/reverb (which is very subtle). I have another recording available of the exact same door and mic setup, but aimed slightly off-axis to capture just a bit more room sound. Recorded into a tascam 208i audio interface and into adobe audition. Very minor processing (low-cut at 80hz to remove low-freq rumble).

Been fairly busy lately, but, finally i'm glad to be able to get around to posting some more wonderful, enjoyable nature sounds. This is a hot-humid july ambiance recorded at midday in the shawnee national forest in illinois. The predominant bird you hear is an eastern towhee. His call literally sounds like he is thirsty and tired of the heat of summer!this woods recording has the feel of slow motion summer, but still with the exciting and subtle knowledge that, things are starting to give way to autumn, and indoor schedules and long shadows. . Recorded thursday july 21, 2022. Equipment: zoom f3 and lom usi pro microphones. Recording in deep hardwood forest containing many hickory trees, beech trees and a lot of oak trees. A magical place.

This is the second version without the mechanical bolt. Maybe can be used for bolt action rifles. Made this is ableton live, it is multilayered with the top end of a 9mm and the low/mid range of an ak47. Another carbine sound is faded in after the transients to give more sustain. Two reverbs fade in and out creating a smooth transition and blend. A little white noise is added for subtle sheen and air. All the layers were grouped together into a single band compressor and ran through serum fx distortion and then into a krush distortion plugin for added fatness. A blending reverb was used to glue the sounds into the same space and ran into a final transient designer which is adding a little more snap and punch and clipping the excess transients off. Enjoy.