103 Royalty-Free Audio Tracks for "Symphonic"

Spitfire labsfx conversion edited: adobe + fxs + mastered.

Die Moldau (part of Má vlast)

Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Title/Work: Symphonic variations for piano and orchestra Content: Part 4 Genre(s): Variation Author(s)/(Composer(s): César Franck (1822-1890) Music arranger(s): none Lyricist(s): none Performer(s): Géza Anda (1921-1976) Conductor: Eduard van Beinum (1901-1959) Place of recording: Grote Zaal, Concertgebouw, Amsterdam (Netherlands) 1st release date: 1944 1st recording date: 17 May 1943

Orchestra.

Some notes from my roland td7 symphonic patch. If you use them please comment on what you will use it for. Thanks. :^).

Orchestra.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

Šárka, the second from Bedřich Smetana's set of six symphonic poems Má vlast

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

This is something i played on my roland td7 kit set on the symphonic patch. Use it as you like but please comment on what you will use it for. Thanks. :^).

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

A Night on the Bare Mountain, commonly referred to as Night on Bald Mountain.

A 1919 performance of the 1918 song Till We Meet Again by the Nicholas Orlandos Orchestra.

A recording of the Berceuse & Finalé from The Firebird (Stravinski, Igor) arranged by Merle Isaac, performed by the New Mexico All-State Concert Orchestra of 2015.

Romeo and Juliet - overture fantasy performed by the Skidmore College Orchestra.

w:Arthur Sullivan's w:Overture di Ballo, Overtures (1991, track 7)

Camille Saint-Saëns - Danse macabre (Orchestre de l'Association des Concerts Colonne, dir. Louis Fourestier, 17-18 février 1953)

Piano concerto in a minor, op. 16 - iii. allegro moderato molto.

Heet music based on mystic and ambient tones. From these came the ambient sound installation vision. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Piece for string quartet that explores the portuguese myth of the galo de barcelos. Recorded using logic pro x and motu symphonic instrument. A remix of this piece was included in the queerstory app for world pride 2014 as accompaniment for a locative video piece called "allan gardens. ".

The y2k symphony. On new year's, 2000, when the world didn't end, a group of friends was in a log cabin near peterborough, on, canada, and performed this improvised symphony on a collection of percussion toys and wineglasses. Recorded on minidisk, but unfortunately one channel was lost so it's in mono.

Enormous symphony of tree frogs, a few crickets and even a foreign frog makes an entrance on this track. Mono, recorded with sm58, eq'd, compressed slightly and mixed to lufs levels indicated on file name.

Lest We Forget performed by the Concert Band of the United States Air Force Heartland of America Band. Featuring the Omaha Symphonic Chorus. Track 12 from Beyond the Horizon (1997).

Chromatic analysis of measures 5-9 of Cesar Franck's Variations Symphoniques (1885). Roman numeral analysis by Cooper, Paul (1975). Perspectives in Music Theory, p.216. New York: Dodd, Mead, and Company. ISBN 0-396-06752-2.

Symphony No. 4 in A major 'Italian', Op. 90 - III. Con moto moderato. IV Symfonia A-dur op. 90 Feliksa Mendelssohna, powszechnie nazywana Włoską, część III Con moto moderato w wykonaniu Skidmore College Orchestra.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.

Performer: Philadelphia Orchestra Title/Work: Scheherazade Opus 35 (Rimski-Korsakow) Content: No.01: 1st Movement: Largo e maestoso-Lento-Allegro non troppo (Part 1) Composer: Nikolai Rimsky-Korsakov (1844-1908) Conductor: Leopold Stokowski (1882-1977) Genre: Symphonic poem First recording date: 12 November 1934 First release date: 1935

You can buy soundtracks here for any of your project:audiojungle. Net/user/misterbates/portfoliopond5. Com/artist/retykristof948. This music has free rights. You can use it in your project, but please credit the name of the author and music. Youtube. Com/@phobos212/videos. Music by misterbates.

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 1st Movement (Part 1): Allegro con brio Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: II. "Jeux de vagues" performed by the Concert Band of the United States Air Force Band. Track 10 from French Impressions (2000).[1][2][3][4]

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 3rd Movement (Part 1): Allegro Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 4th Movement (Conclusion): Allegro - Presto Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Symphony No. 4 in A major, Op. 90, 'Italian', op. 90 - i. allegro vivace. Sinfonie Nr. 4 in A-Dur op. 90, „Italienische“, 1. Satz (allegro vivace). Symfoni nr 4 i A-dur (italienska symfonin) opus 90; 1:a satsen "Allegro vivace"

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Part 1) Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 1937 1st release date: 1937

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 1937 1st release date: 1937

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]

Https://multimediagigant. De/wavestate background fear adventure thriller drama phantom nightmare haunted fearful thrill suspense terror spooky terrifying sinister dramatic scary macabre ghost anxious hell creepy spectre bogey weird atmos delusion grisly gothic phantasm frightful shady nexpectedly imminent depressive fearing wierd background-sound threatening cellar impending general imaginair symphonic frightened film frightening tonal texture whitenoise.

Title/Work: Symphonie Nr.5 c-moll op.67 Content: Part 1 Genre(s): Symphonic Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): Lyricist(s): none Performer(s): Koninklijk Concertgebouworkest Conductor: Willem Mengelberg (1871-1951) Place of recording: unknown 1st release date: 1941 1st recording date:

Place of recording: London (United Kingdom) Performer(s): London Philharmonic Orchestra Conductor: Serge Koussevitzky (1874-1951) Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 3rd Movement - Scherzo (Allegro Vivace) and Trio Genre(s): Symphonic

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic