103 Royalty-Free Audio Tracks for "Symphonic"

Spitfire labsfx conversion edited: adobe + fxs + mastered.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

Big city orchestra.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

I made the score in maestro. Spitfire labsfx conversion edited: adobe + fxs + mastered.

Heet music based on mystic and ambient tones. From these came the ambient sound installation vision. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

You can buy soundtracks here for any of your project:audiojungle. Net/user/misterbates/portfoliopond5. Com/artist/retykristof948. This music has free rights. You can use it in your project, but please credit the name of the author and music. Youtube. Com/@phobos212/videos. Music by misterbates.

The first movement, "Jubilee", from George Whitefield Chadwick's Symphonic Sketches, played by the U.S. Marine Band for the album Director's Choice.

Orchestra.

Orchestra.

Scheherazade, Symphonic Suite, Op. 35.

Šárka, the second from Bedřich Smetana's set of six symphonic poems Má vlast

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Lest We Forget performed by the Concert Band of the United States Air Force Heartland of America Band. Featuring the Omaha Symphonic Chorus. Track 12 from Beyond the Horizon (1997).

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.

Performer: Philadelphia Orchestra Title/Work: Scheherazade Opus 35 (Rimski-Korsakow) Content: No.01: 1st Movement: Largo e maestoso-Lento-Allegro non troppo (Part 1) Composer: Nikolai Rimsky-Korsakov (1844-1908) Conductor: Leopold Stokowski (1882-1977) Genre: Symphonic poem First recording date: 12 November 1934 First release date: 1935

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 4th Movement (Conclusion): Allegro - Presto Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 1st Movement (Part 1): Allegro con brio Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

Performer: Berlin Philharmonic Conductor: Wilhelm Furtwängler (1886-1954) Title/Work: Symphony No. 5 in C minor, op. 67 (Beethoven) Content: 3rd Movement (Part 1): Allegro Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 3 November 1937 1st release date: 1938

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: II. "Jeux de vagues" performed by the Concert Band of the United States Air Force Band. Track 10 from French Impressions (2000).[1][2][3][4]

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Part 1) Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 1937 1st release date: 1937

Performer: BBC Symphony Orchestra Conductor: Arturo Toscanini (1867-1957) Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Composer: Ludwig van Beethoven (1770-1827) Genre: Symphonic 1st recording date: 1937 1st release date: 1937

Title/Work: Symphonie Nr.5 c-moll op.67 Content: Part 1 Genre(s): Symphonic Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): Lyricist(s): none Performer(s): Koninklijk Concertgebouworkest Conductor: Willem Mengelberg (1871-1951) Place of recording: unknown 1st release date: 1941 1st recording date:

Place of recording: London (United Kingdom) Performer(s): London Philharmonic Orchestra Conductor: Serge Koussevitzky (1874-1951) Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 3rd Movement - Scherzo (Allegro Vivace) and Trio Genre(s): Symphonic

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

Short heroic soundtrack, created with cubase en symphonic choirs.

Recording of a symphonic brass chime, note c#.

Symphonic atmosphere, piano fl tools.

Some notes from my roland td7 symphonic patch. If you use them please comment on what you will use it for. Thanks. :^).

This is something i played on my roland td7 kit set on the symphonic patch. Use it as you like but please comment on what you will use it for. Thanks. :^).

Music sheet ai generated: payne, christine. "musenet. " openai, 25 apr. 2019, openai. Com/blog/musenetandi rewrote it. Sfx conversion edited: adobe + fxs + mastered. Sound and loops https://freesound. Org/people/szegvari/. Musichttps://soundcloud. Com/user-174290723.

Piece for string quartet that explores the portuguese myth of the galo de barcelos. Recorded using logic pro x and motu symphonic instrument. A remix of this piece was included in the queerstory app for world pride 2014 as accompaniment for a locative video piece called "allan gardens. ".

Enormous symphony of tree frogs, a few crickets and even a foreign frog makes an entrance on this track. Mono, recorded with sm58, eq'd, compressed slightly and mixed to lufs levels indicated on file name.

Broadcast made by the Russian composer Dmitri Shostakovich from the besieged city of Leningrad in 1941. The work he refers to here is Symphony No. 7 in C Major, opus 60, subtitled Leningrad. Transcript: An hour ago, I finished the score of two parts of a large symphonic composition. If I succeed in writing this composition well, if I succeed in completing the third and fourth parts, then it will be possible to call this composition the seventh symphony. Why do I announce this? So that the radio listeners who are listening to me now will know that the life of our city goes on as normal. We are all now doing our military duty. Soviet musicians, my dear friends and numerous brothers-in-arms, my friends! Remember that our art is now in great danger. Let us defend our music, let us work honestly and selflessly! Hace una hora, he terminado la partitura de dos partes de una composición sinfónica de gran tamaño. De tener éxito en escribir bien esta composición, de tener éxito en completar las partes tercera y cuarta, entonces se hará posible llamar a esta composición la sinfonía sétima. ¿Por qué les anuncio esto? Para que los radioescuchas que me están escuchando ahora sepan que la vida en nuestra ciudad prosigue como de costumbre. Todos estamos ahora haciendo nuestro deber militar. ¡Músicos soviéticos, queridos amigos y numerosos hermanos de armas míos, mis amigos! Recuerden que nuestro arte está en gran peligro ahora. ¡Defendamos nuestra música, trabajemos honesta y desinteresadamente! Час тому назад я закончил партитуру двух частей большого симфонического сочинения. Если это сочинение мне удасться написать хорошо, удасться закончить третью и четвертую части, то тогда можно будет назвать это сочинение Седьмой симфонией. Для чего я сообщаю об этом? Для того, чтобы радиослушатели, которые слушают меня сейчас, знали, что жизнь нашего города идет нормально. Все мы несем сейчас свою боевую вахту. Советские музыканты, мои дорогие и многочисленные соратники по оружию, мои друзья! Помните, что сейчас нашему искусству грозит великая опасность. Будем же защищать нашу музыку, будем же честно и самоотверженно работать.