1,900 Royalty-Free Audio Tracks for "Synthesizer"

This is a background sound usable for things like a video featuring space and the universe. The production is based in synthesizer melodies, but it's been washed out enough to make it more of a sound effect, instead of a song you can listen to.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

66bpm drum beat: hip-hop/electro improvisation on electronic drumpadsclavia nord drum 3p "modelling percussion synthesizer" padsmetronome used but not quantisedrecorded with ableton live + motu ultralite mk3 hybridkick pedal: roland kt-10.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

Arturia microbrute synthesizer through guitar rig on low quality direct into the built-in tape deck. Cut in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5-profile for more:http://www. Pond5. Com/artist/cabled_mess.

A collection of 8 plasma rifle-style single shots, inspired by the plasma rifles you hear in the terminator movies. Each shot is slightly different so there is some variety. I created them by layering single gun shots with other sounds and then running them through a granular synthesizer with some effects.

Sound of an emergency shut-down on a spaceship. A robotic voice is saying "enemy detected" attended by a brutal alarm sound. Maybe in a wide room or hall. I created this sound by using the fl studio speech synthesizer plus several effects. Maybe useful in a video game or a short animation movie ;-).

Alta fidelidad: sonidos generados con un sintetizador korg microkorg combinados con voces de personas (sonidos de archivo). Se distingue claramente los planos sonoros. Editado el 29 de enero de 2016. Sounds generated with a synthesizer korg microkorg combined with voices of people ( sound file). Sound levels are clearly distinguishable. Edited on 29 january 2016.

These samples come from a gakken sx-150, a small analogue synthesizer kit that was released in japan 2008 as part of the gakken hobby magazine series. The synth became very popular also outside of japan, mainly because it's a low-cost analogue synth with a great sound that offers lots of possibilities for circuit benders.

Imaginary futuristic car driving through desert. Danger in the air. Scifi tension. Instruments used for sounddesign: pro 53 (sound of car and wind) and the freeware synthesizer da hornet (artificial horror sound). Slow lfos, filter and pwm modulation,3 voice unisono, internal chorus fx (pro 53), no additional effects, faded out. Da hornet - fast pitchmodulation.

Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Relaxation music for multiple purposes created by using a synthesizer and recorded with magix studio. Edited with audacity. Friendly reminder: this sound is attributional. If you don't know what that means you should check the link under the download button. (created for a request). I used sounds that aren't mine:. Https://freesound. Org/people/straget/sounds/412308/ by straget| license: creative commons 0.

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

This is a compilation of spaceship cockpit noises i created for a sci-fi themed game project. Since some of the sounds weren't used in the game, i've uploaded these for everyone to use for free. All the sounds were created with native instruments' massive synthesizer and several field recordings. You can find and download other sounds from the project in the pack.

Self-modulation patch with a modular synthesizer systemmainly doepfer / buchla / dreadbox modules. Feel free to use it on your compositions or on whatever you feel like to use this sample. Feel free to support me with a small donation: paypal. Me/abbarraaudio.

Modular sequence patch with a modular synthesizer systemmainly doepfer / buchla / dreadbox / diy modules. Feel free to use it on your compositions or on whatever you feel like to use this sample. Feel free to support me with a small donation: paypal. Me/abbarraaudio.

This was originally composed at the keyboard as an improv on multiple tracks. I sped it up to 210 bpm and ran it through the vita virtual synthesizer as "soundtrack percussion", amps off, s and r filters on and lots of delay. A virtual drum loop with a human touch. Heavy beat. War drums 3 is a faster version of this.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

This is a piece of music depicting a massive embarrassment. Feel free to use it in videos. I license this file under cc0 - you don't have to give me credit if you use it, but it's always appreciated. You can also get this file from soundcloud:https://soundcloud. Com/unfa/fuckup-theme. This short piece was created entirely with libre software and linux:ardour (daw), vital (synthesizer plug-in), and others. Enjoy!- unfa.

I used the "the challenge. Wav" base (id: 561988) and made a simple melody with a synth, added effects and some beats. I used some fl studio effects: reverb, echo, distortion, equalization, amplify, low-fi effect, low-pass, drums and synthesizer. Amazing challenge as always, thanks badoink.

Made this with bj's modsynth modular synthesizer! ⭐. Christmas homevideo type feeling. This sound can for example be used in movies, horror games - you name it!. If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

You are bidding on! no, these are my pss 270 synth cutter,i finally busted that bitch out of storage again, it is processed through a korg kaoss pad with the reverbeffect. So it is semi noisy, enjoy. ! good for some back drops, if youmess with the glitches you can hit a key to sync the key to a drumloop,and the drumloop becomes the keyloop, ryhthmic isnt it. . . . . I love everyone. Enjoy!.

Insane stereo effects and powerful dance beat. If you listen at the end you can hear a voice saying "take em off" over and over. I swear to god i did not put that in there it is a artifact from the effects. I created these perfect drum beat/loops using my yamaha psr463 synthesizer, my zoomr8 portable studio, hydrogen, electric drums and audacity.

A short clip from one of my original compositions. All instruments, vocals and recording by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain. All my sounds are licensed as creative commons 0 and can be used for whatever you like. I don't require that you give me credit but it is appreciated. I answer all my messages here so feel free to contact me.

I was creating a kick drum sound using a model d synthesizer to see if i could and i realized the upper register had some very interesting percussive blips. I recorded starting with c or c# below middle c and upward for usable sounds and thought they might be interesting and useful for someone else as well. Please do what you want, slice and dice, these are original sounds by me from the model d and i give them freely for whatever use.

Two tone siren that is used by all emergency service vehicles, including police, ambulance and fire department (in 2012) in the netherlands. This is not a recording of an actual siren, but generated by a synthesizer at the exact two frequencies that the siren consists of. For a realistic result it is suggested that you mix this with other background sounds and add your own doppler, echo, panning and other effects to suit your needs.

This is a completely custom kick i made from scratch using a drum synthesizer and also mixed and edited with a waves puigtech eq modeled after the famous pultec eq and a waves puigchild compressor modeled after the famous $30,000 fairchild compressor. The sample rate is 24 bit/48k and a headroom of -6 or 3db i cant quite remember but nonetheless more than under clipping. Give me some feedback and let me know if its good and i'll upload more for you guys. Peace.

A short clip from one of my original compositions. All instruments, vocals and recording by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain. All my sounds are licensed as creative commons 0 and can be used for whatever you like. I don't require that you give me credit but it is appreciated. I answer all my messages here so feel free to contact me.

It is a recording made with the following instrument´s: 1. Tuperware plastic and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

Here's a non-realistic sound of a nuclear explosion. I've created this for my presentation at sonoj convention 2018:https://youtu. Be/phot0a2xglw. I've removed elements of the sound that were very specific to my use-case to make it more suitable for general use. The sound was made with only open-source software and linux. Namely:. - ardour 5. 12 (daw)- zynaddsubfx (synthesizer)- lots of sound of trash being thrown around i've recorded- open-source audio plugins: calf, mverb, magigaverb, eq10q, airwindows, wolf shaper and more. . .

A synthetic bass multisample. I created it using the virsyn cube additive synthesizer (vsti). I applied some eq using the sonalksis sv-517 equalizer plugin. The sound was compressed by the sonalksis sv-315 and nomad factory blue tubes cp2s compressor plugins. All great quality plugs. The sound is a nice but rather static emulation of a bass guitar. Use your sampler's velocity and pitch bending options to bring this multisample to life. All samples in a 24 bit, 44. 1 khz resolution. Loop points were added for sustained notes.

X-act heavy metal drum kit==========================drum kit: tama rockstarsnare: mapex maplecymbals: zildjianall were recorded in studio with a sennheiser e835 microphone plugged into a roland juno-g synthesizer. Cymbals need some 15khz eq increase because of the dynamic microphone's treble roll-off. No copyrights, free for all uses. I recommend using native instruments battery to launch the samples. Each of the battery's cells can accept stacked multi-samples, and the kit can be played through an electronic drum kit through midi. Excellent results. Any comments, contact matias: matias. Reccius@gmail. Com.

If you are into making your own cut and paste dubstep style of music you might wanna take a look at all my sounds. I have a wide variety of stuff here. In particular the sound effect packs are loaded with good dubstuff. I created these perfect drum/beat loops using my yamaha psr463 synthesizer, my zoomr8 portable studio, hydrogen, electric drums and audacity. If you would like to check out my original music it is available here:traxis on band camp.

It is a recording made with the following instrument´s: 1. Pianito toy model n88e / hk-6015c from china; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

It is a recording made with the following instrument´s: 1. Glass cup and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by roland tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

A short clip from one of my original compositions. All instruments and vocals by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain. All my sounds are licensed as creative commons 0 and can be used for whatever you like. I don't require that you give me credit but it is appreciated. I answer all my messages here so feel free to contact me.

A section of the recording at https://freesound. Org/people/nlux/sounds/620955/ re-purposed for use in the makenoise morphagene eurorack synthesizer module. A high-pitched, metal windchime, sent through some granular processing software. The reel is divided into two, long halves: one with the sound playing forwards and one with it playing in reverse. This means i can easily switch from forward to reverse without tuning issues, simply by applying cv to the morphagene's 'slide' control.

I created these perfect loops using my yamaha psr463 synthesizer, my zoomr8 portable studio, and audacity. All the music on these tracks was written by me. All instruments were played by me as well. All you have to to is loop them and you'll have a great base rhythm for your projects or to just jam with. That's why i create these types of loops; they help me create full finished compositions. If you would like to check out my original music it is available here:wicked.

Its a sine wave folded 4 times by a cgs inspired wavefolder module (kinda like the metalizer from the minibrute). The whole thing is then modulated with an external function generator that controls amount and frequency of modulation. This is what came out and it's pure junky drone noises, so goddamn nasty. Absolutely love them. Feel completely free to sample this and use it for your own purposes. This is a diy synthesizer i'm building and unfortunately it is still a prototype, but i'm gonna finish it soon and hope to sell it. Cool indeed, isn't it?.

Collection of different human voices introducing original nitrate optical sound effects made for hollywood in the 1930s and 40s as digitized by craig smith. Sound effects extracted, these are mostly only the intro voices except for some small overlaps or tails. Sometimes it cuts off or on in the middle of a word but that's just what was available in the optical soundtracks. I plan to use these for a film but thought it might be fun for others to play with. Splice markers added in reaper, optimized for the make noise morphagene tape and microsound synthesizer, just rename the file to mg1 etc. , morphagene’s file-naming convention (but of course you don’t at all need the morphagene to use these).

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.

Created with a doepfer a-100 modular synthesizer sequenced by a korg sq-1 processed by a zoom multistomp ms-70cdr guitar multi-fx pedal, using the particle and hd reverb. Audio source is a self-resonating, modulated doepfer a-108 vcf8. The reverbs ran in series. The manual states that the particle reverb is based on the line6 m9 particle verb. Here's a video showing the setup: https://youtu. Be/5h-mblcybbo. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5 and unity asset store profiles for more:http://www. Pond5. Com/artist/cabled_messhttps://www. Assetstore. Unity3d. Com/en/#!/search/page=1/sortby=popularity/query=publisher:20154.

This sound was created as follows:. -zynaddsubfx free (and insanely amazing) software synthesizer generated simple g tone using a sine-wave adsynth engine- creative sbs 250 speakers played it back distorting the sound naturally and adding some interesting stereo phasing effects (is that caused by analog signal cable being longer for one speaker?)- i was manually changing the volume using the speaker's potentiometer (whitch is dirty and added some interesting noises on the right speaker, and also at peak loudness during the 54th second the right speaker is quiet)- the output was captured by zoom h2's rear mics- and recorded via usb into audacity free audio editing program- i exported the recording as 16-bit flac.

Br-laser vector synthesis reel for make noise morphagene. These sounds have visuals encoded into them at high frequencies. The vector synthesis reel for the make noise morphagene is a collection of different xy samples, to show off morphagene's stereo sampling capability. The sample material can be displayed on oscilloscopes, modified vectrex game consoles, ilda laser displays or oscilloscope simulation software in xy mode. Some splices on the reel can be used as seamless loops. Here is a video to give a basic idea of the reelhttps://youtu. Be/cxxb9veyq6w. The collection of vectors was arranged by bernhard rasinger and includes vector contributions from artists listed below. An important part of this reel is to put the spotlight on working and performing artists utilizing sound signals to draw images as vector art. Alberto novellohttp://www. Jestern. Com. Andrew duffhttp://andrew-duff. Co. Uk/. Bernhard rasingerhttps://www. Br-laser. Com/. Chris kinghttp://videocircuits. Blogspot. Com/. Derek holzerhttp://macumbista. Net/. Douglas nunnhttps://vectorhackfestival. Com/guests/nunn/. Hansi raberhttp://youtube. Com/hansiraber. Ivan marušić klifhttp://i. M. Klif. Tv. Jerobeam fendersonhttp://oscilloscopemusic. Com. Jonas bershttp://jonasbers. Com. Joost rekveldhttp://www. Joostrekveld. Net. Philip baljeuhttp://instagram. Com/pbaljeuhttps://www. Youtube. Com/channel/ucudrl_q3_cnsj0ta2k7saha. Philipp haffnerhttps://www. Instagram. Com/philipp_haffner/. Robert henkehttp://roberthenke. Com/. Roland lionihttp://www. Akirasrebirth. Com. Ted davishttp://teddavis. Org. Vector hack festivalhttps://vectorhackfestival. Com/. All of these artists, working in the vector synthesis realm are creating these vectors with a different set of tools. These tools include pure data, max4live, oscistudio, axoloti, modular synthesizer, video synthesizer. Https://oscilloscopemusic. Com/oscistudio. Phphttp://write. Flossmanuals. Net/pure-data/introduction2/http://www. Axoloti. Com/https://www. Ableton. Com/de/live/max-for-live/. For introductory oscilloscope and technique tutorials please enjoy jerobeam fenderson´s tutorial series. Https://www. Youtube. Com/playlist?list=plfgouhnvmlro45p9uur18wofljeavcfvv.

Hey!. I've made this for a friend's project. But the project is now stalled, so i decided to release my work to the world. The sound is created with multiple layers of zynaddsubfx digital synthesizer. Sequenced and rendered using lmms. This was my first serious attempt at creating high-quality game sounds. I've spend quite some time refining and adding detail to the sounds, so they are rich and convincing. I hope this is a production at top level, that could be used in a commercial motion picture. Have i reached my goal?. If you want to use them, you'll need to edit it by yourself :). There are several different firing sounds, laser beams, discharge, sounds of plasma projectiles hitting a wall etc. . . Have fun and don't forget to give me a credit and link to this page!.

I made this one a morning while having a cup of strong java. It's done in garageband for a thing called victors crypt. Made a drumbeat with open hi-hat. After 4 rounds the hi-hat closes and a cowbell comes in. Did a bassline to go with the beat. Then i added instruments on top of that. Starts out pretty mellow in minor, dark. Then builds up with the bass, and after that a loud synthesizer and back to a more mellow part. I think it's a bit spacey/sci-fi. That's why i named it "exit planet terror". But it will definately work to most anything. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe to & watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.