52 Royalty-Free Audio Tracks for "Sinus"

Sinus wave 30hz to 250hz with tempo.

Iut paris 8 2021 2022 pack.

Opening up variation closing.

Opening variation pulsation closing variation.

Just sound to start the 2018-2019 pack. . .

A simple sinus waveform by doepfer a-100.

Low freq bass.

I have done a scale of my own. My a is 432hz. Not unique. . . In this example you hear my a, f and d. The tones are generated in audacity.

Sub37_18db filter + reso on different drive settingsroughly normalized.

The five tones announcing new hour during radio broadcast. Made with audacity generating sin 1000hz tones.

Playing with chuck. Playing with the notes b a c hnow i use only one script and alter it during the performance. Back with sinus. Love sinus.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

This is one of 17 recordings made with the same patch. Same tempo, same scale, different outcome. I made this recordings for disquiet junto project 0377: algorithms assemble.

Beat and timbres remix of balloonheads "welcome to the mancave"https://freesound. Org/people/timbre/sounds/445097/https://freesound. Org/people/balloonhead/sounds/444988/.

Radio noise created for a project with steinberg's fm8.

Today i'm supposed to play with my modular, or anything. As long as i'm not disturb the boys watching gremlins down stairs. . . Okay. I put some modules out for sale. Made this. The sound is generated by self oscillating vcfs. I love sinus wave. I will sell my triple oscillator now. It does not have sinus wave! the randomness is generated to old fashion way. I don't have any fancy random trigger modules. Bla bla bla. . . I stop there.

Bass with variations made on modular synth. The original wave is a sin-wave. . . I think number six i my favorite. Number ten is quite funky too.

Modular beat with "sinus bass drum". . . Playing around as usual.

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

I run my program 3 times and recorded. Joined, panned, added reverb and fade out. -----------------------------------import randomimport winsoundant = 1while ant < 25:ton = random. Choice([131, 165, 196, 247, 65, 262, 330, 392, 494])# c = 65. 41# c = 131. 8 : e = 164. 8 : g = 196. 0 : b = 246. 9# c1 = 261. 6 : e1 = 329. 6 : g1 = 392. 0 : b1 = 493. 9dur = random. Choice([2000, 3000, 4000])# duration in millisecondsprint ton, durwinsound. Beep(ton, dur)ant = ant + 1-----------------------------------.

Modular synth bleeps and bloops controlled by chaos modules. Does that makes it better?no!.

While i'm at it. Another electronic minute. Made this patch really fast. No random! i use chaos. You can loop this sound. A modular is like sound lego. I like that. Relaxing. Well, not the sounds. . . Totally unedited sound.

No comments.

I use a voltage controlled lfo (vclfo) for this experiment. When i send a trigger to the lfo it resets and start over again. In this example i'm using a sinus wave output. I send the output, the sinus wave, to1 - a sample and hold (s/h) module2 - a quantizer3 - straight to vco. The s/h and the quantizer are triggered at the same time. Even an envelope a generated with the same trigger. All three sounds are controlled by this envelope. First out we have s/h (left)second straight to vco (right)third the quantized (center). As usual its fun to take a real close look at the wave!.

Synthesized soundit's a regular sine with a fast, chaotic pitch modulation9 notes, first note on each octavesurge xt synthesizer.

I made this as a strange wake-up alarm. I was wondering at what point i will wake-up? what frequency will break my dream and bring me back on earth?. Created using audacity.

A neighing theremin pulse.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

Low pitch bass drum. I've recorded some cutoff and resonance on a basic sine wave kick drum patch i created with strobe2 synth. You don't have to provide attribution or anything, but please let me know how you like my sounds here or via twitter @tailorvj.

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

A strange beat. Might be hard to use? it has go something. . .

I wanted to make a very gentle wakeup alarm for my android phone. It's a 25-minute long fade in of a pure 3-khz tone. Created with audacity. I encoded this to ogg vorbis for personal use, but i'm sure you can do this better for yourself (maybe you'll prefer other format), so here you have a quality flac file for source.

Sinus wave 440 hz mixed with sinus wave 220 hz.

Sinus wave 220hz with pluck and wahwah effect.

A 100hz to 30hz sinus wave with a bit of tube saturation.

What effects the color of the wave here on freesound? i could ask, but here is a little test. Part 1 - a (about) 60hz tone going from sinus to triangle (vcv-rack vco-2)part 2 - same tone. Sinus wave. An accelerating vibrato. Part 3 - now 2 tones. Same 60hz sinus tone plus another sinus tone slowly increasing in frequency creating beating effects. The second, rising, vco has a lower amplitude. All three part has the same peak amplitude (-4db)#colortest.

Tinnitus sinus tone at 10khz -18dbfs.

Sinus wave connected to the filter fm1 in sweeps sound from mfb osc-03some reverb from ladik d-330.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

Aha! the wave form effects the wave color! here is a 60hz tone playing alternatly sinus and triangle wave. In this test im using vco-1. #colortest.

I made the vcf self-oscillate at a frequency of ca 270hz then i connected a sinus wave vco to cv1 and swept all the frequencies.

Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.

Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.

Do major scale in three system. Firstly one by one, then pythagoras + just intonation (5 limit), pythagoras + 12tet, just intonation + 12tet, and at the end pythagoras + just intonation + 12tet alltogether. Reference notes are la4 and their frequencies are 440hz each. Sinus waveform. Prepared using csound.

Modular synth patch with 2 voices (vcos). One sinus wave and one triangle wave. Max reverb (hall) on my ladik d-330. Output to reverb is mono. Observe how the output from the reverb makes affects the channels. Meanless and bizarre video on https://www. Youtube. Com/watch?v=daymdm8vrz0.

How i did it? --------------------------generate a wistle sound (sinus) at 440hz, 0,8 db, 1 secapply effects : fade in, repeat x3. How can i describe it? (french)----------------------. // typologie (cf. Pierre schaeffer) :n + x’. // morphologie (cf. Pierre schaeffer) :. 1- masse: son cannelé2- timbre harmonique: terne3- grain: lisse4- allure: simple5- dynamique : attaque douce6- profil mélodique: pas d’hauteur différente7- profil de massesite : une seule hauteur de soncalibre : pas de filtrage ni équalisation.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

Testing/documening my nonlinearcircuits timbre!. "this is basically a clone of the buchla timbre found in the easel. ". Sound:1. Sine wave not going throught wave folder2. Sine wave though wave folder3. Triangle though wave folder4. Square through wave folder5. Saw through wave folder. An lfo is modulating the bias. No, when going through the folder the there is never a sinus wave. . . Next time. . . Also it is a matter of calibration. I should check it out.

1st track :generate a pink noisedelete frequencies up to 2khz with the equalizershape a crescendo - decreshendo envelope. 2nd track :generate few very low frequencesmake it alternate four times betwin high and low strength with envelope toolapply a compressorput a decrescendo envelope. 3rd track :generate a 300hz sinusput an envelope with an agrssive attack and a rapid end (0. 1s length)make it correspond with the end of the second low echo (track 2)generate the same sound, lower, with a 600hz and 1200hz sinus, corresponding respectively to the third and the fourth low echo.