128 Royalty-Free Audio Tracks for "Technique"

These are glitch sounds i made through a technique called "databending. " basically i opened several pictures in audacity, and forced it to play them as sound files.

F#2 played on the lowest string (e) of an acoustic guitar with an hammer-on technique on the left hand and with a mediator for the right hand. Recorded with a zoom h2n.

Sound of timpani's with cow bells and other tuned percussion to give it its unique sound. I also used sound techniques of reversing eqing ect to create this sound.

Synthetized using a vintage yamaha psr-36 keyboard. Processed in daw with various effects and sound design techniques.

Igluifohn space.

The number of file correspond to the numbering of the book:le sons multiples aux saxophones / daniel kientzy. - paris : editions salabert,[198?]. - (salabert enseignement : nuovelles techniques instrumentales). For the fingering see also my page: http://www. Uauaua. Net/index_resources. Htm. Setup:saxophone: yanagisawa, reed: marca 1-1/2, mouthpiece: selmer s80 b*. Samples recording:stereo microphone technique: coincident cardioids angle 90° apart (mono-compatible). If you use this sound i shall happy to publish your piece - or his link - on my site.

This is a sound i made in audition with the use of pitch bending and some muddling techniques. It was also crafted from:. Http://www. Freesound. Org/people/the_yura/sounds/211527/.

Dead verstorben. Wav.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

Snare drum distorted, i added other snare drum for more drum sound. Good for snare rolls, snare rushes, and other snare techniques. Also you can layer with other snare, or eat it, your imagination puts the limit.

Pequeña captura de un paisaje nocturno cercano al mar con un sistema m/s de schoeps. Small capture of a night landscape near the sea with an m / s technique and schoeps microphones.

Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.

Sound of pressing and relasing self-inking stamp recorded using stereo mid-side technique on zoom h4n and external dpa 4006 microphone.

A recording during a church celebration. It was recorded using the mid-side technique. All my sounds are public domain and can be used by anyone in any way they want. You can support me here: https://www. Buymeacoffee. Com/chrd.

A 4 cvlfo-ring with injection. . . With some fm-modulation. . . Will try to do this on my physical modular synth. . . Some processor related glitches. . . Will not happen on/with the real thing!!!.

Training in a muay thai gym in chiang mai, thailand. Three minutes of general gym ambience with a personal trainer speaking in thai with a student and training their technique with bag/pad work.

Recording of a herd of cows with cowbells in the austrian alps. Recorded in binaural technique while walking through the herd. This results in different acoustic perspectives: far - near - far. "moo" at 4m22s. Slightly sound of a creek in the background.

It took me a while to create this sound using my previous techniques on my other punch sounds just added more whooshes to this one and used new plugins for new sounds added to this one. Should be used for huge punch sfx.

I have started to read a certain book written by allen strange, "electronic music: systems, techniques, and controls". It's about time i dig into it. Probably it will result in some sounds. . .

A short clip of a (intentionally) low-skill trumpet player playing a simple warm-up tune. Could be used to demonstrate technique improvements or what-not-to-do. Trumpet played was a yamaha allegro with a yamaha 14b4 mouthpiece. Recorded using the internal microphones of a tascam dr-40x at a distance of approximately 3 feet.

Very complex sound which took a lot of effort to make. Used different techniques to create the punch. The drop was created by creating a body out of pillows sand ect. Layered and used effects.

8-bit style retro style gun sound made with a vintage yamaha psr-36 synthetizer. Processed in daw with various effects and sound design techniques.

This is a sample of the marytts voice synthesizer using the hmm (hidden markov model) technique. This application is frequently used at taln (upf) in their natural language processing works. Learn more at: https://www. Upf. Edu/ca/web/taln. Sound kindly provided by natural language processing research group.

8-bit retro gaming style explosion sound made using a vintage yamaha psr-36 synthetizer. Processed in daw with various effects and sound design techniques.

youga, not to be confused with yoga. Although i did once have a yoga instructor who seemed to think it should be the same. Gotta watch them yoga instructors. You might have thought they were staring at your technique. Nup.

Samples of a buffet crampon e-11 clarinet, serial #b222120. Two behringer xm8500 dynamic mics, nos stereo technique. The instrument was about 0. 8 meters from the microphones. Both microphones had gain set at about 60%.

Wav file 2 of the series. The sound of a live guitar, two pickups with one pickup turned off. Rapidly switching between the one that is off and the one that is on. You know you have heard this technique used before on all the 70's rock albums.

A recording during a church celebration. It was recorded using the mid-side technique. All my sounds are public domain and can be used by anyone in any way they want. You can support me here: https://www. Buymeacoffee. Com/chrd.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. I will try to do about the same on my modular.

A recording during a church celebration. It was recorded using the mid-side technique. All my sounds are public domain and can be used by anyone in any way they want. You can support me here: https://www. Buymeacoffee. Com/chrd.

This is a caribean latin american sound with some percusion and rythm changes, ideal for the beachthis an accoustic guitar with some distortion playing a progresion of am c e, using hammer ons, pull off and other simple techniques.

A mobile phone recording of a jalousie flapping in a window at a library. It made an irresistible sound. The recording technique, or something else, added a glitchy extra sound. Very welcome! the sound is edited in audacity. The original sound was in mono, and i wanted some stereo effects. It’s a 6 second loop.

This is the sound-signature of many of the problems with digital audio equipment, a source sound of now-unidentifiable character was mangled using a selection of iterative granular resampling, timestretching and recombination techniques, almost all of which produce noisy artefacts, intermodulation artefacts and a particuarly weird sort of very noisy geomtetric comb filtering.

In this piece, the recording of an acoustic guitar was made,with the technique of listening with one ear from several points and distances, since, as we saw in course 2, doing that is like listening to the way in which the microphone picks up the sound; and that is the specific point where the microphone must be. A dynamic microphone, interface and computer with digital audio station was used.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 5. 20 modules involved. The ending is just modular freak-out. . . Whit the turn of one pot. . . Leading to some nice sound fx.

This is a sample of the marytts voice synthesizer using the unit selection technique. This application is frequently used at taln (upf) in their natural language processing works. Learn more at: https://www. Upf. Edu/ca/web/taln. Sound kindly provided by natural language processing research group.

Created for a trailer for a film. I used a grandfather clock for the main ticking of the hands but layered and added other sounds such as a heartbeat, hall kick drum with reverb and synthesis techniques. Please note: the ticking by note be in sync if you use and a countdown image i had to move the ticks to accommodate the wall clock i was working with due to the ticks where not always in time.

Created for use in the make noise morphagene!. Experimental trumpet sounds by sarah belle reid, seen in the video "acoustic instruments with modular synths! with sarah belle reid" on the make noise youtube channel: https://youtu. Be/g63uefyz_mo. Https://makenoisemusic. Com/modules/morphagene.

Sounds made with analog modular synth. Analog delay and spring reverb. Is this music or sound-design? something in between. Anyway its made with generative technique. The synth is working by it self. Machine composition.

Files labeled "ms" correspond to mid/side recordings. This allows for adjustment and separation of the stereo image. To makes the most of these samples, i suggest you do, or the stereoness could sound exaggerated. Most daws and audio editors have this capability, or you can use any of several free applications, such as voxengo's msed (set to "inline" mode). The pack variations correspond to different recording techniques and microphone combinations.

Impulse response generated from field recordings of a parking garage. Recorded using an audio technica bp4029 m/s shotgun microphone into a zoom h4n recorder. This recording is part of a pack of impulse responses comparing different recording and post-processing techniques. A full explanation of the experiment and recording process is presented in this video: https://youtu. Be/nm65zx3u7me. Sweep recordings were deconvolved using voxengo deconvolver.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

A close-up recording using the m/s technique. It is the recording of a simple small-sized fan. I really liked the low-frequency sounds it generated when i got the mic close. All my sounds are public domain and can be used by anyone in any way they want. You can support me here: https://www. Buymeacoffee. Com/chrd.

Another one with 1 looping envelope and 2 vclfos in a dance. I start the recording with the looping envelope in non looping mode. After about 33 sec i switch to looping-mode. Records and hope that a pattern should emerge. So, what do you think? one more time i switch looping mode off and then on. Cool technique.

Buzzing drone made with indie guitar played through ehx super ego, poly phase & chorus, filtered with ehx flanger hoax, recorded on ehx 2880.

Documentation for the audio clause work. Used zoom h6. Setting to 48 khz 24 bits depth. + jbl headphonesi used this type of technique for experience with it and the availability of a loan at school. Xy microphone for stereo shooting. Set at 90 °. Recording took place in the afternoon in prague. Inside the tram, even outside. The recorded sounds mainly correspond to the atmosphere of this vehicle, which is created by both the people and the sounds of the tram itself. (clinking, door sounds, windows, brakes…).

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

Poking around in my grandmother's barn - building is approx 140 years old and filled with old tools, furniture and other random things. Recording consists of a lot of rusty metal scrapes and thumps, footsteps on old wood, doors etc. Recorded on a hand-held sony pcm-d50. I've edited out the worst of the wind and other artifacts of my sloppy recording technique, but there may be some still in there.

Field recording made at the occupy toronto demonstration which gathered in nathan phillips square in front of new city hall on 22 oct 2011. "human mic" technique is in use. The occupy toronto base-camp was at nearby st james park at this time. Roland r05 sound recorder and sennheiser mke400 stereo microphone.

Very high velocity stroke with 5a wooden mallet in paiste pst3 20" crash on stand. Recorded with pair of akg p120 mics on stands and tascam dr-60 mkii recorder. Middle-side recording technique. Middle mic next to crash, side mic in a distance of 1m. Recorded in tiny kitchen with doors closed. Few ringing partials were tamed with parametric equalizer. Sound faded out in flstudio edison. Recorded in 96khz and 24bit.