85 Royalty-Free Audio Tracks for "Technique"

00:00
04:27
A recording during a church celebration. It was recorded using the mid-side technique. All my sounds are public domain and can be used by anyone in any way they want. You can support me here: https://www. Buymeacoffee. Com/chrd.
Author: The Runner
00:00
00:05
For a computer game the robot sound, reminding the well-known r2d2 was necessary. To create such sound it turned out similar means (a compound of synthetic and natural soundings in processing).
Author: Urupin
00:00
04:46
Recording of a herd of cows with cowbells in the austrian alps. Recorded in binaural technique while walking through the herd. This results in different acoustic perspectives: far - near - far. "moo" at 4m22s. Slightly sound of a creek in the background.
Author: Aurea
00:00
00:15
Wav file 2 of the series. The sound of a live guitar, two pickups with one pickup turned off. Rapidly switching between the one that is off and the one that is on. You know you have heard this technique used before on all the 70's rock albums.
Author: Appsguild
00:00
00:08
This is a sample of the marytts voice synthesizer using the hmm (hidden markov model) technique. This application is frequently used at taln (upf) in their natural language processing works. Learn more at: https://www. Upf. Edu/ca/web/taln. Sound kindly provided by natural language processing research group.
Author: Soundsofscienceupf
00:00
00:09
This is a sample of the marytts voice synthesizer using the unit selection technique. This application is frequently used at taln (upf) in their natural language processing works. Learn more at: https://www. Upf. Edu/ca/web/taln. Sound kindly provided by natural language processing research group.
Author: Soundsofscienceupf
00:00
03:03
Sounds made with analog modular synth. Analog delay and spring reverb. Is this music or sound-design? something in between. Anyway its made with generative technique. The synth is working by it self. Machine composition.
Author: Gis Sweden
00:00
00:06
A mobile phone recording of a jalousie flapping in a window at a library. It made an irresistible sound. The recording technique, or something else, added a glitchy extra sound. Very welcome! the sound is edited in audacity. The original sound was in mono, and i wanted some stereo effects. It’s a 6 second loop.
Author: Gis Sweden
00:00
00:16
A short clip of a (intentionally) low-skill trumpet player playing a simple warm-up tune. Could be used to demonstrate technique improvements or what-not-to-do. Trumpet played was a yamaha allegro with a yamaha 14b4 mouthpiece. Recorded using the internal microphones of a tascam dr-40x at a distance of approximately 3 feet.
Author: Jay Mar
00:00
03:45
A close-up recording using the m/s technique. It is the recording of a simple small-sized fan. I really liked the low-frequency sounds it generated when i got the mic close. All my sounds are public domain and can be used by anyone in any way they want. You can support me here: https://www. Buymeacoffee. Com/chrd.
Author: The Runner
00:00
02:39
Another one with 1 looping envelope and 2 vclfos in a dance. I start the recording with the looping envelope in non looping mode. After about 33 sec i switch to looping-mode. Records and hope that a pattern should emerge. So, what do you think? one more time i switch looping mode off and then on. Cool technique.
Author: Gis Sweden
00:00
00:33
In this piece, the recording of an acoustic guitar was made,with the technique of listening with one ear from several points and distances, since, as we saw in course 2, doing that is like listening to the way in which the microphone picks up the sound; and that is the specific point where the microphone must be. A dynamic microphone, interface and computer with digital audio station was used.
Author: Erian
00:00
03:23
Field recording made at the occupy toronto demonstration which gathered in nathan phillips square in front of new city hall on 22 oct 2011. "human mic" technique is in use. The occupy toronto base-camp was at nearby st james park at this time. Roland r05 sound recorder and sennheiser mke400 stereo microphone.
Author: Geogblog
00:00
03:52
Poking around in my grandmother's barn - building is approx 140 years old and filled with old tools, furniture and other random things. Recording consists of a lot of rusty metal scrapes and thumps, footsteps on old wood, doors etc. Recorded on a hand-held sony pcm-d50. I've edited out the worst of the wind and other artifacts of my sloppy recording technique, but there may be some still in there.
Author: Slumbermonkey
00:00
00:15
Very high velocity stroke with 5a wooden mallet in paiste pst3 20" crash on stand. Recorded with pair of akg p120 mics on stands and tascam dr-60 mkii recorder. Middle-side recording technique. Middle mic next to crash, side mic in a distance of 1m. Recorded in tiny kitchen with doors closed. Few ringing partials were tamed with parametric equalizer. Sound faded out in flstudio edison. Recorded in 96khz and 24bit.
Author: Laffik
00:00
00:25
Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.
Author: Radwoc
00:00
05:23
This was recorded with my 9-year old for a phone app called tiddl. The app was developed to interrogate whether cats could be entertained with a phone app. The recording features torn and crumpled paper, little noises we use to attract our cat, casio. Also featured are: toilet flushing sounds, running water sounds, banter with my studio mate, and a heated exchange about engineering technique.
Author: Notsawry
00:00
00:12
The number of file correspond to the numbering of the book:le sons multiples aux saxophones / daniel kientzy. - paris : editions salabert,[198?]. - (salabert enseignement : nuovelles techniques instrumentales). For the fingering see also my page: http://www. Uauaua. Net/index_resources. Htm. Setup:saxophone: yanagisawa, reed: marca 1-1/2, mouthpiece: selmer s80 b*. Samples recording:stereo microphone technique: coincident cardioids angle 90° apart (mono-compatible). If you use this sound i shall happy to publish your piece - or his link - on my site.
Author: Uauaua
00:00
02:46
Documentation for the audio clause work. Used zoom h6. Setting to 48 khz 24 bits depth. + jbl headphonesi used this type of technique for experience with it and the availability of a loan at school. Xy microphone for stereo shooting. Set at 90 °. Recording took place in the afternoon in prague. Inside the tram, even outside. The recorded sounds mainly correspond to the atmosphere of this vehicle, which is created by both the people and the sounds of the tram itself. (clinking, door sounds, windows, brakes…).
Author: Hmoudras
00:00
02:00
This is the stereo file of the 4-ch thunder-file--> https://freesound. Org/s/367222/. The thunder is slow downed to 0,7speed and has now very deep frequencies, which can shake your house, if you have the right equipment to play the file. ;-)the 4 channels are recorded in irt-cross technique so it is a 360° record. Ch1(left) = fl+rlch2(right) = fr+rr. _________________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).
Author: Bluedelta
00:00
00:12
Here is a sample of my last work "electricity sound library". I recorded some radio noises and guitar amps noise grounds with my tascam dr-40 then i processed them through additive, granular synthesis technique in logic pro x. Please leave a comment if you downloaded. You can use it under creative commons attribution license (please read before download it). This sound was originally recorded at 24 bits 96000 hz. Hope you enjoy. More sounds or music ? visit : https://audiojungle. Net/user/wakerone.
Author: Wakerone
00:00
00:21
This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.
Author: Makenoisemusic
00:00
00:30
This is a short wavefile of really bad drums and a crying baby. To be used properly, it needs to be turned way up. This sound has a story behind it - i made this up for one purpose, and one purpose only - to temporarily blast my long-term loud neighbors into realizing that 'they' are now the victims. They "were" relentless at playing loud music continuously, and it was a hot humid day,no air-con, and i had a lot of wine. That's all it took - so i blasted them(at an amazing close range)with 200+ watts of drums'n'babies, just long enough for them to figure out that this just might continue, and that it isn't a nice sound. Bottom line - the technique was highly effective.
Author: Daytripper
00:00
01:03
Overflight of 2 fighter jets (eurofighter). In quadro (in 5. 1-terms: l-r-sl-sr) you will hear them coming from front-left flying "above the head" to rear-right(roughly spoken). The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-).
Author: Bluedelta
00:00
00:01
This is almost the same kick drum i´ve uploaded previously, but this has more compression and overtones in the sub bass, along with an interesting technique i´ve been doing, lemme explain. . . I put the original sample twice in my daw (fl studio if you ask),leave the first sound like it is and the second sample is being equalized in a way that only the sub bass is being showed, so i added to that the saturation plugin ivgi2 from klangheim industries and slammed it with the plugin ott by xfer records about 9 times. Equalized the sound again to cut the sub bass and leave the raw high end sound you hear, finally added an izotope ozone imager to make it wider.
Author: Panxozerok
00:00
00:07
This is from a recording session trying to create laser weapon sounds. I just used the same technique as ben burtt used in wall-e (with the slinky and the contact mic). This is unprocessed, no eqs, compression, reverb or anything was added. I used a long piece of curled up aluminum wire which i hung from a tall structure at my house and the main object i used to oscillate the wire was a drum stick. For the recording i used the blue icicle and recorded into reaper. The contact mic is my own creation from a diy i found online (roughly €5 to make). I hope you find this useful! please feel free to use it, whenever and however you want to. If you create something awesome and you're proud of it i'd love to see it!.
Author: Theogobbo
00:00
00:29
The story begins by a music that i found. A open door, heels, then silence, a chair, computer sounds with mouse, retake of music and close of the door. , who is the ending of music too. To produce that, i choose audacity; i take recorded moments of life. For the technique, i choose a fade in and fade out for the music and the recorded sounds fit well together. For the moments of silence, when the work begins, i only let the recorded sound talk without music. I choose to work with two mono audio tracks: on for the music and the other for the daily sounds. Descriptif selon la typologie de schaeffer. 1. Masse : son dit “cannelés”2. Timbre harmonique :3. Grain : rugueux4. Allure : non vibrato5. Dynamique : abrupte6. Profil mélodique : tentatives de variations glissantes7. Profil de masse : son cyclique avec des moments doux puis un peu plus fort.
Author: Univ Lyon
00:00
02:02
4-channel record of a rolling thunder. The record is slow downed to 0,7-speed. The thunder has now very deep frequencies, which can shake your house, if you have the right equipment to play the file. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° record. Http://irt-cross. Mozello. Deat the end of the track the rain moves to the front channels. (fade is starting at 1:20 min and is finished at 1:41min)my other track can be used for "intro" followed by this track. See/hear here for the intro option:https://freesound. Org/people/bluedelta/sounds/446753/. The spatial impression is best if headphones are used. Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).
Author: Bluedelta
00:00
02:58
The office chair is a usual one with wheels and black, but been fixed and soldered and painted a lot for over 2 years (don't khow how long this chair was being used by the previous owner. To get the sound i just sit on it, put my phone on a tripod using the apk easy voice recorder pro by digipom, and then started moving with my feet trying for 30 minutes to get interesting sounds out of it, sometimes falling to get one continuous sound, but i never did that so my experience and technique is lacking also i dind't edit in audacity i just recorded send to email and uploaded here. The thing is that i got as a gift from a family friend and me and my dad soldered that thing probably 6 times to fix the sounds,pieces falling off, me geting in the ground after the entire base broked!( i wished i could show the picture in the center down of it) so before i went ahead to fix it again, i decided after talking to friends if i should record and upload, so here it is!. I hope is useful somehow to someone, now i can feel more at ease in repairing this chair again.
Author: Luizpsc
00:00
01:03
4-channel hq record of a sudden and heavy thunderstrike (nearly) without rain in the afternoon of a hot summerday. The recording equipment was prepared for recording thunder, so there is no distortion, no compression or (auto)gain reduction done by a limiter in the zoom f8, means the whole dynamic is still there and will be audible by a adequate monitor/audio equipment. ;-)the sound was not edited or otherwise enhanced with effects. This file can be used as a intro followed by my other track (link below), which has soft rain at the beginning, before the thunder comes. . . ;-https://freesound. Org/people/bluedelta/sounds/367222/. The 4 channels are recorded in irt-cross technique (microphone distance 25cm) so it is a 360° (4x90°) record. Http://irt-cross. Mozello. De_________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones). Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. Https://www. Sounddevices. Com/product/wave-agent/. Comments about this atmo-record are welcome! ;-). . . And you can help others to find this sound easier by (star)rating this track.
Author: Bluedelta
00:00
02:15
This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .
Author: Stomachache
00:00
02:55
Br-laser vector synthesis reel for make noise morphagene. These sounds have visuals encoded into them at high frequencies. The vector synthesis reel for the make noise morphagene is a collection of different xy samples, to show off morphagene's stereo sampling capability. The sample material can be displayed on oscilloscopes, modified vectrex game consoles, ilda laser displays or oscilloscope simulation software in xy mode. Some splices on the reel can be used as seamless loops. Here is a video to give a basic idea of the reelhttps://youtu. Be/cxxb9veyq6w. The collection of vectors was arranged by bernhard rasinger and includes vector contributions from artists listed below. An important part of this reel is to put the spotlight on working and performing artists utilizing sound signals to draw images as vector art. Alberto novellohttp://www. Jestern. Com. Andrew duffhttp://andrew-duff. Co. Uk/. Bernhard rasingerhttps://www. Br-laser. Com/. Chris kinghttp://videocircuits. Blogspot. Com/. Derek holzerhttp://macumbista. Net/. Douglas nunnhttps://vectorhackfestival. Com/guests/nunn/. Hansi raberhttp://youtube. Com/hansiraber. Ivan marušić klifhttp://i. M. Klif. Tv. Jerobeam fendersonhttp://oscilloscopemusic. Com. Jonas bershttp://jonasbers. Com. Joost rekveldhttp://www. Joostrekveld. Net. Philip baljeuhttp://instagram. Com/pbaljeuhttps://www. Youtube. Com/channel/ucudrl_q3_cnsj0ta2k7saha. Philipp haffnerhttps://www. Instagram. Com/philipp_haffner/. Robert henkehttp://roberthenke. Com/. Roland lionihttp://www. Akirasrebirth. Com. Ted davishttp://teddavis. Org. Vector hack festivalhttps://vectorhackfestival. Com/. All of these artists, working in the vector synthesis realm are creating these vectors with a different set of tools. These tools include pure data, max4live, oscistudio, axoloti, modular synthesizer, video synthesizer. Https://oscilloscopemusic. Com/oscistudio. Phphttp://write. Flossmanuals. Net/pure-data/introduction2/http://www. Axoloti. Com/https://www. Ableton. Com/de/live/max-for-live/. For introductory oscilloscope and technique tutorials please enjoy jerobeam fenderson´s tutorial series. Https://www. Youtube. Com/playlist?list=plfgouhnvmlro45p9uur18wofljeavcfvv.
Author: Makenoisemusic
00:00
00:01
This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.
Author: Kenmix
00:00
00:37
A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Author: Kbclx
00:00
07:20
Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Author: Kbclx
51 - 85 of 85
/ 2