328 Royalty-Free Audio Tracks for "Tempo"

Recorded with a sennheiser mkh 416 into a tascam dr-100 mkii.

Recorded with a sennheiser mkh 416 into a tascam dr-100 mkii.

Mahler Symphony no. 2, V. Im Tempo des Scherzos

Add spice to your grooves with some dirty, rhythmic, data noise. 1 bar of 4 beats - recorded dry, for you to add your own delay and other effects. No. 4 in a set of 12.

Frère Jacques round. Tempo=100-145 bpm; here 120 bpm.

A little track i did using nanoloop for android. Http://nanoloop. De/android/index. Html. It's always nice to hear what projects you use it for. Let me know. ;-). For more stuff you can also check out my pond5-profile:http://www. Pond5. Com/artist/cabled_mess. Or on the unity asset store (including free assets):https://goo. Gl/69epye. Want to support the creation of more cc0 sounds?https://flattr. Com/profile/cabled_mess.

Recorded with a sennheiser mkh 416 into a tascam dr-100 mkii.

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

Klaviersonate Nr. 20 G-Dur op. 49.2 - II. Tempo di menuetto

Premières notes du premier thème du Boléro de Ravel au tempo 54

Premières notes du premier thème du Boléro de Ravel au tempo 60

Premières notes du premier thème du Boléro de Ravel au tempo 72

Premières notes du premier thème du Boléro de Ravel au tempo 64

Premières notes du premier thème du Boléro de Ravel au tempo 84

Klaviersonate Nr. 22 F-Dur op. 54 - I. In tempo d'un menuetto

Sonata No. 22 in F Major, Op. 54 - I. In tempo dun Menuetto by Daniel Veesey

Sonata No. 20 in G Major, Op. 49 No. 2 - II. Tempo di menuetto by Daniel Veesey

Symphony no. 8 in f major, op. 93 — iii. tempo di menuetto

Cello Concerto No. 1 in A minor, op. 33 - 3rd movement (tempo primo)

Sonata No. 13 in E Flat Major, Op. 27 No. 1 - I. Andante - Allegro - Tempo I by Daniel Veesey

Sonata No. 13 in E Flat Major, Op. 27 No. 1 - IV. Allegro vivace - Tempo I - Presto by Daniel Veesey

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 88

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 116

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 100

Corelli Violin Sonata Op 5 No 9, Tempo di Gavotta

Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.

A faster-tempo stereo recording of the Internationale in the Latvian language, with unknown performers.

1st movement from J. S. Bach's Italian Concerto played on piano

False relation typical in the music of the Baroque period. This particular chord sequence is common in the works of J.S. Bach. I guessed at the tempo.

Sveriges Radios folkmusikinspelningar. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer:

Corelli Violin Sonata Op 5 No 9, performing version by Geminiani, Tempo di Gavotta

You're a Grand Old Flag (tempo 110)

The Lick in different swing levels (straight, 60%, 70%, then 80%) on piano. Made in Musescore with the default piano sound with a tempo of 120BPM. In D minor

Sound of 1/4 rhythm in tempo 90 beats per minute. Made using Audacity 1.2.2 in Greece. Made by me the user Logictheo. Made 17 March 2007.

The Invercargill March, played by the United States Air Force Band, at a 104 tempo, from the album "Espirit de Corps"

Theta Drumming (percussion instruments) Genre: Simple rhythms Tempo: c. 4 beats per second (w:Theta waves)

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

Example of dissonance in Bach's Well-Tempered Clavier, Vol. I (Preludio XXI). The chord in question was pointed out in: Marquis, G. Welton (1964). Twentieth Century Music Idioms. Englewood Cliffs, New Jersey: Prentice-Hall, Inc. Presumably Marquis is the source of the tempo, dynamic, and, in the second measure, arpeggiation.

Magnetic Rag by Scott Joplin. MIDI file by Mutopia Project was based on reproduction of the originally published sheet music whose copyright has expired, and has been released to public domain as well. This file was rendered using GMGSx SoundFont; the only change being tempo increase.

Song: "Ay, ay, ay (Reminiscencias cuyanas)".- Author: Osmán Pérez Freire (1880-1930).- Interpreter: Carlos Gardel & José Razzano.- Rec: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tempo: vidalita Tema: "Ay, ay, ay (Reminiscencias cuyanas)".- Autor: Osmán Pérez Freire (1880-1930).- Interprete: Carlos Gardel & José Razzano.- Grab: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tiempo de vidalita.

Another free instrumental by anonymous producer mesostic. At a slow tempo, and with dissonant synthy chords, this is the perfect track for a hardline rapper to spit out some lines to. Or maybe it would make a great quirky soundtrack to your next homespun film project. The song was written in Ableton Live using Ableton core instruments and the U-He Diva soft synth on the lead line. Mesostic has also shared all stems here on Wikimedia for your remixing, extending and sampling delight.

Stuttering clicks and seep bass kick made in ableton live tempo:100 44 timing.

Sinus wave 30hz to 250hz with tempo.

75 tempo, for hip hop. .

Dynamic sounding low tempo polyrhythm.

Writing on a keyboard, slow tempo.

Tempo: 130 bpm. Key: d.

Mid tempo, bass house loop.

Stereo (large diaphragm condenser (scm900) and dynamic (sm58) with slight phase adjustment. 122 bpm with tempo embedded with file from presonus studio one. Single 'beat' of the bells on tempo.