336 Royalty-Free Audio Tracks for "Tempo"

Motorcycle in the distance. I generated this sound by a gazouillis effect, played with the level envelope, the wahwah effect with 43% depth, i modified the height and the tempo to bring a more serious tone. The whole set to hear a motorcycle in the distance.

An upright piano chord sequence repeated three times, and a clock ticks!. This recording is not a perfect loop but able to be made such. Tempo is synced to clock ticks and so is almost accurately 120 bpm. Recorded by sony xperia c5305.

The beat was made using the real drum sounds in fruity loops for a friend who wanted to jam some new guitar riffs for his band. The tempo was originally 60 bpm but sounds better at 90bpm. It comprises of 2 bars of drums with hats and 2 with a ride.

My formal rendition of this sound ; ). Http://freesound. Org/people/so6er/sounds/95337/. Put it through adobe audition for tempo precision. Then, ran it through fl studio (phaser, bpf delay, reverb, compression). Then back to audition for final mastering. Please enjoy and credit. Aum.

I used for this second sound a pencil, a glass bottle and glasses. I typed with a different rhythm glasses and bottle with the pencil. I have then to make various effects: i changed the tempo and the height, added the effect " graphic " and " delay " then a dissolve in closure.

I accidentally made this in audacity adjusting the tempo of a chime sound effect, but maybe it has uses elsewhere. Sounds to me like a game show "wrong answer" sound effect or a magic spell that fails to cast.

Clipping nails: you can hear the subtle click of a nail-clipper cutting down nails. A few options are available in track and they vary in duration, tempo and amplitude. Recorded with the zoom h6, rode ntg in a sound studio. Can be used in any make-over montage.

It's pretty decent beat, synth beat too, used just some generic sources to make this, you can loop it too, so that's nice. (i had to add more detail to this description because of the mods, i hope this is enough description to get this sound uploaded).

Description: with lightful synths make the music bright and angle. Use this free sound to make your songs also lightful. I know you're delighted about this. Genres - synth-pop (most relatable), boogie, dancehall / bashment, disco, euro, hard trance, nu wave, synth wave. Instrument types: synths - synth. Created using:soundtrap. Tempo - 115.

Description: what do you think this big bass will fit? it could be dubstep or trap. You don't have to answer, but you can use this bass for free. I don't mind. Genres: dubstep (most relatable), hardstep, trap, substep. Created using:- soundtrap. Instrument types: bass - bass 808. Tempo - 112.

A riff i wrote using logic pro x. Feel free to use for a song. (but credit me if you don't mind. )chords are g#, d#, fm7, gm7. 120 bpm.

Just a test of my new interface and walrus slo effects pedal with an epiphone sg pro. No set tempo and a missed note or two, but use it as you like and please comment on what you may use it on. Edited on sony vegas. Thanks.

This is a percussion beats made at tempo 124. It spans 8 bars and is ready to be looped in your daw. This is a sound i've found in my old foxdot projects, it has a really cool "ocean" or "wave" noise-like sound that repeats at the right then left of stereo, in the end of each 4-bar segement. It layers multiple kicks and snares, with one of the sounds being stretched, that produce this "wave" sound. It can be evaluated in foxdot with the following code to replicate this result. D1 >> play(p[" [--]o h: -"]. Layer("mirror"),dur=pdur(5,8), rate=expvar([0. 09,2],8),sample=2, pan=sinvar([-1,1],16),amplify=0. 5).

Add 150 ms delay (silence) at the start of the right channel. (typically the tempo is 130 bpm but practically none). Rhodes on the chromatic scale.

This sound is a recorded sound from a hammer tapping the metal, i modified it using some effects :1-normalize2-change the pitch ( from a#/bb to c)3-change the tempo with percentage=-90. 000. The final sound gives an impression of something that slips over the barriers.

For this sound i used glasses and glass bottle that i collided between them. I used first of all for this sound a bias(distortion) " mull-everthing button " then development(increase) of basses. Then i have to change the height and the tempo and added to the final effect " matrix re verb ".

I was just messing around with audacity recently and recorded a word "no". Then stretched it out using tempo stretch function (function that streches speed, but does not alter the pitch) maxed out twice in a row. That resulted in such a simple word stretched out to almost 5 minutes. Sounds rather scary and interesting.

Description: in the middle of space, astronauts look for aliens anywhere. But they heard some kind of sci-fi tech sound. They have no idea what the fu*k is but when they got closer. They were not expected to hear this better. Created using:- deepbox. Instrumental type: brass - futuristic brass. Key - g. Tempo - 155.

Recorded with my epi sg, finger style with a capo on the 5th fret. (i like the slow tempo). I went through the walrus slo pedal on 'dream' setting, then into the focusrite 2i2 interface, and then into reaper. Please comment on what you may use it for. Thanks. :-).

Hi, i recorded the drums. But i couldn't find in which song to use them. If these drums are useful to anyone, great. Also write to me if you need each track, i will give everything you need. Excuse me for my bad english :) i speak russian perfectly )))tempo - 140bpm.

Erh's nugroove1 with some edited samples of erdie's explosion sample, it ends with a reverse explosion. I took the sweeps out of erh's loop and put them on 2 different tracks, and there is an obvious change in tempo. Some simple delay, uncompressed, a simple eq setting. . . That's all.

This is a collaboration of the following freesound. Org samples:. Http://www. Freesound. Org/people/klankbeeld/sounds/161280/http://www. Freesound. Org/people/snapper4298/sounds/161290/. I applied a nice long decay to the field sounds in time with the tempo. Loops at 90bpm over 8 bars.

Acoustic drums playing a groove reminiscent of abba's dancing queen, but at a slower tempo, 94bpm. Recorded with a zoom h2n in xy configuration slightly behind the drum set throne. Drums are yamaha stage custom (birch wood shells), except for the bass drum (a 16x12 inch kick from a millenium youngster kit).

Magnetic Rag by Scott Joplin. MIDI file by Mutopia Project was based on reproduction of the originally published sheet music whose copyright has expired, and has been released to public domain as well. This file was rendered using GMGSx SoundFont; the only change being tempo increase.

This is a minimal tech groove i made with ableton live. There's also a chord progression in the second part of the file. The tempo is 124bpm. If you're a dj/producer and you need the stems of this fantastic beast of a loop, feel free to leave me a message at disquantic@gmail. Com. Bounce!.

Drumloop realized avec une beat box de type vsti, et tous les sons ont été fait, tant que faire ce peut, par moi même, votre serviteur, défenseur de la veuve et de l'eau primée au festival de cannes,la fâmeuse, cette ville de 100 000 habitants l'été et 42 l'hivers !!.

Chewing: crunching hard food in closed mouth, slower pace. Crunching ice or other larger, harder food. Edited from the sound of a salt grinder intermittently crushing rock salt (tempo increased 15%, high cut eq applied to simulate closed mouth). Recorded using a tascam dr-40x and processed in audacity.

I recorded the acoustic guitar with audacity, then added the fx with reaper. It is named 5pm because that was the time when i recorded it. In reaper i made 3 tracks of the same recording and added different fx to each one:track 1 contained reverb and flange with adjusted tempo. Track 2 contained a pitch delay doubler. Track 3 contained a resonant lowpass filter - low quality.

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

2 finger snaps that can be used for anything. I made them for use in some of my music on my youtube/soundcloud, however because i'm so kind i uploaded them here to use in anyway. There isn't a set tempo or key, just 2 finger snaps that you can chop up, reverse, and do whatever you want with them!.

Thanks to cinematic-laboratories for the source from didge-morph. Wav and makenoise for their brilliant gear!. Morphagene settings slf full blue. Morph full cw shift controlled by tempo of o-ctrl. Mimeophon and erbe-verb used for final outputs. Rendering in reaper 48khz, 32 bit. Feel free to put in your own markers wherever you wish.

Optional extension of intro. 3/4 piano loop pack. Loops in this pack are 90 bmp with 3/4 signature, played by hand with dynamics. Designed for building 6 or 8 bar long song parts, preferably 6. Smaller bar count works well in combination with slower tempo. Loop sizes are 2,3,6 bars. Targeted at people who likes to build slightly different song structure.

Sound 4/4, the highest note - thus white, of my epic ambience pack. Created in audacity by recording 4 strings of a violine, slowing down tempo, boosting bass frequencies with an equalizer and finally paulstretch. Silence has been truncated and endings are faded. Feel free to use as you like under public domain/cc0.

A browning hi-power handgun being cocked. Includes 5 takes, 3 mid-tempo ones and 2 fast ones at the end. Sound was created by mixing multiple different takes of an airsoft browning hi-power pistol replica foley. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

Add spice to your grooves with some dirty, rhythmic, data noise. 1 bar of 4 beats - recorded dry, for you to add your own delay and other effects. No. 4 in a set of 12.

A short theatrical loop created in bitwig using third party instruments and effects. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.

Record and change voice from relative say "bay lên trời cao" use n4n pro 2019. 01. 30 10:00. Use audacity change sound become like superhero and fix its speed:. - effect→change pitch…percent change -20. 0. - effect→reverbroom size (%): 8pre-delay (ms): 36reverberance (%): 67damping (%): 78tone low (%): 100tone high (%): 16wet gain {db): 0dry gain {db): 0stereo width (%): 100no wet only. - effect→change tempo. . . Percent change: 60. 000.

Song: "Ay, ay, ay (Reminiscencias cuyanas)".- Author: Osmán Pérez Freire (1880-1930).- Interpreter: Carlos Gardel & José Razzano.- Rec: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tempo: vidalita Tema: "Ay, ay, ay (Reminiscencias cuyanas)".- Autor: Osmán Pérez Freire (1880-1930).- Interprete: Carlos Gardel & José Razzano.- Grab: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tiempo de vidalita.

Download the whole sample pack here: https://ghostsyndicate. Net/collections/free-sample-packs/products/free-samples-vol-1. All loops, one shot samples are 100% royalty free, key and tempo labelled and available to download in 24 bit wav. 24 bit 44. 1 khz320 mb104 drum and percussion loops20 bass loops25 synth loops8 pad loops16 fx18 one shot bass sounds2 cymbals8 kicks11 snares12 percussion hits18 hats.

It's a recording of sounds of an old store refridgerator. The recorder (zoom h2) was put into the fridge and door closed. You can here the varying tempo of the compressor working, it's a characteristic cound that leaves a mark in your mind (especially if you listen to it for a long time). Recorded with zoomh2 rear mics from inside of the fridge. Converted to flac using audacity.

For all your comedy backline needs, i present a collection of "rimshots" or accents, also known as "baddum tish. " i have included some variations in kits, sounds, tempo and styles. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Using strike function on the cš-l wavefolder with tempi sequenced by rené passed through struck optomix erbe-verbe and mimeophon. Morphagene running max. Wave folder strike tempo. The secret´s in the erbe-verb marbling. (ratio between size, speed and pre-delay). Splice is morphagene oven-ready with markers set. Enjoy hot!.

Bowling: here we have the sounds of a bowling ball hitting the pins in a bowling alley. Not only do you hear the loud crash when contact is being made by the ball but you also hear the pins scatter. There are different variations of the ball hitting the pins to accommodate the user's preferences. They vary in tempo and amplitude. Recorded with the zoom h6, rode ntg. Great to add some fun to a soundscape.

Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Second version. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. X-pan fully engaged this timewant to know more? get in touch.

By manuel de falla. Not the complete song. I love this song on a classical guitar,(and i love to fish) but wanted to try it my way. No set tempo with some fermatas. Recorded with my squire telecaster and squire mini-bass through the focusrite interface and walrus slo pedal on 'dream setting. 'guitar is triple tracked and bass is single track. Edited in reaper. Please comment on what you may use it for. Thanks. :-).

Tropical frogs night mating calls. Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. Want to know more? get in touch.

Electronic beats made from an original sample pack designed using the drum synth on ni maschine. Processed with high-quality analogue emulation plugins and effects to give it extra punch and character. Enjoy!. Tempo 107 bpm. Beat 4 of 4. All individual samples can be found in the spiryt beats kit pack.

This sound would be suited for background atmosphere in a nightmare movie sequence, or to blast out of your windows to the neighborhood on halloween. It was created in audacity by using a piece the audio track from the end of the movie "my cousin vinny". It is the line marisa tomei says as she and vinny are driving back to n. Y. (oh my god, what a f'ing nightmare). It was then noise-reduced, pitch and tempo adjusted, reversed, and paulstretched.

Recorded with my epi sg through the walrus slo pedal on dream setting into the focusrite 2i2 interface and into reaper. The bass was recorded with a squier mini-bass through a behringer bxl1800 amp and into reaper. Did a pitch change on the guitar and no quantizing as i like the 'push/pull' feel of the human tempo. May add some percussion down the line. A shout out to kenny gioia for the reaper tutorials. He's the man. Please comment on what you may use it for. Thank. :-).

Made for the ice-breaker collab. Simple mournful loop with deep kick, flute and strings. Tempo=90 bpm. An arpegiated supersaw over drone effect (wollo drone) repeats 3 times. First iteration includes a melody played as a flute. Second iteration of the loop has the flute replaced with a full string section. Third time around, it's just the arp and drone. All three versions of the loop have a deep, reverberating and mellow kickdrum. Sounds tribal(-ish). Created in flstudio 11. 04 with virtual instruments and vst eq + reverb.