50 Royalty-Free Audio Tracks for "Third Inversion"

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

Full diatonic fifteenth chord from Listz on B

Fifteenth chord from Perry on C

Predominant chord: i64.

Dominant seventh in C in first inversion

viio7 in G major, on the guitar.

Shuffle pattern with staggered thirds played on piano.

Predominant chord: ♭III+63.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

Major triad on C in first inversion.

Major triad on F in second inversion

D-over-F-sharp slash chord.

Major triad on F in first inversion

Major triad on C in second inversion.

Iidim6 chord in C.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

*Tridecimal third tone on C = D-. Just: 26:25 = 67.90 cents. Limit: 13-limit. MIDI pitch bend: 93,85 on PU

*Lesser tridecimal two-third tone on C = D. Just: 14:13 = 128.30 cents. Limit: 13-limit. MIDI pitch bend: 7,73

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Die Wollust dieser Welt ist Zucker unter Gallen (Krieger 1657 / Fritsch 1679) nach dem Darmstädter Gesangbuch von 1698

*Greater tridecimal two-third tone on C = D♭- (Ben Johnston's notation). Just: 13:12 = 138.57 cents. Limit: 13-limit. MIDI pitch bend: 44,76

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

O Gott, du frommer Gott, dritte Melodie, auch für viele andere Texte verwendet, zB Evang. Gesangbuch Bayern-Thüringen Nr. 643

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

*Just diminished third on C = E♭♭- (Ben Johnston's notation). 256:225 = 223.46 cents. Limit: 5-limit. MIDI pitch bend: 65,71

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

Was frag ich nach der Welt, Schlusschoral der gleichnamigen Kantate BWV 94 von J. S. Bach

A jazzy vibe thing i did while i was bored, hope you enjoycreated using fl studio, and a yamaha vibraphone.

Edit of me messing with the unedited bowl.

Contact of two crystal glasses.

Edited version of me messing with those scissors.

Generated in audition via it's tone generator plug-in.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Self created patch on my korg poly 800 mki (inversed keys, as if that would matter ;)).

Reversed sound effect of a steel chain being dragged with reverb.

A more funky version of birds.

Taffanel gaubert complete flute method exercise 25 thirds played in a miyazawa flute.

High school baseball game with crowd and pitching and hits.

A little haloesque thingy.