289 Royalty-Free Audio Tracks for "Third"

*Three-hundred-forty-third harmonic on C = G♭+. Just: 343:256 = 506.48 cents. Limit: 7-limit. MIDI pitch bend: 9,66

An upward glissando, of about a major third, on the alto sax.

*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.

*Ninety-third harmonic on C = F♯+ (Ben Johnston's notation). Just: 93/64 = 646.99 cents. Limit: 31-limit. MIDI pitch bend: 5,79

Dominant eleventh without third.

Electronical voice explains the third floor in an elevator. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, third floor. Lat: 53. 2289669512174lon: 10. 400179624557495. Date: 2013-11-12, 12:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66

*Sixty-third harmonic on C = C+. Just: 63/32 = 1172.74 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 7-limit. MIDI pitch bend: 35,87 on 1100

W. A. Mozart; Piano Quartet No. 1 in G minor, K. 478, third movement: Rondo allegro

My third kick i posted here! free to use in your productions.

Symphony No. 9, Movement 3, Op. 125

*Two-hundred-third harmonic on C = A♭+. Just: 203:128 = 798.40 cents. Limit: 29-limit. MIDI pitch bend: 62,95 on P5

6/8 clave, third form (rumba clave)

Third night listening to this lady. More background noise earlier in the night. 3am is much quieter.

Crunchy leaves and footsteps. Recorded on third generation iphone se's voice memos in oakland, california. M4a file.

Third of four, still a lovely day, recorded with smartphone.

Hi!kickoffs talking! this is our final project of the subject of third year of sound creation lab!.

The third field-recording of sparrows with the zoom h5. Post-processed with audacity.

A little haloesque thingy.

*Thirty-third harmonic on C = C↑ (Ben Johnston's notation). 33/32 = 53.27 cents. Limit: 11-limit. MIDI pitch bend: 6,49 Other accidentals[edit] v • d • e #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53 #7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53... #L, U11, E1, L1, U19, U23, U29, 1E, LE, U41, U43, U47, U53...

A jazzy vibe thing i did while i was bored, hope you enjoycreated using fl studio, and a yamaha vibraphone.

Recording of Bright College Years, first and third verses, sung by the 2006 Yale Whiffenpoofs.

*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the third piece in a set of three published in 1893, and the third piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

I used ms paint, sky net, and a third (not sure what it was called) and messed with them in audacity.

An electronic piano loop at 60bpm in a major (be careful there is a 3/4 metric at the third bar).

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

A long shaku-sample,which may be playedabout two octaves or more. I used magix and audidity for addinga third harmonic and high pass filtering.

A reversed maj7 chord with "shell voicing" (no third). Recorded with an sm57 in front of a fender blues junior.

Piano Sonata No. 11, third movement

Some kind of motor or engine of some machine. Recorded on a third generation iphone se's voice memos in oakland, california. M4a file.

Nature sounds with some nearby city-ish noise. Recorded on a third generation iphone se's voice memos in oakland, california. M4a file.

First 4 measures of the third movememt of Ludwig van Beethoven's Piano Sonata No. 8 in C minor (Pathétique), Op. 13.

Two sounds on crashed vase earlier. This on, the third, demonstrates how i deponate all the glass splints into a suitable container.

High school baseball game with crowd and pitching and hits.

Kayaking in tomales bay, california. Relax to the sounds of water and wind. Recorded on a third generation iphone se's voice memos. M4a file.

The sound of having a drink at a cafe. Recorded on a third generation iphone se's voice memos. Oakland, california. M4a file.

Comprised of two recordings. After about a minute and 45 seconds, i add a third layer, a copy of one of the original sounds.

Cool sound produced by pitch shifting down with time stretch x4 and reversing a section from the end of the third movement of beethoven's symphony #14.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

Piano Sonata No. 8 third movement (Rondo: Allegro) 17 KB, 4:25 minutes.

Opening notes of third movement of Beethoven, Symphony No. 5, cello/bass part. This music was published in 1809 and is in the public domain.

Sounds of the city recorded fromn the third flor balcony. Peacefull winter night. There were only some 20-25 people passing by.

Traffic in city center recorded near the traffic light. Recorded from a third floor of my building. 48khz 24bit stereo. Xy mic setup.

Doorbell: digital door bell, chime, ringing. Synthesised electric sound; augmented third(b-g), wireless home door bell. Recorded with zoom h4n. 24 bit, 48khz. Converted to flac.

An augmented fifth in just temperment. The first tone is a sine wave of 300Hz, the second is 468.75 Hz, the third is the interval. Made with NCH tone generator