50 Royalty-Free Audio Tracks for "Minor Seconds"

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*Minor second on C = D♭. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: 0,64
Author: Hyacinth (talk)
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00:09
*Novendecimal minor second on C = D♭-. Just: 19:18 = 93.60 cents. Limit: 19-limit. MIDI pitch bend: 122,93 on PU
Author: Hyacinth
00:00
00:07
Fifteenth chord from Perry on C
Author: Hyacinth
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00:09
*Septimal minor second on C = D♯- (Ben Johnston's notation). Just: 28/27 = 62.96 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 7-limit. MIDI pitch bend: 19,84 on PU
Author: Hyacinth
00:00
00:19
The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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00:10
Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.
Author: Hyacinth
00:00
00:09
*Minor semitone on C = D♭ (Ben Johnston's notation). 18/17 = 98.95 cents. MIDI pitch bend: 85,63
Author: Created by Hyacinth (talk) using Sibelius 5.
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00:09
*Pythagorean minor semitone/Pythagorean limma on C = D♭-- (Ben Johnston's notation). 256/243 = 90.22 cents. Limit: 3-limit. MIDI pitch bend: 112,60
Author: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 112,60 for 90.234375 cents rather than 100.
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00:09
*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.
Author: Created by Hyacinth (talk) 06:34, 21 January 2011 using Sibelius 5 with midi pitch bend on 75,65 for 104.956055 cents rather than 100.
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01:10
Builds quickly, sustains and gradually fades. C minor arpeggio stretched from 11 seconds to 1 minute using the paulstretch effect on audacity. Low-fi recording with tablet and hi-q app.
Author: Wmaxmusic
00:00
00:09
*Semitone Maximus on C = D♭. 27:25 = 133.24 cents. Limit: 5-limit.
Author: Created by Hyacinth (talk) in Sibelius. A m2 with midi pitch bend on 82,74 for 133.251953125 cents rather than 133.24.
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00:09
*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58
Author: Hyacinth (talk) at English Wikipedia in Sibelius 5 with midi pitch bend on 47,58 for 182.397461 cents rather than 200.
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00:09
*Major semitone/Minor diatonic semitone (17th harmoic) on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. MIDI pitch bend: 75,65
Author: Created by Hyacinth (talk) 10:09, 12 December 2011 (UTC) using Sibelius 5.
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00:09
*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) 07:28, 21 January 2011 using Sibelius 5 with midi pitch bend on 19,52 for 62.963867 cents rather than 100.
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00:09
*Lesser 23-limit semitone on C = D♭-. Just: 24:23 = 73.68 cents. Limit: 23-limit. MIDI pitch bend: 74,87 on PU
Author: Hyacinth
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00:09
*Greater 23-limit semitone on C = C↓♯+. Just: 23:22 = 76.96 cents. Limit: 23-limit. MIDI pitch bend: 80,88 on PU
Author: Hyacinth
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00:09
*Hundred-thirty-third harmonic on C = D♭. Just: 133/128 = 66.34 cents. Limit: 19-limit. MIDI pitch bend: 29,85
Author: Hyacinth
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00:06
9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.
Author: Lucasgonze
00:00
00:09
*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) 23:33, 13 December 2009 in Sibelius with midi pitch bend on 70 for 1318.75 cents rather than 1319.44. New version an P8+m2 on 28,70 for 1319.43359375 cents rather than 1319.44.
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00:09
*Just chromatic semitone on C = C♯ (Ben Johnston's notation). 25:24 = 70.67 cents. Limit: 5-limit. MIDI pitch bend: 79,86 on PU
Author: Created in Sibelius with midi pitch bend on 54 for 68.75 cents rather than 70.67. New version on 79,86 for 70.6787109375 cents.
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00:09
*Five-hundred-sixty-seventh harmonic on C = D♭+. Just: 567/512 = 176.65 cents. Limit: 7-limit. MIDI pitch bend: 67,88 on m2
Author: Hyacinth
00:00
00:09
*Septimal chromatic semitone on C = D♭ (Ben Johnston's notation). 21:20 = 84.47 cents. Limit: 7-limit. MIDI pitch bend: 4,91 on PU
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 59 for 84.375 cents rather than 84.47.
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00:09
*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70
Author: Hyacinth
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00:07
*Just diatonic semitone on C = D♭- (Ben Johnston's notation). Just: 16:15 = 111.73 cents. Limit: 5-limit. MIDI pitch bend: 79,67 Created in Sibelius.
Author: The original uploader was Hyacinth at English Wikipedia.
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00:09
*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73
Author: Hyacinth
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00:09
*Tridecimal semitone on C. Just: 14:13 = 128.30 cents. Limit: 13-limit. Created in Sibelius with midi pitch bend on 73 for 128.125 cents rather than 128.30. New version a m2 on 7,73 for 128.2958984375 cents rather than 128.30.
Author: User:Hyacinth
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02:40
5 seconds of the kyrie in bach mass in b minor in make noise phonogene sampler, played through a delay fx (space hole) in zoom ms-70-cdr. Admit i added some noise too.
Author: Gis Sweden
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05:19
5 seconds of the kyrie in bach mass in b minor in make noise phonogene sampler, played through a reverb fx (particle reverb) in zoom ms-70-cdr. Admit i added some noise too.
Author: Gis Sweden
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00:09
*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.
Author: Hyacinth at English Wikipedia
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00:08
Opening measures of Chopin's "wrong note" etude Op. 25 No. 5, demonstrating a humorous use of the minor second. The original work is public domain, image created by the uploader.
Author: Hyacinth
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00:09
Second septimal minor third on C = D♯-. Just intonation: 25/21 = 301.85 cents.
Author: Hyacinth
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00:09
Some minor second (semitone) dissonant melodies.
Author: Vrezerino
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00:18
Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.
Author: Untitled
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00:08
Demonstration of the melodic minor second's place in a cadence. Created by the uploader.
Author: Hyacinth
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00:37
Low minor second interval in a grand piano plus a timpani attack, with long resonance.
Author: Gabosen
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00:06
The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846
Author: Hyacinth
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00:06
A short piece of melody. . . Sound is an artifact extracted from one of test records in new audacity. It sounds like a saw. . . Or something? idk. This piece sounds kinda exotic because i used the second half of harmonic e-minor scale. So some people could use this combination (descending harmonic scale) before (even now i can remember two examples. ).
Author: Hunterscrossbow
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00:06
A sound file playing the interval of an augmented fifth, in equal temperment. The first tone is a sine wave at 300 Hz, the second is at 476.1 Hz, the last is the interval. Made with NCH Tone generator.
Author: Jeff Dahl
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00:37
A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Author: Kbclx
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00:54
Five is four: a polyrhythmic analog-synth loop with ambiguous five or four time signature. Slightly frantic sounding, arpeggiator-like rising pattern a bit like a shepard tone, it's a 5/4 pattern, but accents are distributed in 4/4. 180 bpm, key is a-minor (a-minor then f-major). Two loops marked in wav file, first is the bare synth pattern, loop is samples 0 to 640,000; second is with a pad, loop is samples 960,000 to 1,600,000.
Author: Noisymichael
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00:13
Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.
Author: The original uploader was Hyacinth at English Wikipedia.
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00:06
Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?
Author: Hyacinth
00:00
13:56
This is a MIDI rendered Ludwig van Beethoven's Symphony No. 9, Movement 2. It was created from a public domain MIDI file (https://commons.wikimedia.org/wiki/File:Sym_9_Second_Movement.mid) with LMMS using a public domain RKHive Unison soundfont (http://rkhive.com/banks.html). I just made minor adjustments like adding effects for better sound. I release this under CC0.
Author: Untitled
00:00
10:19
Copenhagen street. People milling, cars passing, snippets of conversation in danish, birds and aiplanes overhead. Recorded from a second story windowsill near copenhagen's (københavn's) king's garden (kongens have). Stereo mics, internal, tascam dr100 mk3. Internal lowcut at 120hz. Minor eqing done after the fact. Sound is fully loopable. Enjoy!.
Author: Jemtman
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03:26
Here's my second flute reel for the make noise morhpagene. This is how far i've came over the past few months in my playing and despite a few slip ups here and there i'm quite pleased with how i'm able to make it sound now. Would love to hear what people do with these samples as it is quite humbling to know my playing is in people's modular systems across the globe.
Author: Jamiewilson
00:00
07:20
Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Author: Kbclx
00:00
02:17
A second attempt at recording the deep mud i keep finding myself walking through each morning on walthamstow marshes. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics (connected to a bent wire clothes hanger and positioned about 30cm above my feet). Processing: normalize -1. 0db, low cut filter 100hz, minor noise reduction to reduce background traffic/train noise. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.
Author: Walthamstow Walker
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00:10
Sample of a metallic percussion hit. The sound is quite dark and muffled. I call it underwater drum, because it sounds to me like it's underwater. This sample is tuned to a1 but there is a very dominant overtone at b1, which is the musical interval of a minor second. The source of the sample was the platter of a dismantled hard disk drive, hit with a wooden mallet. It was then pitched down a lot. The sample is almost raw, i just added some slight eq. The sample was intended to be used with a sampler, you may want to add some reverb for this and filter the previously mentioned overtone, when you use it in combination with other tuned instruments. Also, the pitch is probably not perfectly tuned. Microphone: akq perception 120post-processing: pitch manipulation & eq.
Author: Mathewhenry
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