456 Royalty-Free Audio Tracks for "Tuned"

Hardcore kick tuned to gmade via distorting a 909 kickseparating attack, body and subthen cleaning it up and compressing it back together again.

Pitched the reverb on some tuned dolaks in a particular manner to get a fuzzing bassline to pop out of the tone tails from the drum hits.

5 tones equal interval scale5 oscillators tuned to: 110, 132, 154, 176 and 198hz. Not that bad?.

8 notes played on guitar in de-tuned pitched. Applied distortion chorus and reverb in flstudio using dvs vst.

Soft hardcore tuned to fmade by distorting a 909and then separating attack body and subthen cleaning it up and compressing it back together again.

This is a remix of a high bell. After some complex filtering and re-pitching, here it is! this bell is tuned to a#.

Feedback loop going through an improperly connected electrostatic mic, delays, pitch shifters (to justly tuned perfect fourths and perfect fifths), and reverb.

Light cosmic noise with some clicks and cracks. Sound of a radio tuned to a dead channel. Recorded with oktava-102 microphone and behringer ub1202 mixer.

Kick made in caustic, layer of about 5 kicks. Tuned and leveled just right, also eq'd to a sweet point.

Remix of wierd chimes. Wavhttp://freesound. Org/people/kwahmah_02/sounds/250253/which was a recording of a shortwave broadcast in am mode received in usb mode 1khz off frequency. I used goldwave's mechanize feature at 10000khz, then applied low pass filter at 10000 khz to filter out the newly created upper sideband, then i used mechanize again at 9000 khz, which tuned in the recording just like if i had a tuneable receiver.

De-tuned electric guitar noise played through a heavy metal pedal and a small practice amp , recorded with a cheap condenser mic and fussed with a bit.

Hit with another glass. Long decay time. Quite nice for sampling. 400 hz ≙ ~g4. Recorder/mic: zoom h4n pro (stereo x-y)processing: denoiser.

Made with a glitch of a black and red picture transposed to sound with audacity, then slow down and eq. Tuned to c.

Made with a glitch of a black and red picture transposed to sound with audacity, then slow down and eq. Tuned to c.

Hardcore kick at 220bpm tuned to g, the main body was made made in rob papen raw kick. This one has a nice tok (attack) with some gated reverb.

Take 2 old gabber kicks that are similar but not the same, then get them at the same tune, then de tune em, mess with the fine tune.

Dybby am chord made on modular synth. The 3 voice oscillator mfb osc-03 is tuned to an am chord (saw tooth wave) (tuned by ear. . . ). The sound is going to an uoki-toki polivoks filter in band pass mode and to a vca. From vca to zoom ms-70cdr tape echo effect and back to modular and into the ladik r-330 reverb. From reverb to mixer and out module to computer and audacity. And to you :-).

I played some of the mission impossible intro. Changed it up a bit and edited the audio. I speeded up the audio, reversed a few things and tuned down the volume.

Sound of timpani's with cow bells and other tuned percussion to give it its unique sound. I also used sound techniques of reversing eqing ect to create this sound.

Created using drums tuned percussion for a moving trailer i worked on. Consists of three hits for different words sweeping on and of the screen.

A metal like breakdown, recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

Bass speaker plugged to a pc that manages to capture the static produced by an lcd monitor. Noise varies according to what is shown in the screen.

My car radio, tuned in between am radio channels so it picks up a combination of internal noises from the car's electrical system and inter-modulated sounds from nearby channels.

My car radio, tuned in between am radio channels so it picks up a combination of internal noises from the car's electrical system and inter-modulated sounds from nearby channels.

Finger tapping recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

Algorithmic drone music program. The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem osc_1 - wave shaped sin oscillator (osc) - tuned to 130hz00 rem osc_2 - clean sin from oscillator - tuned to 130hz00 rem osc_3 - sqr from oscillator through filter - osc tuned to 130hz00 rem clk speed = 0. 5 hz00 rem line 01 each of the 3 vcas gets an unique cv value ([gate] -> [3 s/h] -> [3 vca])00 rem ---------------------------------------------------01 sample values for vca (cv in) x 3 (osc_1, osc_2, osc_3)02 sample frq for osc_103 sample frq for osc_204 sample new clk speed05 sample frq for vibrato in osc_106 sample frq for osc_307 env to all vca08 sample cv for (osc_3) filter10 goto 01. When i begin the recording the program has been running for a while.

A short jati (phrase) played on the mridangam, a percussion instrument used in carnatic music of india. It is a part of a long mridangam solo. The mridangam is tuned to c#.

I auto tuned a sound i previously recorded on my crappy phone. The original sound was created on fl studio. I used the autotune app called voloco on my phone and autotuned it.

My dad had an old beat-up mouth organ, which was double tuned, in micro-tones to give a shimmering vibrato effect. I loved to just explore the overtones, and recompose them to make complex chords.

An alt picking riff recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

A finger tapping lick recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

There's a tv tuned to japanese programming behind the counter. In a nearby aisle, a radio plays pop music. A freezer hums loudly.

Made some adjustements and a new recording. Terrible result but fun work/programming!. Algorithmic drone music program. The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem osc_1 - wave shaped sin oscillator (osc) - tuned to 130hz00 rem osc_2 - clean sin from oscillator - tuned to 130hz00 rem osc_3 - sqr from oscillator through filter - osc tuned to 130hz00 rem clk speed = 0. 5 hz00 rem line 01 each of the 3 vcas gets an unique cv value ([gate] -> [3 s/h] -> [3 vca])00 rem ---------------------------------------------------01 sample values for vca (cv in) x 3 (osc_1, osc_2, osc_3)02 sample frq for osc_103 sample frq for osc_204 sample new clk speed05 sample frq for vibrato in osc_106 sample frq for osc_307 env to all vca08 sample cv for (osc_3) filter10 goto 01. When i begin the recording the program has been running for a while.

Digital radio tuned to a cell station, cw modulation. Makes a spacey sound, good for ambient spaceship fx. Recorded with sdr# software and rtl dvb dongle tuner.

My dad had an old beat-up mouth organ, which was double tuned, in micro-tones to give a shimmering vibrato effect. I loved to just explore the overtones, and recompose them to make complex chords.

A little metal like riff recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

A little metal like riff recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

Rhythm guitar bit in bb. Made on a homemade 4-string "rhythm stick"(that's what i call 'em. It's like a cigar box guitar)tuned to bb. This is raw version.

Poor salad bowl being hit multiple times, to produce this track, which is ready to be chopped up into single hits and become a multisample eventually :)the bowl itself is tuned almost exactly to g.

Some beats made with my new toy, ujam berserk vst. Hope you enjoy. Loops perfectly at 116bpm. Kicks tuned to a flat.

Dark analogue synthy sound created by a low tuned electric guitar, plucking an open low 'c' string. Effects used is a combination of a zoom bass multi fx pedal and a boss dd20 delay pedal. Recorded direct to a tascam digital recorder.

Me playing on tanpura (an indian instrument), sometimes also called a tambura. It's tuned to c (either major or minor as it's first and fifth). Actually meant this to be a different file. I'll add that as well.

Recorded my 30" chau gong in the local church. It's tuned to ~91hz (around f/f#2). 4 mic setup:. Large d condensers for l/r channels (2)d112 for bass (1)røde ntg2 environment (2).

808 style bass with heavy distortion and tremolo with a loop. Tuned to e1 and the tremolo is at 154. 5 bpm. Was too cool to keep to myself xd, want to see what others can do with it.

Trying to get a bowed glass pad! a glass of water tuned, if i remember right, to a, and bowed mercilessly with wet fingers. Recorded by sony xperia c5305, heavely edited in audition.

Patch on a large modular analog synth, mainly doepfer but with some sputnik and intellijel modules. Sounds very arp 2600-ish, a soundcape reminiscent of birdsong and tweets. Mainly tuned filters seeded with pink noise.

This is raw material for monster sound. It can be tuned down with pitch shifter and layered with other sounds for example. Slowing down also gives a nice effect.

A metal like trill, maybe good for an intro recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

3 year old child playing a metallophone, a homemade percussion instrument consisting of tuned metal bars which are struck with a mallet to make sound, fixes to a wooden box which works as a resonating device.

Recording of my kalimba tuned to c-major (give or take a few cents), striking the lowest possible note. Recorded on a rode nt1-a through a scarlett 2i2 interface. Noise-reduced for clarity.