19 Royalty-Free Audio Tracks for "Unnatural"

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Generated using the following c program:. Main(t){for(;;t++)putchar((t>>2)*(99999&t;>>10));}.
Author: Xordspar
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01:14
Just a little bit o work i decided i decided i'd share tonight. Use as desired freely.
Author: Jetsmith
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03:12
Alien birds warbling.
Author: Funkymuskrat
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00:06
A droning noise slowly becoming louder and getting closer.
Author: Doritodew
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25:10
This replica of my tinnitus was created using the free program called audacity. Http://audacityteam. Org/i had to generate 3 different 'tones' and combine them before i felt the high-ish noise was close to what i hear. I then had to search freesound for something that i only hear beneath the high pitch noise when my house is very quiet, which is something like the sound of strong wind outside a closed window or a power station a mile away. It took me a few hours, and even then i had to manipulate the sound considerably. Thanks to felix. Blume forhttp://freesound. Org/people/felix. Blume/sounds/167684/#commentsthis natural wind sound file was equalized and leveled several times, then the sound level was reduced to blend with the high pitch. But it still wasn't right. So, not being an expert with audacity, i just went down the list of 'effects', trying each one, until i found "paulstretch", which somehow increases the time length of your sound file, without stretching as in 'elastic', which would deepen the existing tones, and apparently, without copying and pasting. The sound does change somewhat, becoming just slightly ragged, but it's a very interesting effect for this application and actually got used on both elements to produce the final sound. . I hope no one enjoys this sound and can't imagine that anyone will. It makes me feel slightly sick. . Info edited 28 oct 2021: with my tinnitus at it's current level, i will never, now, be able to reproduce it again, primarily because i can't hear any sounds i create in a detailed way. And secondly, because hearing this version of the sound these days is just too uncomfortable. 🥲.
Author: Hear No Elvis
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A synth bell with added reverb and a slight pitch slide.
Author: Karma Ron
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02:14
Sound created and generated with the software "bitmaps & waves" version 3. 10. 1. I'm totally in love with this software, it let's you take an image, and "convert" it into a lovely sound. This was the best one i got so far, the image used can be found here: http://cdn3. Pitchfork. Com/advance/art/535/2172873c. Jpgand the software can be downloaded here: http://victorx. Eu/bitmapplayer. Htm.
Author: Mickboere
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01:40
Not too subtle. Works great for unnatural drones.
Author: Jandre
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00:11
Breathing in and out close to the mike with extended exhale for an unnatural effect.
Author: Pqr
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00:03
Some kind of horror effect of unnatural human voice or scream.
Author: Gerainsan
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00:07
Horror sound made with the air escaping from a toilet after a flush, slowed down and distorted, feel free to use it!.
Author: Vitreous Sound
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00:12
Creepy sound of leaves rustling in the wind. Processed to be unnatural sounding.
Author: Taure
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00:33
Six samples,taken from my roland jv 1080. The unnatural sound of the loops didn`t sound good to my ears,so i created new loops. I used audacity,audials and magix.
Author: Deleteduser
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04:15
Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.
Author: Gilbert and Sullivan; Edison Light Opera Company
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04:16
Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.
Author: Gilbert and Sullivan; Edison Light Opera Company
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Atmos recorded in a farm near raigarh, state of chattisgarh, india. H6 xy module with rycote windjammer, hpf at 150hz (6db/oct) to reduce unnatural wind rumble.
Author: Kalhan
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05:30
Noise installation @ “shakhta”the project takes the form of an amplified live stream of the sound of a motorway. The purpose is to hear unnatural sound within an existing natural environment,creating interesting and unusual details of frequencies while watching object (motorway). Tbilisi, georgia tascam dr-40xsee more details here: https://tetenoise. Wordpress. Com/2021/01/20/noise-installation-at-shakhta/.
Author: Tetenoise
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Raw audio of me typing on my old perkins brailler, this time with a sheet of paper in it. I believe something was wobbling around the desk and i couldn't get rid of that noise with audacity, however it isn't all that unnatural for an object to be vibrating or wobbling when someone is typing on a heavy brailler like this. Recorded with a zoom h1n.
Author: The Frisbee Of Peace
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01:59
Clean recording of various sounds that would occur when maneuvering around an office space (specifically a desk) and manipulating common office objects. Recording features lots of paper rustling and sliding across a wooden desk, handling pens and a stapler, stuffing manila folders and plastic binders, and towards the end there are some sounds of small-medium sized personal bag being unzipped and zipped and then being filled with some of the office materials. Should work great for filling in general office noises in a scene or reinforcing actions that involve any of the materials featured in the recording. There should be enough variety to allow you to glean more isolated sounds or just use assortments of layered sounds. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned roughly 1. 5 - 2 feet away from the source. There is some slight room reverb present, which is intentional, and should match common office workspaces well. An 85hz high-pass filter was applied to remove any unintentional, unnatural low-frequency rumbling that may have been picked up during recording.
Author: Ahriik
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