28 Royalty-Free Audio Tracks for "Upside Down"

This is made using a program named virtual ans, using of fft.

The Upside Down World by Komiku

Over forward upside down.

Folk http://freemusicarchive.org/music/Komiku/ - Komiku

Separate strokes on a small metallic bowl upside down.

Bike wheel moving as its in the air.

Sound of a container-full of water being turned upside down.

A water bottle is being turned upside down and back around again.

A water bottle is being turned upside down and then right side up again.

Contact mic attached to an upside down cooking pan in light rainfall.

Empty upside-down fa!flife plastic milk carton hit by hand - tracked in logic with original bluetube preamp and shure sm57.

The sound of a fly upside down, sort of dying on my kitchen table. Recorded by me on a tascam dr-05.

A "thunder king" near a well, laying upside down. Tons of water coming up when explodes. (no illegal fireworks have been used or modified).

The sound of an unopened bag of pop-rocks being tilted upside down a few times. Similar in sound to a rain stick.

A mixed track to simulate the sounds of a building that has been ripped from the foundation and landed upside down on another building and is teetering about to colapse.

We filled a glass bottle with water from the kitchen sink, then quickly turned the bottle upside-down. The water made a popping sound as it chugged out, making splashing sounds.

This strange sound was produced by sliding a empty bottle upside down through a glass of water, changing its resonance and the frequency of the sound. Recorded with focusrite solo, sennheiser 64.

These sounds are produced by the instrument called rainstick. It has little pebbles inside that produce some interesting slide noises when held upside down or inclined. I hope they can help you in one of your projects.

This was a battery-powered train car running in circles on its plastic track. Is the sound pleasant? no. Did i hold my zoom h4n upside-down in the center of the circuit so the engine slowly pans from ear to ear? absolutely.

I twisted "70195__justinbw__flag-flapping-and-birds-1. Wav" through fl studio with gross beat and reverb to create a paranormal soundscape.

Raw studio recording of bicycle turned upside down with pedals moved by hand in various speeds. Bicycle recorded is some old giant mtb model without proper lubrication done for weeks. Mic: rode nt4 (stereo xy)pre & converter: spl crimson.

An excerpt from some in-car driving recordings i made with the windows wound down. My starting point is geotagged. I first turn right out of trail ridge court in streamwood, il, then wait to turn left at the intersection of schaumburg road and south sutton road. I then head north on il route 59. The car is a 1996 chrysler lhs 3. 5l v6 (note the recognizable sound of the creaky chrysler transmission as i slow to a stop). My recording setup was two audio technica at851a boundary mics, mounted upside down on the interior roof and facing out of the driver and passenger windows (with appropriate wind protection), running through a mixer into a zoom h4.

A short segment as i played along with the ramones' song: my brain is hanging upside down. I recorded it on my roland td-9 module and edited it in sony sound forge and sony vegas. There's a slight buzz that i get and i tried to clean it up as best i could with noise reduction. Someday i'll figure out what is causing the buzz. Please comment on what you may use it for. Thanks :-).

This is the source recording for my first sound made for my "a sound design everyday" project. Every day i will record a sound and then create designs, collages, and lil' music tidbits using the source recording and only the source recording. For this sound, i flipped my bike upside down and used various objects to press against the spinning tires. You can hear the full sound design piece at soundcloud:. Http://soundcloud. Com/standingwave/everyday_050113. Or explore this pack to hear a sampling of the sounds generated from this source.

Ringmodulated inversion of my speech from the file https://freesound. Org/people/kb7clx/sounds/648443/ invertedspeechcq. Wav. I took the raw recording and used goldwave's mechanize effect to translate my voice to a center frequency of 14khz. I then demodulated it first at 10. 6 and then 10. 2khz meaning that what comes out is essentially the opposite sideband, offset by 3. 4 and 3. 8khz respectively. 3khz just didn't sound as good. The first i filtered with a low pass of 2. 9khz, the second was filtered to below 3. 4khz to emulate a communications receiver passband. I am speaking upside down as described in this video. Https://www. Youtube. Com/watch?v=q_ykxzcbh-g beginning at 00:03:16. Being blind i can't see their diagram, but i've got my own by ear intuitive method, keeping in mind that oo and ee are farthest from each other, all other vowells get closer the closer they are to the middle of the human voice frequency range. I say: huhlay sue quee, sue quee, sue quee do ux. Cahlloong sue quee sue quee sue quee do ux. The ay in huhllay is like when a spanish speaker says béisbol (baseball). The a in cahlloong is like the a in cat if you're opening wide for the doctor. The oo is like the oo in book. Listen to the other file and you'll hear: hello cq cq cq dx. Calling cq cq cq dx.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.