1,448 Royalty-Free Audio Tracks for "Virtual Analog Sequencervirtual Analog Synthesis"

Sound obtained by using some of the tassman step-sequencer along with the analog synthesis module. Then adding reverberation effect inside of tassman software and directly recording. No sound editing. No mastering. No limiter.

A one-shot synthetic bass sample. Key: c.

A synthetic bass multisample. I created it using the virsyn cube additive synthesizer (vsti). I applied some eq using the sonalksis sv-517 equalizer plugin. The sound was compressed by the sonalksis sv-315 and nomad factory blue tubes cp2s compressor plugins. All great quality plugs. The sound is a nice but rather static emulation of a bass guitar. Use your sampler's velocity and pitch bending options to bring this multisample to life. All samples in a 24 bit, 44. 1 khz resolution. Loop points were added for sustained notes.

Virtual analog synth mixed with analog ea-1 to create this wind like pad. Sampled through a behringer mixer into an mpc 1000. It sounds nothing like a wind section, hence the title broken wind. 44. 1k, 16-bit.

Original bass patch made on synth 1. Processed in reaper, mixed and warmed up through a behringer mixer. Sampled into my mpc. 44. 1k, 16-bit.

Hybrid virtual analog and analog mixed together through a behringer mixer into an mpc 1000. Light effect send to warm it up a bit. Doesn't sound like strings, thats just what i was going for, but this is where i ended up. Enjoy44. 1k, 16bit.

Patch made with a microkorg and an ea-1. Sounds a little bit like an organ for a few octaves. Lovingly multisampled. 44. 1k, 16-bit.

Demo fragment from the kobología project, a kontakt library based on the rsf kobol analog synthesizer.

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I made this sound sample in Fruity Loops 7 using the Fruity Granulizer to show off some of its capabilities as well as demonstrate Granular synthesis technology.

w:Jingle Bells, Or The One Horse Open Sleigh. Sung by the w:Festival Speech Synthesis System's "singing-mode", using the default US voice . Piano accompaniment by w:TiMidity/freepats. Source: [1]

Synth squelch with additive fx.

Virtual analog (linplug albino) lead multi-sample with a big and upfront sound. Perfectly suited for uptempo dance music and synthpop. The samples have been processed with the nomad factory blue tubes dr2s overdrive and compressed using the sonalksis sv-315 compressor. Sample resolution is 24 bit, 44. 1 khz. All samples in this multi-sample have looppoints added for sustained notes.

Fat square wave sub bass made with z3ta+ and a korg ea-1 mixed through a behringer mixer, recorded with an mpc. 44. 1k 16-bit.

A loud and monstrous distorted synth lead that screams for some filter love! created in cubase using novation's v-station processed thru various effects. Enjoy!.

La Bandera de las Estrellas (The Star Spangled Banner), sung by the Festival speech synthesis system.

The vintage bass pack is a collection of bass one shots created in reason using synapse´s the legend synthesizer which is probably the best emulation of the original minimoog synthesizer available today. The sounds will be useable in a variety of music styles where vintage and powerful bass sound is needed. Enjoy!.

Demo file

Daisy Bell sung by the DECtalk speech synthesizer. Using v4.61.02 for Windows. In G major at 200BPM, roughly. The input code is as follows: [:phoneme on] [d<40,27> ey<860> z<40,24> iy<860> d<40,20> ey<860> z<40,15> iy<860>] [g<40,17> ih<220> v<40> m<40,19> iy<260> yx<40,20> or<260> ae<300,17> en<300> s<40,20> rr<260> d<40,15> uw<860> _<900>] [ay<860,22> m<40> hx<40,27> ae<810,27> f<30> k<30,24> r<30> ey<860> z<40,20> iy<860>] [ao<200,17> el<100> f<40,19> or<260> dh<40,20> ax<260> l<40,22> uh<560> v<40,24> ax<260> v<40,22> yu<860> _<600,24>] [ih<260,24> tx<40> w<40,25> ow<180> n<40> t<40> b<40,24> iy<260> ax<260,22> s<40> t<40,27> ay<560> l<40,24> ih<220> sh<40> m<40,22> ae<60> ae<100,24> ae<100,22> r<40,20> ih<560> jh<40> _<560,22>] [ay<300,22> k<40,24> ae<520> en<40> t<40,20> ax<260> f<40,17> or<560> d<40,20> ax<260> k<40,17> ae<260> r<40,15> ih<560> jh<40> _<560>] [b<40,15> uh<220> tx<40> yu<560,20> d<40> l<40,24> uh<210> k<30> s<30,22> w<30> iy<260> t<40> _<560,20>] [aa<560,20> en<40> dh<40,24> ax<260> s<40,22> iy<260> t<40> _<260,22>] [ah<150,24> v<40,25> ax<110> b<40,27> ay<260> s<40,24> ih<260> k<40,20> el<260> b<40,22> ih<260> el<260> tx<40> f<40,15> or<250> t<10> t<40> uw<860,20> _<900>]

God Save The Queen - Sung by the Festival Speech Synthesis System's "singing-mode", using the default US voice.

I called it "buzzysound2". This is an analog sample i made from an arp 2600 i had before i sold it.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

Using modules through analog heat. Have fun with it, make music, make sounds.

Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.

A 5 minute frequency modulated improv on an emu modular synth.

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

Arturia's microbrute has a lot of facets and possibilities to use them.

Just some experimenting around with my modular. . . . . I take a signal from an lfo and split. I invert one of the signals and mix them.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.

Using 4ms smr. Have fun with it, make music, make sounds.

Using 4ms smr. Have fun with it, make music, make sounds.

A random harmonic synthesis sound made with audacity's tone function and fade-outs.

Just hitting a plastic canteen with finger.

. . Dont remember what this is, its original though and from my elektron analog keys. Recorded thru analog gear.

16 track tape spooling up.

This is a remix from:https://freesound. Org/people/gis_sweden/sounds/591658/.

A simple kind of bassline. You can download and copy it if you want. Enjoy.

Dsi evolver synth trough an eventide h3000 dse.

909 drum kit emulation.

Analog synth playing a sawtooth wave pitched at a-1 (110hz) with the filter open.

Dsi evolver analog.

Drones and sequences made by using dsi tetra and marantz recorder.

Type: wavchannel: stereosize: 5,10 mbduration: 20 secbitrate: 2116 kbps.

An old air pushed toy organ. Magnus - electric chord organ from the 70's.

This is a recorded bass sample played with the mopho x4.

Sonido filtrado.

Stereo white noise sample recorded with analog synthesizer.

This is the sound of kazoo adapted to a specific tone. Example of use https://youtu. Be/zvfinmbvvfw?t=3.

Made with korg volca kick.