1,206 Royalty-Free Audio Tracks for "Analog Emulation"

Sound obtained by using some of the tassman step-sequencer along with the analog synthesis module. Then adding reverberation effect inside of tassman software and directly recording. No sound editing. No mastering. No limiter.

Sample of an old combo organ set to its "violin" setting. Recorded with a di-box and a rme babyface using cubase. Have fun!.

909 drum kit emulation.

I called it "buzzysound2". This is an analog sample i made from an arp 2600 i had before i sold it.

A one-shot synthetic bass sample. Key: c.

A 5 minute frequency modulated improv on an emu modular synth.

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

Simple noodling using the soprsax! patch on the yamaha vl70-m physical modelling synthesizer using the yamaha wx11 windcontroller. Vaguely inspired by listening to a video about wayne shorter’s infant eyes. Might become useful in a future piece of musicking.

Virtual analog synth mixed with analog ea-1 to create this wind like pad. Sampled through a behringer mixer into an mpc 1000. It sounds nothing like a wind section, hence the title broken wind. 44. 1k, 16-bit.

Analog synth playing a sawtooth wave pitched at a-1 (110hz) with the filter open.

Dsi evolver analog.

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This is the sound of kazoo adapted to a specific tone. Example of use https://youtu. Be/zvfinmbvvfw?t=3.

Made with korg volca kick.

Stereo white noise sample recorded with analog synthesizer.

A very simple and clean kick.

Background noise of a blank k7 tape. Ruído de fundo de uma fita k7 sem gravação.

Dsi evolver synth trough an eventide h3000 dse.

Drones and sequences made by using dsi tetra and marantz recorder.

Type: wavchannel: stereosize: 5,10 mbduration: 20 secbitrate: 2116 kbps.

An old air pushed toy organ. Magnus - electric chord organ from the 70's.

Sonido filtrado.

A simple kind of bassline. You can download and copy it if you want. Enjoy.

This is a recorded bass sample played with the mopho x4.

A g# key being played from a vst moog.

Made with modular synth.

A percusion sound from roland jupiter synthesizer.

A bass sound in notes for samplind from the jupiter 6 synthesizer.

16 track tape spooling up.

This is a remix from:https://freesound. Org/people/gis_sweden/sounds/591658/.

Just hitting a plastic canteen with finger.

. . Dont remember what this is, its original though and from my elektron analog keys. Recorded thru analog gear.

Sine wave with a fm tri filter on it.

Sounds made with the legendary vcs3 synthesizer in the lindblad studio at gothenborg academy of music and drama, 2011. 11. 06. The charactere of the sound is like a bouncing ball.

Sequential circuits pro one (analog synthesizer) self modulating.

Hybrid virtual analog and analog mixed together through a behringer mixer into an mpc 1000. Light effect send to warm it up a bit. Doesn't sound like strings, thats just what i was going for, but this is where i ended up. Enjoy44. 1k, 16bit.

Patch made with a microkorg and an ea-1. Sounds a little bit like an organ for a few octaves. Lovingly multisampled. 44. 1k, 16-bit.

Filtersweep with the sequential ob-6 sem-state-variable-filter. C1. Rme babyface pro fs.

Cwejmann bld modular.

A3 (created in audiosauna).

Sounds from barton musical circuits dual logic going though doepfer a-101-1 vactrol vcf. Dual logic is modulated by bartons 2lfosh, via bastl-instruments tromsø. The vfc is also modulated by 2lfosh. The other sound is from alm pip slope in loop mode and modulated by a nonlinearcircuits single jerkoff, with an injection of cv from 2lfosh.

Aps de captação e edição de áudio - anhembi morumbi 2018.

Originally a recording of an electric saw that was distorted to sound like sci-fi radiowaves.

I called it "industrial growl". This is an analog sample i made from an arp 2600 i had before i sold it.

Short melody performed on a moog grandmother with the spring reverb turned pretty high which is what the dissonance between notes. It was recoreded into ableton live 10 using a focusrite 2i2 audio interface at 44. 4 khz in dallas texas on a rainy night.

A straightforward pattern made in the lmms daw, i used the analog bell preset with a delayed, pitched-down arpeggio of sorts. Over time, the tempo increases, from about 50 bpm in the beginning, to 150 bpm in the end.

Some dark chords played on the oberheim ob8 analogue synthesizer. Use however you like and send me message if you do!.

Noodling on the moog theremin with a touch of delay (don't remember which).

Chords played on an arp solina string ensemble.

A simple "chug" synth bassline. Could be filtered to good effect.