Sound obtained by using some of the tassman step-sequencer along with the analog synthesis module. Then adding reverberation effect inside of tassman software and directly recording. No sound editing. No mastering. No limiter.
A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.
Simple noodling using the soprsax! patch on the yamaha vl70-m physical modelling synthesizer using the yamaha wx11 windcontroller. Vaguely inspired by listening to a video about wayne shorter’s infant eyes. Might become useful in a future piece of musicking.
Virtual analog synth mixed with analog ea-1 to create this wind like pad. Sampled through a behringer mixer into an mpc 1000. It sounds nothing like a wind section, hence the title broken wind. 44. 1k, 16-bit.
Sounds made with the legendary vcs3 synthesizer in the lindblad studio at gothenborg academy of music and drama, 2011. 11. 06. The charactere of the sound is like a bouncing ball.
Hybrid virtual analog and analog mixed together through a behringer mixer into an mpc 1000. Light effect send to warm it up a bit. Doesn't sound like strings, thats just what i was going for, but this is where i ended up. Enjoy44. 1k, 16bit.
Sounds from barton musical circuits dual logic going though doepfer a-101-1 vactrol vcf. Dual logic is modulated by bartons 2lfosh, via bastl-instruments tromsø. The vfc is also modulated by 2lfosh. The other sound is from alm pip slope in loop mode and modulated by a nonlinearcircuits single jerkoff, with an injection of cv from 2lfosh.
Short melody performed on a moog grandmother with the spring reverb turned pretty high which is what the dissonance between notes. It was recoreded into ableton live 10 using a focusrite 2i2 audio interface at 44. 4 khz in dallas texas on a rainy night.
A straightforward pattern made in the lmms daw, i used the analog bell preset with a delayed, pitched-down arpeggio of sorts. Over time, the tempo increases, from about 50 bpm in the beginning, to 150 bpm in the end.