5,708 Royalty-Free Audio Tracks for "Voice Processing"

Cry sound-processing electroacoustic voice.

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

Haha, I was just recording myself using vibrato while in chest voice. This for educational and useful purposes, feel free to use it.

Human voice sound-processing laugh shout.

Robotic voice effect using a en:vocoder. This effect is often found in film and television productions. For the technically minded, the voice is modulating a 110Hz en:sawtooth wave, which is the note A two octaves below en:A440. There is also some en:reverberation and phasing added. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Антонио Бадзини "Танец шалунов". Исп.: Я.Кубелик (скрипка) The Dance of the Goblins (La Ronde des Lutins), Scherzo fantastique, Op. 25

Р.Дриго. Балет "Эсмеральда", вальс. Исп.: Симфонический оркестр, дирижер капельмейстер Придворного оркестра Г.И.Варлих. Выпуск фирмы "Amour Gramophone record"

Р. Дриго. Балет "Эсмеральда". Пиццикато. Исп.: Симфонический оркестр, дирижер капельмейстер Придворного оркестра Г.И.Варлих. Выпуск фирмы "Amour Gramophone record".

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Композитор П.И.Чайковский. Опера " Евгений Онегин". Дуэт Няни и Татьяны ""О чем же, Таня" Исп.: М.А.Михайлова (сопрано) (ум. в 1943), Е.И.Збруева (контральто) (ум. в 1936) в сопровождении оркестра

Details of the voice leading in m. 3-7 of BWV 941: original

punk-dark italian band Maybe the first band in Italy to completely refuse copyright on own self-produced work - record label stated permission to copy and distribute music contained.

A very short excerpt from a piece of music i started to make but abandoned. The clip is percussion and female vocal with effects. I used both abelton live 9 and reaper for the original piece.

Дж.Верди. Опера "Риголетто". Песенка Герцога "Сердце красавицы". Исп.: Д.А.Смирнов (тенор) (ум. в 1944). Выпуск фирмы "Amour Gramophone record"

Sultry female voice speaking "processing code" "access denied" "access granted".

Hamilton College Choir performs Hamilton's alma mater, Carissima, at the Home Concert at the end of the Spring Choir Tour of the Northeast.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Bahnhof Kronstadt (RO), Ankündigungsmelodie für Lautsprecheransagen (ora Brașovului, Ciprian Porumbescu) Esperanto: Braŝovo (RO), stacidomo, enkonduka melodio por laŭtparolilaj anoncoj (ora Brașovului, Ciprian Porumbescu) Română: Gara Brașov, melodia introductivă de anunțuri pe difuzorul (ora Brașovului, Ciprian Porumbescu)

Hola !. So after all the dsp processing of the little voice recordingi tried out my little bbc symphonic orchestra new free libraryput some violins on it & some horns of abraxas, if youdon(t know horns of abraxas of johann johannssonn, i urge you to go& check it out, the whole movie is a candy for the ear & eye. . . S with titlesas seekers of the serpent's eye or burning church or dive-bomb blues ordeath and ashes or children of the new dawn or forging the beast. . . What a soundtrack & what a movie ! but also what a tragic loss. . . Https://www. Youtube. Com/watch?v=hgih-ma5nag. & then at the end i transform again the little percussive voice partinto a voice again. . . You can clearly see in the wave form of the big percussion & the little voice wave form, an isomorph pattern, no ?. 17decmber of 2020jjjjjj looper dooper. Yes !. Ok i go to sleep nou !.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

V/V-V-I in C, in four-part harmony.

Enfin la Beauté by Etienne Moulinié, an "air de cour", performed live by myself: Enfin la beauté que j'adore Me fait cognoistre en son retour Qu'elle veut que je voye encore Ces yeux pour qui je meurs d'amour Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Le ciel voyant que son absence M'oste tout mon contentement, Octroye à ma perseverance La fin de mon cruel tourment: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Mes maux changés vous en delices, Mon coeur arrestés vos douleurs, Amour bannissez mes supplices, Mes yeux ne versez plus de pleurs: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame.

Air de Cour "Je suis ravi de mon Uranie" von Étienne MouliniéJe suis ravi de mon Uranie, Toute beauté pres d'elle est ternie:Jamais l'amour dedans ces boisN'en a fait voir, n'y regner de pareille,C'est une merveille,Sa seule voixPeut dompter, et sousmettre les plus grands Roys.

Р.Дриго "Серенада", пьеса Исп.: Инструментальный квартет "С-ть Георгъ". Выпуск фирмы "Amour Gramophone record" Waltz from Drigo’s Serenade. Performed by instrumental Quartet "st George."

I care not for these ladies by Thomas Campion, sung live by my self.

Lift Every Voice and Sing performed by the United States Navy Band. Featuring Musicians 1st Class Danlie Cuenca and Chelsi Vanderpol and Chief Musician Cory Parker with Chief Musician Justin Cody, piano

Cavatina di Rosina ("Una voce poco fa…") from opera The Barber of Seville. Performed by Aurelia Dobrovolskaya. Recorded in 1914. Каватина Розины "В полуночной тишине" из оперы "Севильский цирюльник" (действие первое, картина вторая) (Дж. Россини). Исполняет Аврелия Добровольская. Запись 1914 г. (Арх.№ ф. 42, оп. 1 "г", ед. уч. 237). Kawatyna Una voce poco fa z opery Cyrulik sewilski w wykonaniu Aurelii Dobrowolskiej zarejestrowana w 1914 roku. Čeština: Árie Cavatina di Rosina ("Una voce poco fa…") z opery Lazebník sevillský, nahrávka z roku 1914. Македонски: Розинината каватина од операта „Севиљскиот берберин“ во изведба на Аврелија Добровољскаја. Снимено во 1914 г.

An ensemble from U.S. Navy Band Southwest, Jacksonville, Fla. performs "Lift Every Voice and Sing" by James Weldon Johnson and John Rosamond Johnson.

Композитор Иоганн Штраус (сын). Вальс "Весенние голоса". Исп.: А.Грюнфельд (фортепиано) (ум. в 1924).

Sound-processing electroacoustic spectral-processing delay granular-synthesis game.

V of V in C, on guitar.

Https://www. Freesound. Org/people/bradovic/sounds/164718/. Put through an extremely poor sine tracking algorithm as an experiment but came out surprisingly pretty.

Sound processing.

Sound processing.

Sound processing.

Sound-processing eletroacoustic nature.

Electroacoustic sound-processing metallic.

Sound-processing paulstretch grmreson.

Matals sound-processing coin.

Композитор Г.-Ф.Гендель. Пьеса "Менуэт", Исп.: С.Якобсон (скрипка) (ум. в 1902). Выпуск фирмы "Amour Gramophone record"

Г.-Ф.Гендель "Ларгетто", пьеса Исп.: С.Якобсон (скрипка). Выпуск фирмы "Amour Gramophone record".

Electroacoustic sound-processing granular-synthesis.