136 Royalty-Free Audio Tracks for "Vs"

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

V/V-V-I in C, in four-part harmony.

V of V in C, on guitar.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Created by Hyacinth (talk) 03:26, 24 December 2010 using Sibelius 5. vi-ii-V-I circle progression in Mozart's Sonata, K. 545.

It's recordet on the 15. 9. 2013. It was a match with manny fouls.

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.

Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.

Edited a default preset in bk-synthlab's free "vs-1 oscilloscope" synth and hooked it up with a free midi sequencer vst (hyperion) and placed thrillseekervbl on the master. This was done using headphones back then so the sound may not be optimal on some playback devices.

The usual vs-1 fiddle, reminds me of midnight lucid dreams, being a flying ghost in a completely empty city during full moon, for some reason.

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

Another vs-1 stem, frozen in live 9, part of a failed project, with a bit of processing on top of it, i thought why the hell not share this btch.

ii-V substitution.

Chinnari papa song from Gruhalakshmi

kallu maanandoy babu song from Gruhalakshmi

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:8

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:9

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:6

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:7

Here's another vocal sample of "reaction" ran thru audioterm into a waldorf blofeld as a wavetable. Scanning the position of the wavetable is done by the mod wheel so it's fun to play. Not a sampler, not a vocoder! this one is in d.

ii-V-I turnaround in C, in four-part harmony.

Bengali song

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

This is an audio concept for the flash vs quicksilver video from ismahawkhttps://youtu. Be/vwcqy-d0i_g. Jet rockets are the main element for the flash. A dentist drill is the main element for quicksilver. I used the waves doppler plugin and added reverb and delay to make it fit in an acoustic environment. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Eduard Mörike (1804-1875) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Um Mitternacht Music genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

Sprint! 100 meter by BaKer vs Casamento

Slendro vs whole tone scale on C

*Thirty-third harmonic on C = C↑ (Ben Johnston's notation). 33/32 = 53.27 cents. Limit: 11-limit. MIDI pitch bend: 6,49 Other accidentals[edit] v • d • e #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53 #7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53... #L, U11, E1, L1, U19, U23, U29, 1E, LE, U41, U43, U47, U53...

Ninth vs added-ninth chord.

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Wohl denk' ich oft (Wohl denk ich oft an mein vergangnes Leben)

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Fühlt meine Seele (Fühlt meine Seele das ersehnte Licht) Music genre: Tone poem

01. Patrick Kilpatrick - Take That! (Onxy vs. The Beach Boys)

Dominant seventh raised ninth vs dominant seventh split third chord.

04. Patrick Kilpatrick - Fuqawi Stomp (Booker T & the MGs vs. Ghetto

Phleng Chat Thai - Fighting Harada vs Pone Kingpetch I ไทย: เพลงชาติไทย (ทางบรรเลง) ไฟล์นี้บันทึกเสียงจากการแข่งขันชกมวยชิงแชมป์โลก ระหว่าง โผน กิ่งเพชร กับ นักมวยผู้ท้าชิงชาวญี่ปุ่น ไฟติ้ง ฮาราด้า (ครั้งที่ 1) เมื่อ วันที่ 17 ตุลาคม พ.ศ. 2505

Male v/o two samples as requested by member jhon62.

Performed by Mr And Mrs Ernest V Stoneman.

This sound is build from a roland v-synth sample and processed using ableton live effects such as the convolution reverb.