40 Royalty-Free Audio Tracks for "War Drum"

Military style snare with orchestral drums.

Here's a war drum loop i made in fl studios. Have fun!.

Sound for war background.

This was originally composed at the keyboard as an improv on multiple tracks. I sped it up to 210 bpm and ran it through the vita virtual synthesizer as "soundtrack percussion", amps off, s and r filters on and lots of delay. A virtual drum loop with a human touch. Heavy beat. War drums 3 is a faster version of this.

Revolutionary war re-enactment players' marching band returns from battle, playing drum and fife.

Recording of drums and fife s during a street parade. These are large traditional drums beaten with canes known as lambegs.

Need an epic drum loop to go to battle with? look no further! for i have made this just for your needs!. I made this using fl studio 12 with a few different plugins :).

Some processed 808 wardrums created with onlinesequencer. Net.

A sequence of war drum sounds that can be used to set off a battle scene or to evoke suspense. Built with audacity 2. 04.

A short 4 beat drum sound. Both with a warlike and heartbeat quality. Used to signify a battle. Made in anvil studio.

Revolutionary war re-enactment players march to battle, playing drum and fife while a member of the local historical society explains the role of marching bands in battle signaling to my wife.

This is tupperware (beliebecuyy with an oem stretchy rubber top cover that seals them water/air tight, so i enjoyed the tone & recorded this. Hope everyone diggs it!.

Revolutionary war battle re-enactment, including musket and cannon fire as well as general background of yelling, and occasional bursts of drum and fife music. Recording was made across a large field, so natural reverb and echo are very prominent.

Soldiers Farewell Fanfare/Montezuma/March of War/Windsor Park.... by The United States Army Old Guard Fife and Drum Corps

A cinematic orchestral piece fitting for as a hero's theme.

Try as a loop! i used my acoustic guitar and did some knuckle-knocking on the body while muting strings. Sounds like a native drum! effect: speed increase from 33 1/3 rpm to 45 rpm, moise reduction and vol. Envelope. Recorded on conexant smart audio with at2020 mic, processed on audacity.

Try as a loop! i used my acoustic guitar and did some knuckle-knocking on the body while muting strings. Sounds like a native drum! effect: speed increase from 33 1/3 rpm to 45 rpm, moise reduction and vol. Envelope. Recorded on conexant smart audio with at2020 mic, processed on audacity.

A heroic battle song with various parts and developments.

Monk in the wind - drums ethno choir monk voice drone world hum action dark cinematic music surround.

I used fl studio 11 to create this sound. By editing a washing machine's sound and adding drum samples i got this minigun sound.

Made in ableton live. Layered together out of various explosions sounds and a kick drum. One sound layer ran through a guitar amp for distortion. Low-fi-ish.

This is a mix of sounds that i made for a pre-battle preparation of knights. It was used in a theater show for a scene of knights preparing for the battle in a war camp on the eve before a battle.

Layered out of an sks, ak47, uzi and a snare drum with a metallic texture. A short decayed 808 kick drum is occupying the sub frequencies. A bolt mechanic layer added before and after the shot transient. Two echo/reverbs were added for the stereo width. Shell eject layer added. All layers grouped together and lightly compressed and saturated. Made in ableton live. Enjoy.

This is actually a low pitched log drum hit, with delayed reverberation, for that natural reflection of sound heard after a loud bang in the distance. --------------------------------------------------------------need notification sounds for apps and games?check out my collection of $1 pings, clicks, dings and bings :. Http://audiojungle. Net/collections/1725532-bonus-points--------------------------------------------------------------.

Real recording of an ar15 layered minimally with a kick drum for sub-bass region and trigger sound and processed with some plugins like transient designers, multiband compression and clipping. Eq was used for tonal shaping and frequency cutting here and there for a more polished sound. Single shot recording assembled into a burst fire loop. Made in ableton live. Enjoy.

Made this in bitwig, i used 17 different layers to make this. A kick drum is added before the gunshot to add punch. Sub bass is synthesized for the deep lowend, 30-50hz. All layers were selected for certain frequencies using eq and then processed together with multiband compression. Shell sounds, mechanical noises were added for more depth. Using automation, the pitch, decay, and phase of every single layer used other than the subbass, morph to give life to the sound loop, and not sound robotic. Even though it "might" sound real, its an illusion of sounds being played from a midi clip. Enjoy.

9-note ending riff. 1 of 8 samples under 5 seconds from my acoustic guitar recording of a civil war fife and drum song named frog in the well, which i learned from an 1862 instructional manual. The instrument was a 1928 gibson l3. There are no effects. Key is (in order of best fit) d major, f# minor, e minor, g major, a blues. Time signature is 3/4, but these samples are mainly under a bar so can be used in a 4/4 song. You also use either of these licenses for your remix: creative commons attribution-sharealike, creative commons attribution-noncommercial. The home of this song on the web is soupgreens. Com/froginthewell. That has the full source song in mp3 format and short clips (40 seconds, 30 seconds, and 20 seconds) for use in video cues. There is also sheet music and guitar tab there.

Made in ableton live this time, it is a multilayered loop consisting of recordings of an ak47, a 30 caliber 1918, and an m60 machine gun to make a rediculous powerful sound. A very short clicky kick drum with the high end reduced is added before the initial gunshot to make it punch more, otherwise it would sound weaker. There are two mechanical bolt sounds, one covering the upper mid range, and the other covering the extreme highs. Shell ejections and two reverb tails were mixed in at the end with some simple automated panning to make it move around the stereo field. The tempo slowly decreases to simulate barrel heating. Lots of processing. The layers were eq'ed, then ran into a software amp that is gently distorting the low and mid range. Then smashed together with ott multiband upward/downward compression to bring out the details. A maximizer was used to bring up the loudness some. Enjoy.

Weird atmospheric soundscape including hand drums keyboard and strings mixed through audacity. Someone said it sounds like the end of a war film.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.