244 Royalty-Free Audio Tracks for "Whole"

The intro to L'Isle Joyeuse, by Claude Debussy. Created by Hyacinth (talk) 06:38, 19 January 2012 (UTC) using Sibelius 5.

Janacek Sinfonietta 2nd movement, opening bars

The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].

Whole tone scale on B. Created by Hyacinth (talk) 01:01, 6 July 2010 using Sibelius 5.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

He's Got the Whole World in His Hands

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Supermarket sound.

Samples of a buffet crampon e-11 clarinet, serial #b222120. Two behringer xm8500 dynamic mics, nos stereo technique. The instrument was about 0. 8 meters from the microphones. Both microphones had gain set at about 60%.

Hi, this is me doing a song of mine, called april rain, vocals only. . . . You can do what you want with this vocal, i'd love any feedback on what its been used for. Many thanks :-).

During my exchange semester i took a class called "sound and electronics in theater". We had to do an editing project where i had to make a 30 second sample of the sentence “a large monster charged a whole group of people. Many people died, but then one man grabbed a machine gun/knife and gunned down/chopped up the monster. ”i only used sounds from freesound. Org and edited and aranged them with reaper. This is what the result sounds like. (well in this uploaded version i removed the ripped spoken quotes from terminator because they were not from this website here :p). Used sound files:30279_thanvannispen_scream_group_women85847__mwlandi__meat_slap_385849__mwlandi__meat_slap_59429_thanvannispen_women_scream_aaa19312__martian__classic_double_swwosh_22350_studiorat_scream_boom_0127980__erdie__rubbing_metal0133447_dobroide_20070407. Slaughter. 0433568_erh_grod_11_animal_535716_analogchill_scream35984__hardpcm__wood02537822_the_bizniss_beast_breathing40158__sagetyrtle__crash43603__freqman__object_falls_5_48673_sea_fury_monster_2 render 00148673_sea_fury_monster_250724__rutgermuller__footsteps_metallic_muffled_louder_www. Rutgermuller. Nl_58793_syna_max_death_scream66113__spazzo_1493__knife_chop22698_dj_chronos_loop_233629__themfish__bulb_smash55234__slykmrbyches__splattt21324_cdrk_scream_02.

A stapler punching paper. Recorded with blue snowball, omndirectional version.

4-21 (whole-tone) tetrachord on C

6-35 (whole-tone) hexachord on C

Slendro vs whole tone scale on C

Grave whole tone on C (D--), 800/729, 160.90 cents.

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of whole notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of octuple whole notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.

3-6 trichord on C. Major/whole-tone trichord.

Clausula vera cadence from Lassus's Beatus homo, mm. 34-35. Note the half step in one voice and the whole step in the other.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Bridge chord, named after en:Frank Bridge. Minor chord with a major chord a whole tone above. Chord pictured followed by arpeggio with D major at the octave.

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

MIDI rendering of a passage from the madrigal "O voi che sospirate a miglior noti" by Renaissance composer Luca Marenzio (c.1553–1599), bars 35–41. Illustrating a striking use of chromaticism in a progression through the whole en:circle of fifths. MIDI produced with Lilypond.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song: Happy Happy HardPopCoreTastic This is stem 2, the first piano chords line.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song->> Happy Happy HardPopCoreTastic This is stem 3, the second piano chords line.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 5, the pad synth line, created in Arturia's Jupiter 8 softsynth.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 5, the bass line, created in Arturia's Jupiter 8 softsynth.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. Here's the complete song: Happy Happy HardPopCoreTastic This is stem 1, the main riff of the song, created on the freeware (open source) softsynth "Crystal"

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 4, the drum machine, created in Arturia's Spark.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Here's the sound of a whole-tone scale.

A person is related to the whole universeby: maqsood hasniabuzar barqi kutab'khanadec. 2019.

A dream-like sound effect created from playing a whole tone scale with a synthesizer in zynaddsubfx.

A downward whole-tone pattern.

For the whole world.

Wooden percussion ratchet. About a whole note in length.

Miter saw sound. Whole on-cut-off way.

Giant auto shredder consuming whole cars and other scraps of metal.

Relaxing beat for the whole family?.

A whole flock of birds going nuts in the tree next to my house.

Opening a "gatter" on the edge of a cow paddock where i spent a whole summer: chuätungel.

Sci-Fi Soundtrack Super slow glowing round synth chords - in space-themed Whole Tone harmonic structures! - Kevin MacLeod

Recorded while watching a horse race in tennessee with my daughter.