14 Royalty-Free Audio Tracks for "Woofer"

Sub dive, very low in the frequency range.

Foley sound effect of sub frequency noises;. Sample rate: 48 khzbit depth: 24 bits. Mfma_sonic.

A punchy break produced on my retro roland 808 drum machine, with added sub bass from user, ledit renart downloaded here: http://www. Freesound. Org/people/ledit%20renart/sounds/159977/.

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.

What it would sound like if the power generator of a starship cruiser was vocoded through a human woman saying "ahhhhhhhhh" continuously. 4 different power levels / variations in the same. Wav. 24 bit48khz.

Ideal for sub woofer.

Good on sub-woofer.

Atmosphere bass that wangs in your sub woofer. Its recorded in c5. Thats for the scale. It works in all daws.

Sub bass created by spt. This bass sound pounds your sub woofer. Works in all daws.

I simply generated a risset drum in audacity with all the default settings, except the frequency is 50. A really powerful sound, but only if you have a good sub woofer.

I've synthesized it with dope mono synth sugar bytes cyclop. It's simple filtered sound, but the distortion is stylish. Process further !.

Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. Mic inside wrapped up news paper tapped with a pencil. I read about it and found when layered with punches and other hits, it gives the hit a nice little kick in the sub-woofer.

It's this sound:http://www. Freesound. Org/people/unfa/sounds/217455/. . . . Pitched down with audacity and truncated. I also made a fade-in and fade-out to ensure no clicks will occur. The preview doesn't sound right (artifacts, distortion), download it to hear the real thing. Also - it's very low frequecy, so use headphones or a woofer, or you might miss it :).

This was produced by tapping on a stethoscope which had an earbud pressed against a shure sm57 mic. Low pass filter applied, as well as compression and a gate. Chorus added. Used a recording cassette deck as a preamp going into an m-audio audiophile usb soundcard. Note: if you're having problems listening to this clip, the cutoff frequency of your speaker set may be too high(solution: new speakers). The signal strength exists almost entirely in the very low frequencies, so you may need a sub-woofer to hear it. Otherwise, try turning your speaker volume all the way up. Doing so may saturate the signal and at least allow you to hear the harmonics of the signal caused by the distortion. I don't recommend it, but you'll at least maybe be able to hear something.