8 Royalty-Free Audio Tracks for "Workspace"

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00:02
Desktop system sound.
Author: Uki
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02:22
Sound of me cleaning up my workspace-table.
Author: Simonjsounds
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00:07
Recorded in an outdoor workspace, can also double as a chain sound/ any type of clinking.
Author: Georgesavic
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00:13
Opening and closing a large wooden drawer on metal tracks. Check out our other media services at: echocinematics. Com.
Author: Echocinematics
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00:06
What it says on the tin. Please credit & let me know what projects you use this in if someone finds this useful somehow.
Author: Addison
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00:38
The hum buzz of an old fluorescent lightbulb in an office workspace. Could be used in something that has to do with level 0 of the backrooms. Support me: https://www. Youtube. Com/developerjake.
Author: Developer Jake
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01:30
This is my final assignment for aspma course 2016. It is based on transformations over the file speech-male. Wav (https://www. Freesound. Org/people/xserra/sounds/317744/), used often over the course. A small time-stretching transformation, morphing with piano chromatic scales, and finally arranged by a python script to produce the final audio output. You can find the python code here:https://github. Com/nerkamitilia/aspma16/blob/master/workspace/a10/a10. Py. Format:mono, 16-bit, 44100hz.
Author: Nerkamitilia
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01:59
Clean recording of various sounds that would occur when maneuvering around an office space (specifically a desk) and manipulating common office objects. Recording features lots of paper rustling and sliding across a wooden desk, handling pens and a stapler, stuffing manila folders and plastic binders, and towards the end there are some sounds of small-medium sized personal bag being unzipped and zipped and then being filled with some of the office materials. Should work great for filling in general office noises in a scene or reinforcing actions that involve any of the materials featured in the recording. There should be enough variety to allow you to glean more isolated sounds or just use assortments of layered sounds. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned roughly 1. 5 - 2 feet away from the source. There is some slight room reverb present, which is intentional, and should match common office workspaces well. An 85hz high-pass filter was applied to remove any unintentional, unnatural low-frequency rumbling that may have been picked up during recording.
Author: Ahriik
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