35 tệp âm thanh miễn phí bản quyền cho "Flamenco"

Flamenco clap percussion.

Flamenco clap percussion.

Flamenco clap percussion.

Flamenco clap percussion.

Flamenco clap percussion.

Remate soleá in e major with a flamenco guitar.

Palmas Sevillanas a 160 Bpm. Banco de ritmos con sonidos gratuitos flamencos para estu-diar flamenco, estudiar guitarra, estudiar percusión, hacer producciones, etc.. sonidos gratuitos. Flamenco sevillanas claps at 160 Bpm. Free flamenco sounds to study flamenco, study guitar, study percussion, make productions, etc ... free sounds. No copyright music

A group of male and female spanish flamenco performers dancing unaccompanied, clapping and stamping in rhythm. Applause and calls of 'olé' at end.

Basic transition of chords of the "palo flamenco "bulería with the guitar. Chords: a - bb.

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

Same flamenco like coda but played with fl guitar preset. Created in fl studio, harmor synth, strings preset.

Improvisación con guitarra clásica por soleá y el mar cantábrico de fondo.

Coda like phrase. Looping. Rythmical sequence played with fl synth preset. Fl studio, harmor synth.

Palmas de rumba, 1:07 min Archivo original por Santiago Sánchez Cifuentes. Banco de música flamenca gratuita en YouTube

A spanish male dancer dances a long tour de force of of rapid unaccompanied changing rhythms with applause and calls of 'olé' at the end.

Palmas redoble, 0:38 min Archivo original por Santiago Sánchez Cifuentes. Banco de música flamenca gratuita en YouTube

Bad guitar playing... sort of like flamenco... but without skill. - Kevin MacLeod

My hand clapping in the style of flamenco (somewhat).

Palmas de sevillanas, 1:32 min Archivo original por Santiago Sánchez Cifuentes. Banco de música flamenca gratuita en YouTube

Palmas para guajira, 4:57 min Archivo original por Santiago Sánchez Cifuentes. Banco de música flamenca gratuita en YouTube

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

Clap pattern rhythm of 3/4, it is the normally used in bulerías to accompany with clapping.

Improvisation with electric guitar and electronics based on the rondeña flamenca.

This a small sample of my alhambra c1 guitar recorded with my sony m4 phone.

Panda de los Montes probablemente en las Casillas del Arroyo de los Frailes. Años 60-70

Lucha de fiesta grabada en el lagar de Torrijos de los Montes de Málaga

Dramatic acoustic guitar line. Americana influenced by flamenco. More:http://soupgreens. Com/2009/08/26/egyptian-fandango/.

Passos com salto médio como alusão a passos de dança, deslisamento da sola no chão e abertura de leque no final. Na edição foi sobreposto os passos e no final o áudio foi duplicado para caráter dramático. Microfone shotgun boom. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Bulería con nudillos, 1:00 min Archivo original por Santiago Sánchez Cifuentes. Banco de música flamenca gratuita en YouTube

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Short sample of Entre dos Aguas (Between two seas) by Paco de Lucia, played by Michael Laucke

Traditional flamenco performed by Pilar Calvo y Luis Maravilla. La Voz de su Amo record n° GY 762. Matrix n° OKA 1279 [1].

Base de compás por bulerías de Jerez (palmas y caja), 9:41 min Archivo original por Santiago Sánchez Cifuentes. Banco de música flamenca gratuita en YouTube

Arrangement of Legend for castanets, bass and guitar Čeština: Hudební skladba Asturias (Leyenda) nebo pouze Leyenda španělského skladatele a klavíristy Isaaca Albénize (1860-1909). Эрзянь: Астурия (Валкортамонь невтема) эли Валкортамонь невтема — те седямонь сёрмадовксось, арсицязо Исаак Альбенис (1860-1909), испанонь седийсёрмадеесь, пианосоналксиесь. Kompozycja Asturias (Legenda) hiszpańskiego kompozytora i pianisty Isaaca Albéniza w aranżacji na kastaniety, bęben i gitarę.

These are claps recorded by three people at the same time. The kind of soft but very fast clapping that you would put in a spanish flamenco song or (as it was the case for the session) an argentine folklore song (chacarera). Soft clap — very tight, soft hitshard clap — tight, hard hit. Soft group — a little less tight, sounds like many people, still softhard group — less tight, many people, hard hit. Soft supergroup — i put three takes of this at the same time (one l, one center, one r), some hits sounded better than others so i picked the ones that sounded the best. Soft hits. Hard supergroup — same three takes put together. Hard hits.