1.591 tệp âm thanh miễn phí bản quyền cho "Tuned"

Recording of the 560 kilohertz frequency of the am radio band. Has a high-pitched singing whine in it.

Semi tuned bell tones. All tones are derived from one bell.

Some nice and clean doorbell shots recorded by a zoom h4n built in mic, 96k/24, stereo!.

Hardcore kick tuned to gmade via distorting a 909 kickseparating attack, body and subthen cleaning it up and compressing it back together again.

Ladrang form, without the phrase making/colotomic instruments, but with balungan line (on slentam). Slendro tuning (5-tet).

*Orwell comma on C. 1728:1715 = 13.07 cents. Limit: 7-limit.

I made the score in maestro. Sfx conversion edited: adobe + fxs + mastered.

High gain guitar noise. (side pick swipe across all of the strings, muted across 2nd fret on guitar tuned in drop c. ).

A really haunting drone. I recorded a few chords on a old, out of tune piano with a room mic, then processed it with heavy delay and reverb effects.

Section of am radio static with a high pitched sing in it, from the 580 kilohertz mark of the bandwidth.

Distorted electric guitar playing open strings in drop d tuning.

Me and a friend were allowed access into our towns local church to record their wonderful out of tune piano.

Soft hardcore tuned to fmade by distorting a 909and then separating attack body and subthen cleaning it up and compressing it back together again.

*Septimal diminished fifth??? on C.  ?/? = 658.50 cents. Limit: 7-limit.

The traditional tune I Shall Not Be Moved, performed by Gid Tanner

Just minor chord on C: 10:12:15.

A small, mechanical music box plays, slows down and stops. Synthesized sound with stereo light reverb effect. Duration 0'52". Three turns of a wooden boxed clockwork mechanical key followed by a bright, nonsensical music box tune. As the tune plays, the tempo slows down - gradually at first but becoming profoundly slower towards the end. Tune ends on a melancholic note mid phrase. Could be used as a standalone effect, or perhaps metaphorically as a cipher for the aging process and cessation of life. The clockwork key effect is a rapidly repeating single mechanical clock tick filtered to sound box-like. The sound of the music box tines was created with ni fm8 using four sinewave oscillators, one of which feeds back on itself to produce a hint of metallic ringing.

Ford f350 highly modified diesel engine with after-market turbo drives pastrecorded with marantz pmd660 & sennheiser e835 mic.

5 tones equal interval scale5 oscillators tuned to: 110, 132, 154, 176 and 198hz. Not that bad?.

A crystal bowl hit with my finger. Tuned in f#3. Taça de cristal batida com o dedo. Afinada em f#3.

The most heavy tune that i could create! enjoy your ear-gasm :d.

Music coming from a baby toy, can be used for creepy or noncreepy purposes.

Hope u like it did it on ableton live :d.

Made with a glitch of a black and red picture transposed to sound with audacity, then slow down and eq. Tuned to c.

I made the score in maestro. Sfx conversion edited: adobe + fxs + mastered.

Zalzal's wosta on C, E↓+. 27 : 22 = 354.55 cents.

The traditional tune Shortenin' Bread, performed by Gid Tanner and his Skillet Lickers

I Sing a Song of the Saints of God (tune Grand Isle)

Light cosmic noise with some clicks and cracks. Sound of a radio tuned to a dead channel. Recorded with oktava-102 microphone and behringer ub1202 mixer.

Algorithmic modular music program (man3_2019). The computer is my analog modular synth. 00 rem -------------- man3_2019 --------------00 rem man3 - modular algorithm no 300 rem the steps/command lines, 01 to 08, are steps on a step sequencer00 rem main clock (lfo_2) 3hz00 rem the cv sequencer (seq) are tuned to an octave split in 5 equal parts. 00 rem seq has its own clock00 rem lfo_2 controls vco_2 via vca_2 and vca_300 rem lfo_3 controls wave shaper and vcf00 rem vco_1 tuned to 150hz sin -> wave shaper00 rem vco_2 tuned to 150hz tri00 rem vco_3 tuned to 75hz sqr -> vcf00 rem ----------------------------------------01 sampl lfo_1 -> vca_1 (vco_1)02 sampl seq -> vco_203 sampl lfo_1 -> vca_2 (vca_3) : rem [lfo_2 -> vca_2 -> vca_3 (vco_2)]04 sampl seq -> vco_105 trg -> noise -> delay_106 sampl seq -> vco_307 trg -> env (vco_3)08 trg -> noise -> delay_110 goto 01.

The quad city wind ensemble warming up before a concert performance. Recorded with an array of rode and akg microphones.

Driving in my car a 1985 ford escort mk3. Did a little tuning:) recorded with my phone.

Fear of going to bed [cc zero] short scary tune --would like to see what youdo with it.

I made the score in maestro. Sfx conversion edited: adobe + fxs + mastered.

Random whistle i was gonna use, but i used a different one. This is actually in the tune of this: http://www. Freesound. Org/people/connum/sounds/33262/.

Made with a glitch of a black and red picture transposed to sound with audacity, then slow down and eq. Tuned to c.

*Semitone Maximus on C = D♭. 27:25 = 133.24 cents. Limit: 5-limit.

Ratio between pitch and length of an organ pipe: octaves.

A crystal bowl hit with my fingernail. Tuned in e4. Taça de cristal batida com a unha. Afinada em e4.

A simple sequence played on a korg volca modular sequeced by and recorded on an akai mpc touch. Volca is a little out of tune as usual. :).

A short section from the 570 kilohertz area of the am radio band, static with obscured talk radio voices in it.

Synthesizer-kickdrum in several variations. If u like this, perhaps u also like my tunes on sc: http://soundcloud. Com/beverlyhillsboy check it out! cheers :).

A little percussive loop. If you like it, check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy/ cheers!.

Piano waltz-style romantic melody over soft chorus in wav. Theme tune or interlude / transition.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Loop made using vanguard. If u like this, perhaps u also like my tunes on sc: http://soundcloud. Com/beverlyhillsboy check it out! cheers :).

Big room type kick drum created by processing a recording of filter self-oscillation from roland sh-101.

8 notes played on guitar in de-tuned pitched. Applied distortion chorus and reverb in flstudio using dvs vst.

A major scale played on a synth that has been progressively detuned as it ascends. It is an interesting effect. Hope someone can find some use for it.