1,477 免版税 音轨，用于"邱比特"

Vergleich von Ausschnitten aus Mozarts KV 457 und Beethovens op. 13

W. A. Mozart, Andante in C, for keyboard, K. 1a (1761), thought to be the first piece composed by him.

The third piece of the surviving fragments of Nannerl's music book.

The second piece in the surviving fragments of Mozart's first compositions; from the Nannerl Notenbuch.

The fourth piece surviving from the fragments of the Nannerl Notenbuch

Italiano: Sinfonia numero 5, op. 64 di Tchaikovsky, Paul van Kempen dirige la Koninklijk Concertbouworkest. I Andante - II Andante Tchaikovsky's Symphony No.5, op. 64. Paul van Kempen directs the Koninklijk Concertbouworkest of Amsterdam. I Andante - II Andante

Italiano: Op.49 Ouverture solennelle 1812

Italiano: Op.45 Capriccio italien

Italiano: Sinfonia numero 5, op. 64 di Tchaikovsky, Paul van Kempen dirige la Koninklijk Concertbouworkest. III Allegro - IV Andante Tchaikovsky's Symphony No.5, op. 64. Paul van Kempen directs the Koninklijk Concertbouworkest of Amsterdam. III Allegro - IV Andante

Love at first sight! arrow hitting target plus anime 'wow'. Simple composite edit and level match. Free to use.

Gollum is angry at you cause you stole his ring. Gollum speaks in spanish and portuguese, but all means almost the same.

Self-noise test of line-level input of tascam dr-70d, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with sony m10 and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

Self-noise test of digital output of sound devices mixpre-d, of watch ticking recorded with rode nt1a. Designed as comparison with tascam dr-70d and sony m10 (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

Self-noise test of line-level input of sony m10, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with tascam dr-70d and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

I made this short composition to use with my 2021 social media safety contest entry.

Sonido de ambiente de un supermercado en bogotá.

Sonido de ambiente de un supermercado de cadena en bogotá.

En el parque de los poetas se reúnen personas a ejercer su oficio de elaborar documentos con maquina de escribir.

Recorrido del bulevar niza a la av, boyaca.

A bad readout of an excerpt from prosperous. The tempest act 4, scene 1, 148–158. Our revels now are ended. These our actors,as i foretold you, were all spirits, andare melted into air, into thin air:and like the baseless fabric of this vision,the cloud-capp'd tow'rs, the gorgeous palaces,the solemn temples, the great globe itself,yea, all which it inherit, shall dissolve,and, like this insubstantial pageant faded,leave not a rack behind. We are such stuffas dreams are made on; and our little lifeis rounded with a sleep. .

Ambiente en una pizzeria en la ciudad, con poca gente hablandoambiente interior, grabado con micrófonos omnidireccionales de tascam dr44.

Rode nt4 microphone compare signal-noise of phantom and battery power. Nt4, together with small electrical clock, in bed under all the pillows of the house. ;-). First 48v phantom-powersecond 9 v battery-power. Gear chain: rode nt4 with original xlr cord > sound devices 302 >tascam dr-100 mk2. My conclusion: the battery powered mic nt4 is 0. 5db more quiet. Not very significant. See also; http://freesound. Org/people/klankbeeld/sounds/217695.

A loud squeaky door shutting.

I wanted to explore the atmospheres in horror movies like la llorona and silent hill.

It's the voice of a female friend saying "baby scorpion in spanish" recorded using a macbook pro laptop.

Sample of compressed signal in subreg 144 mhz mar 5th, 2011.

Stochastic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Harmonic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Stochastic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Harmonic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Soundsketch.

This is my wind entry for the competition. It's derived from some recorded voice and putting a microphone in various containers while the wind was blowing. I was able to get some interesting sounds from this, then i used some mutation effects, convolution, and phase vocoding to combine the voice and the wind sounds into this short piece.

Sound of the city barranquilla - colombia.

Trabajo de audio, grabado con celular.

Baltimore, 2012: arrieta (bal) pitches to pena (tb) in the top of the 1st inning. Four pitch at-bat: 1)called strike, 2)called strike, 3)foul, 4)swinging strike.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Italian word "pizza" told by an italian little boy.

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Ok1kki in vhf subregional contest on mar 5th, 2011, qrg 144360 khz. Recorded in qth jn78ek.

Ok1kki subregional contest mar 6th, 2011 - contest cq.

One classic passive ring mod based on 2 transformators and one vca based.

Stereo xy zoom h6. Alto el toro, risaralda.

We needed the sound of an crushed egg - like it.

This sfx created and mastered in fl studio. With some plunger filter and other plugins.

Tesla coil sound. Synthesized.

Field recording made at the south side of the lincoln memorial in washington d. C. Recorder is facing the tidal basin to the southeast, with ohio drive and it's traffic in the mid-range. Recording conducted in march 2012 with a zoom h2, mics set to 90° dispersion.