480 lizenzfrei Audiodateien für "Designer"

Just a wee ambient sound!. Jarred gibb.

Noisy motor from my coffee machine, recorded with a rode ntg4+ shotgun microphone.

1 minute close-up recording of the pulling steel cable of the san francisco cablecars. Good for sound design. Recorded on a sound devices 663, sennheiser 8060 microphone. 48k - 24 bit.

Looping (seamlessly) experimental and abstract drone. 96khz / 24bit. Been toying a bit with dust and boy. . . What a toy it is.

Processed noise. Sounds like air coming from a compressor.

Sound of a heated metal fireplace sizzling and squeaking after being hit. Can remind a bit of styrofoam or dry ice.

Ambience sound effect of air conditioning;. Sample rate: 48 khzbit depth: 24 bits. Mfma_sonic.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Graham cracker foley recorded with a pair of mics in xy stereo arrangement (close), and small diaphragm condenser mic (far) running parallel. Processed in reaper with ambient noise reduction, compression, and eq. Each file mixed according to the title ("far" or "close" dominant).

Synthetized using a vintage yamaha psr-36 keyboard. Processed in daw with various effects and sound design techniques.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Designed cinematic drone - winter strike - far away and airy - x2.

Warbely alien engine idle sound. Made with by scraping a guitar string and then manipulating the sound.

Ascending synth jingle, usefull as an alert in your game or app.

Steps on snow recorded sound effect.

A sample i made using ableton grain's delay on pieces of my sample "crystal underwater".

This is a short clip that can be used to establish a setting for a small old style village.

Sub rush. - jarred gibb.

Looking for more sounds? 🔊🔊🔊. Audiojungle: https://goo. Gl/muysmmpond5: https://goo. Gl/s63pl7. Follow us 👍 instagram: https://www. Instagram. Com/wakerone_/.

Sub rush. - jarred gibb.

Sawtooth for sampling or custom wavetable.

Space danger. Analog modulation, recorded in avid protools.

Atonal drone 01.

Wood box xylophone beaten with a wooden drumstick. Original sample for a "bell-like" xylophone instrument or synth. Recording: shure c606/mbox (homemade). Daw: ableton live 9. .

Creepy transition sound fx.

Scary piano key hits with reverb used for a film project i just finished.

Feel free to use it. Record with zoom h1.

8-bit retro gaming style explosion sound made using a vintage yamaha psr-36 synthetizer. Processed in daw with various effects and sound design techniques.

This sound was created by opening and closing a wooden wardrobe with a latch style lock. Hope you can use this sound in your sound design.

This sound was creating by shutting a door.

This was recorded by slamming a cupboard door shut.

This was recorded by slowly shutting a door and recording the squeak.

This was recorded by shutting my front door.

This was recorded by recording closing a wardrobe with a latch lock.

This was recorded by shutting my front door.

This was recorded by closing a door slowly.

This sound was created using the "surge" synthesizer. Bpm 128key a minorcheck it out: https://presetshare. Com/preset/view?id=1171.

Synthetic sound of fantastic underwater ambience. Please check up my commercial portfolio. Your visits and listens will cheer me up!thank you.

Ran my original sample thru rc20, tweaked some knobs, added eq for the lofi touch. I believe i used my personal rc20 preset to give it the crunch. I followed up with this resample using my lotus echo pad.

This is the latest homework i have done, for this one i imagined this:its as if you were hearing from the ears of the person in the cashier spot, at a busy restaurant, this person gets caught in a time wrap and they start to like trip on these sounds from the kitchen, the stage across the bar, and even them turning a page on their boring magazine. If you read this and haven't played it yet, close your eyes and imagine you're that person and tell me what you feel!. At this point i have learned about effects and all that(still no pro), so be sure to listen with earphones for the best experience!sounds i used:. The busy kitchen (but i used the texture i made from it, you can see it in my other uploads) from cpark12 https://freesound. Org/people/cpark12/the funky free saxophone from insigner https://freesound. Org/people/insinger/the water faucet from redafs https://freesound. Org/people/redafs/the pan bam (as i like to call it) from jonascz https://freesound. Org/people/jonascz/the page turn from lawnjelly https://freesound. Org/people/lawnjelly/.

Ooh fantasy vocal fantasysfx conversion edited: adobe + fxs + mastered.

24 bits sample.

Arpeggios made in fruity sampler and time stretched.

Tearing paper sound fx.

A sound created from bubbles of sparkling wine/dźwięk stworzony z bąbelków musującego wina.

An ethereal-sounding digital woosh effect. Created using xfer serum, layered with various abstract samples. Perfect for transitions, motion, or hud/ui elements.

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.