282 lizenzfrei Audiodateien für "Grab"

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00:37
Was cooking a ham steak one night and when poking it with a fork noticed it made some awesomely gross sounds, lol. So, like any astute audio lover, i grabbed my zoom and recorded it! did my best to not rattle the stove or anything on it. I'll put it as creative commons, since who really goes through and credits every single random sound file they downloaded on any given internet scourge? but i'm always interested to see how the sound are used - especially this one ;). Raw, unedited file. Enjoy!.
Autor: Fordps
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00:08
A layered recording of two terracotta pots scratching against each other. Recorder/mic: zoom h4n pro (stereo x-y)processing: eq, some compression.
Autor: Kinoton
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00:14
This is two slabs of concrete , one on top of the other, and scraped together. In this sample i have changed the rate to give it a 'bigger slab' effect. You can also add reverb and play with the rate yourself for more dramatic effect.
Autor: Faceonmars
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00:42
I grabbed a metal mallet (mini sledgehammer) and dropped in on cement in various ways. Lightly and a bit harder. Recorded into my ntg3 in a garage sectioned off. Signal to noise ratio was really good because it was a loud sound. H5 was my recorded. Cleaned some hum using rx4. Boom!. Pretty please, post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.
Autor: Oscaraudiogeek
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00:08
Sliding and moving of a heavy stone slab / lid / sarcophagus.
Autor: Breviceps
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02:09
A huge ice storm moves in to the back woods of north carolina on 01/30/2014. First it snowed. . . And then it sleeted. When all that sleet froze on the surface of the snow, walking in this winter-wonderland produced an amazing sound. So, i put on my boots, grabbed my zoomh4n and set out to record the magic!. This would be very useful as foley fx for walking in any frozen environment. I walked on various surfaces and depths of ice and snow throughout. I tried to leave enough space between steps so that the sounds do not overlap so that they can be cut for editing purposes. Enjoy!. - christopher c. Courter.
Autor: Courter
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08:43
Welcome to rome. We needed some drum cadences for julius caesar and i was unable to find any i really liked so we grabbed our orchestra drummer here at the theater and we came up with 13 different cadences for us including jfk's funeral march. Most are done on snare and then again on a single tom, easily looped for duration. They have no verb on them so you can add as you desire for your space. You are free to use these samples in any project you are working on. Just say hi here and let me know what you're up to. I like to know it's helping a fellow sound designer out. Enjoy and support freesound by uploading your own creations as you make them. Kiddpark.
Autor: Kiddpark
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00:09
This is from a fan audio recording of the 1967 doctor who episode "tomb of the cybermen". The sound is now in the public domain. In 1967, these cybermen were voiced by peter hawkins using a vocoder or an electro-larynx, a device used to restore speech to those whose vocal cords are damaged by detecting vibrations of the throat. At the very end of part 2 of "tomb of the cybermen", the cyberman controller is awakened and says "you belong to us, you shall be like us!" to the cast.
Autor: Chungusa
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00:56
Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpreter: Orq Francisco Canaro; Singer: Charlo; Rec: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Grab: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Italiano: Tema: "Flor de fango" (tango). Autori: Testo: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Registrazione: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931
Autor: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932)
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22:18
Xw8g+63 porto koufo, toroni, greece22 minutes sound of waves on the gravel recorded in 2017 the port of koufo beach, sithonia, halkidiki, chalkidiki. Having no other recording device, i used my camera, a lumix dmc fz62 that has good microphones and can record decent stereo wav files, without compression.
Autor: Eneahead
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00:29
Recorded on a small olympus device, set next to an open sleeve of stale saltines. You can hear her in the plastic packaging grabbing mouthfuls and chewing the crackers all up. She dips into the sleeve of crackers 3 or 4 times in this recording and smacks her chops after eating it all. Sorry about her collar chiming as dog's tags tend to, i just had to record that big mouthed crunch. I've removed the loud plastic rustling sounds, to focus more on the crunching sounds as she munches on snack crackers. Great for dog food or puppy chow commercials or for a film of a beast eating at charred crispy remains. If you use it for a film put a link to your work in the comments below, i'd love to see how you use this audio of a big mouthed cutie pie cruncher dog.
Autor: Bon Vivant Pictures
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00:04
A brick dragged across concrete. Sounds like an ancient stone door opening. Recorded with an iphone 3gs, edited with audacity.
Autor: Ertfelda
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00:58
A conversation that happened in the kitchen. Warm for the time of year, a man steps in to play basketball on a corner paved lot. Just one basket and no refs, the two free-throws he is offered are almost unheard-of. Maybe some of them didn't like his looks. Likely too they know what he does for a living. Likeliest of all he was playing well, but for sure the woody that won't quit had come to call, and they probably liked that least of all. So he steps up to the foul line and the first shot zips the net. So does the second one, but even before it gets there, someone jumps in behind him, grabs hard and and zips his pants all the way down. They aren't around his ankles, though. Close one, he's standing on them. Worse, a local crowd has gathered. Only the stunned aren't laughing or pointing or cheering. You put your pants back on and go home, what else can you do? game over.
Autor: Nuncaconoci
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06:39
Over 150 public domain sounds curated from freesound and the internet archive. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them (this happens 3 times). To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.
Autor: Liquid Tribal
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07:53
Over 250 public domain sounds curated from freesound, the internet archive, and citizen dj. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them (this happens 3 times). To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.
Autor: Liquid Tribal
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00:02
Heavy body fall, followed by feet hitting ground. Dirt surface.
Autor: Leonelmail
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00:14
The shovelling of gravelly sand (not overly authentic-sounding, as i had to do it with one hand).
Autor: Yin Yang Jake
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00:13
Water fowing in tomb. Recorded iphone with rode micedited: adobe +fxs.
Autor: Szegvari
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01:27
Nederlands: Hoe groot de vrugten zijn Der schöne OstertagÜbertragung (R.F.): Kein Felsen hält ihn fest, kein Grab hält ihn gefangen. Er hat die Welt erlöst und ist ins Licht gegangen. Die Schuld, die Angst, den Tod, die alle Menschen banden, er sprengt, was uns bedroht: der Herr ist auferstanden, erstanden. Wo käme Hoffnung her und Kraft zum Überwinden, wenn er gescheitert wär? Es hätten Leid und Sünden das ewig letzte Wort und alles wär zuschanden, die Zukunftssaat verdorrt. Doch er ist auferstanden, erstanden. Er geht durch Todesflut wie Mose einst ins Freie und macht den Seinen Mut zum Aufbruch in das neue, das zugesagte Land, das wir allein nicht fanden, durch Meer und Wüstensand. Denn er ist auferstanden, erstanden.
Autor: Melodie: bei Dirk Raphaelszoon Camphuysen 1624; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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00:02
English. 1. With both hands i grabbed the rain stick vertically. 2. Lift it about 4 or 5 cm from the plastic mat on the floor3. I moved it up and then down until it hit a mat. The movement was fast, which causes the internal seeds to rise and fall, hit each other, between the walls of the stick and bounce when hit on the mat. The sound was captured with a condenser microphone. It was recorded with ardour 5. Español. 1. Con ambas manos agarré verticalmente el palo de lluvia. 2. Lo levánte unos 4 ó 5 cm del tapéte de plástico que se encuentra en el suelo3. Lo moví hacia arriba y en seguida hacia abajo hasta golpear un tapete. El movimiento fue rápido lo que produce que las semillas internas suban y bajen, golpearse entré si, entre las paredes del palo y rebotar cuando se golpea en el tapete. El sonido se captó con un micrófono de condesador. Se grabó con ardour 5.
Autor: Koutino
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00:55
I made this sound in september 2003 - i used a fairlight mfx 3 - a direct descendant of the first sampler ever made - and the best ever to this day editing software for ground breaking features and functions. Clip based eq and level which you could cross fade between made the use of automation almost redundant in precise to picture editing. It also had a unique alternative jog function. You could loop 1 frame or so as you chose of sound at the orginal pitch which made it easy to find transient points. I then 'grind' the play head over a solo'd sound and play this into a reverb unit. I have many of these accidental experiments and one day i shall make the fairlight pack!. Until then enjoy this alien - from mars with love :). Ps - you can do this experiment today! i found that i can use sound flower as an out put in audio finder. If you open a sample in the sample editor - you can recreate the fairlight jpg by grabbing the playback head in play. You may then route sound flower thru an input channel and get some unusual effects that are difficult to achieve. . If you can improve on this method let me know!.
Autor: Martian
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00:39
Sound created from whistling a tune, then reversed while applying othereffects as well. -----------------------------------------------------------------------. This sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.
Autor: Colorscrimsontears
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09:55
Over 250 public domain sounds curated from freesound and the internet archive. A grab bag of random sounds, could serve as a building block for your music or incidental sounds in a video. All sound info is in each cue point of the main file. Cues that do not have info are part of the group indicated before them. To extract all the sounds, use a sound editor like goldwave to break it up by the cue points. For any internet archive sounds without an address, you just need to search the public domain files for the song/video name. Use this search argument: licenseurl:http*publicdomain* and (name of file here). Since these are public domain, you are not required to give credit for any of the sounds (including this collection). For the sounds curated from freesound, you can thank the artist and/or tell them where you used it by copying and pasting the file number into freesound's search field and it will help you find the file page. Important:if you intend to register a copyright with the government for works you created using public domain sounds, you must indicate them in the application process (limit of claims section) because you cannot copyright public domain sounds.
Autor: Liquid Tribal
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00:07
Close door in big hall or tomb. Recorded iphone with rode micedited: adobe + fxs.
Autor: Szegvari
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01:19
Here i have for you a stereo guitar track with some nice reverb/delay plug-ins. This is a practice run of the software. Have at it! love to see what people can come up with!!.
Autor: Bchewdown
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05:02
This is one of a set of voices created to be mixed together to form background ambiance for parties and other events. The walla project is the creation of jule hoverson of 19 nocturne boulevard and public domain for all to use without attribution. Script. Party crowd:well, look who's here!i thought you weren't coming?oh, i see. Well, put your coat over there and grab a drink. So, where were we?oh yeah, so my boss says to me i need to work late, and i tell him that if he wants me to work late he's going to have to pay me to work overtime. You think he likes that?what he do?he told me that he can get a college grad to do my job for half the price. Well, i told him- try it!hey, are those snacks fresh?let me have one!mmmm. . . . Tasty!ow!what is this? a snail?i think i chipped a tooth!excuse me. I better go call a dentist!oh no! look who just walked in!can you believe her? wearing a dress like that?that's not his wife. Mmm-hmm. I'm so excited, this is my first time at a soiree {swa-ray} like this!isn't that too too adorable?who's got the glasses?isn’t there anything to drink?i hope you don't mind, but we're going to have to leave early. I'm here! the party can start!i definitely need another one. That was the babysitter. We need to go. [plus - feel free to ad lib anything else you want. ].
Autor: Ultrarob
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00:57
Voice actor: mr rotpbrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.
Autor: Szegvari
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01:46
God Rest You Merry, GentlemenGod rest you merry, gentlemen, englisches WeihnachtsliedÜbertragung (R.F.): Seid froh, ihr Menschen überall, werft alle Trauer ab, weil heute Gott vom Himmel her den Sohn, den Heiland, gab! Er rettet uns aus Teufelsmacht, ruft Tote aus dem Grab. O Verheißung, die Freude bringt und Trost, Freude und Trost, da Maria ihren Sohn im Stall liebkost. Nach Bethlehem brach Josef auf und jene, die ihm lieb, damit man sie auf Roms Befehl in Steuerlisten schrieb. Maria aber trug ein Kind – o Hoffnung, die sie trieb! O Verheißung, die Freude bringt und Trost, Freude und Trost, da Maria ihren Sohn voll Glück liebkost. Und als das Kind geboren war um Mitternacht im Stall, da sangen Engel „Gloria“ und „Friede überall!“ Die Hirten und die Könige beseligte ihr Schall. O Verheißung, die Freude bringt und Trost, Freude und Trost, da Maria ihren Sohn, den Herrn, liebkost. Vernehmt auch ihr und alle, die das Weihnachtsfest begehn: Gott lässt uns in dem kleinen Kind die Macht der Liebe sehn, damit auch wir der Liebe traun und zueinander stehn. O Verheißung, die Freude bringt und Trost, Freude und Trost, da Maria Gottes Sohn im Stall liebkost.
Autor: Melody: from England; setting & sound file: Rabanus Flavus (Peter Gerloff)
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01:39
We are writing the end of the 20th century _ _ _ cheer up !. After a nice concerto @ the charlatans, ghentduring the infamous ghentse fiestas ! ! ! ! !one of the guitarists of the band torturadodrives back home,. . . 72h after the concertthat is. . . He don't remember having slept. . . Ghentse fiestas are hardcore, he does rememberthe hamburger @ the vlasmarkt though. . . &he thought he heared 'vree wijs' like a thousand timesbut back then he couldn't decifre the real meaning of thosemumblings. . . So he always answered back to the girls, with 'i'm latino !' ( the usual reply). Hm,. . . Suddenly on the radio he hears musicwhich strangely seems familiar to himwhen the radio host describes the artisthe seems to be talking about the torturado boi ??!!!!##is he ??!!!!!#é"'((('à)§!(çà. Is this some kind of message from the future ???. The reference of glenn branca is there, but 2015 ??? never happened yet. . . Wooooooojoo !!!!. There is also this clear 'why nut' 2020 duyvisch nuts publicity reference !!!that he obviously doesn"t get yet, but an invisible force, makes him grab some nuts (not what you think), he bought just before entering the car ??!!! (you see!). Is this some kind of message from the future ???. No ! as the host continues the little descriptionhe makes a t e r r i b l e trabalengua or you knowknot explosion with the tongue & has to repeatthree times the sequence of the stroboscope. Wtf is going on here. . . The future seems to besending a very unflattering non elegant message to him _ _ _. It just seems to be just a rehearsal for a descriptionof the solo artist he is going to be. . . What the fuuuuuuuuukkkkk ?!!!èy"é'!'"''çé'ç"'à"'"é'é")*¨%££££££=:;ù%%%%. -----------------------------------------------------------------------. Recorded with my new dpa 4060very happy with iti can write a whole essayabout how i found it & stuffbut i think it's better totell you live in a barwith a beer or 5 ! ! ! ! ! !. 11112020josé !. P. S. All references to real persons/situations/musicians/latino's/birthdates, es-pe-cially for tindr dates / ! \ are very fictive, jaja !.
Autor: Antwerpsounddesign
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00:05
Creatures sound alien tomb reverb hardrecorded phonesfx conversion edited: adobe + fxs + mastered.
Autor: Szegvari
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01:10
Sfx conversion edited: adobe + fxs + mastered.
Autor: Szegvari
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