282 lizenzfrei Audiodateien für "Grab"

Sax sequence processed.

Sax band filtered samples remix.

Sax band filtered sample remix.

Sax band filtered samples remix.

Sax band filtered sample.

Sax band filtered sample.

Viola pitch processed sample.

Viola processed sample remix.

Sax processed sample remix.

Recorder processed samples remix.

Bass recorder processed sample.

Oboe processed sample remix.

Trumpet processed sample.

Trumpet processed samples.

Need a sound effect for clicking a button on the escape menu or main menu, well here it is! click on my account for more button clicking sounds if you don't like this one, they are all made by me. Want to know how to make your own? grab a stick, break and snap it into the mic, add some bass, and cut out a little bit of the sound effect.

Song: "Reíte mujercita" (tango).- Author: Juan Rodríguez (1895-1928).- Interpreter: Orq Juan D'Arienzo; Singer: Carlos Dante.- Rec: RCA, 782, Buenos Aires, 1928 Tema: "Reíte mujercita" (tango).- Autor: Juan Rodríguez (1895-1928).- Interprete: Orq Juan D'Arienzo; Cantante: Carlos Dante.- Grab: RCA, 782, Buenos Aires, 1928

I recorded my voice while playing freelance horror games; scp-087-b and slender sanatorium. This was so i could get genuine reactions to use as stock voice clips for future use. Some pretty interesting stuff came out. This is when the first "thing" that happens when you start, like hearing the first creepy sound or grabbing your first note.

Song: "La mañanita".- Author: Carlos Gardel (1890-1935).- Interpreter: Singer: Carlos Gardel.- Record: 1912; published: Columbia, T594, Side A, Buenos Aires, 1913. Tema: "La mañanita".- Autor: Carlos Gardel (1890-1935).- Interprete: Cantor: Carlos Gardel.- Grab.: 1912; publicado: Columbia, T594,Lado A, Buenos Aires, 1913.

This morning i woke up to the sound of a city crew jackhammering concrete just outside my window. I grabbed my h2 and recorded for a while. This file is an edit of the full recording. It contains two bursts of jackhammering, one fairly short and one longer. The background noise is the sound of the air compressor. Toward the end the compressor is turned off and the last of the pressure is released by the jackhammer as it sort of "putters out". This last bit is a bit unique.

Song: "Loca" (tango).- Author: Antonio Martínez Viérgol (1872-1935) - Manuel Jovés (1886-1927).- Interpreter: Orq Juan D'Arienzo.- Rec: RCA, 782, Buenos Aires, 1928 Tema: "Loca" (tango).- Autor: Antonio Martínez Viérgol (1872-1935) - Manuel Jovés (1886-1927).- Interprete: Orq Juan D'Arienzo.- Grab: RCA, 39588 A, Buenos Aires, 1942

Song: "La Morocha" (milonga-tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Libertad Lamarque.- Rec. RCA, 1938, Buenos Aires Tema: "La Morocha" (milonga-tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Libertad Lamarque.- Grab. RCA, 1938, Buenos Aires

Heard a barred owl calling in my backyard. Grabbed my zoom h4n with audio-technica at897 shotgun mic and started recording. Did some minor equalization to soften the higher frequencies and roll off the low end. Crickets are chirping in the background, a few other insects make some sounds. Soft droning of a couple planes flying by and vehicles from a highway about a mile away, but do not overpower the barred owl.

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpretr: Charlo. Rec: RCA Victor, 17 march 1940, Buenos Aires Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Charlo. Grab: RCA Victor, 17 marzo 1940, Buenos Aires

Um guarda-chuva é pego, aberto e depois fechado. Gravado no estúdio de gravação de som da escola ort, rio de janeiro. Microfone shotgun shure vp89 e placa de áudio behringer u-phoria umc404 hd. An umbrella getting grabbed, being opened, and then closed. Recorded in the audio recording room in the ort school, rio de janeiro. Microphone shotgun shure and audio board behringer u-phoria umc404 hd.

Sound made with a door opening , recorded with tascam dr-05 v2 and processed on adobe audition cc. Just grab it for free and use it in whatever project you made, no need to ask for permission nor referencing to author. It's cc 0, enjoy it.

Accordion studio recording.

Accordion studio recording.

Accordion studio recording.

This is a festival called "els tres tombs" where animals are the stars. The sound is recorded in sant cugat del vallès, catalonia.

Accordion studio recording.

Accordion studio recording.

I composed this out of feeling and added the background violin after. I like the keychange in it. I'm a producer but wasn't really sure what to do with it after so i uploaded it here. As i often grab some of my files from here as well. Enjoy!. Let me know if and where you use it, i would love to know.

Song: "Ay, ay, ay (Reminiscencias cuyanas)".- Author: Osmán Pérez Freire (1880-1930).- Interpreter: Carlos Gardel & José Razzano.- Rec: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tempo: vidalita Tema: "Ay, ay, ay (Reminiscencias cuyanas)".- Autor: Osmán Pérez Freire (1880-1930).- Interprete: Carlos Gardel & José Razzano.- Grab: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tiempo de vidalita.

Song: "Mi Buenos Aires querido".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32189 Bs83559, 30/JUL/1934. Tema: "Mi Buenos Aires querido".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32189 Bs83559, 30/JUL/1934.

It's nearly impossible to find sound effects of someone handling an instrument and not playing it. . . At least it was until i uploaded this!. This was an acoustic guitar, but can be pitched up or down for similar smaller or bigger instruments. There's rubbing, knocking, and gliding fingers over the strings. No need to credit me. Just use the sound and focus on being creative!. If you really appreciate it, i would appreciate if you checked out my podcast, sonic realms.

This is two slabs of concrete , one on top of the other, and scraped together. Brings to mind a stone tomb being opened (or a concrete coffin).

Usa cascos. Use headphones.

Song: "Claveles mendocinos".- Author: Alfredo Pelaia (1888-1942).- Interpreter: Singers: Carlos Gardel & José Razzano; guitars: José María Aguilar & Guillermo Barbieri (leader guitar).- Record: Odeón 18801 5155/1, Buenos Aires, 31/DEC/1929. Tema: "Claveles mendocinos".- Autor: Alfredo Pelaia (1888-1942).- Interprete: Cantores: Dúo Carlos Gardel & José Razzano; guitarras: José María Aguilar & Guillermo Barbieri (1ra guitarra).- Grab.: Odeón 18801 5155/1, Buenos Aires, 31/DIC/1929.

Song: "El día que me quieras".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32458 Bve89229, 19/MAR/1935. Tema: "El día que me quieras".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32458 Bve89229, 19/MAR/1935.

Song: "Desdichas" (tango). Author: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interpreter: Singer: Carlos Gardel; Guitars: J. Ricardo y G. Barbieri.- Rec. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923 Tema: "Desdichas" (tango). Autor: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interprete: Cantor: Carlos Gardel; Guitarras: J. Ricardo y G. Barbieri.- Grab. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923

Sonido peculiar de un globo con una interesante bajada de tono. It’s like a sound of a balloon.

Song: "Sus ojos se cerraron".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor BVE-89225/1, New York, 19/MAR/1935. Tema: "Sus ojos se cerraron".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor BVE-89225/1, 19/MAR/1935.

Song: "Me dejaste" (El poncho del olvido).- Author: Music: Osman Pérez Freire (1878-1930) & Lyrics: Andrés Cepeda (1879-1910).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T594, Side B, Buenos Aires, 1913. Tema: "Me dejaste" (El poncho del olvido).- Autor: Musica: Osman Pérez Freire (1878-1930) & Letra: Andrés Cepeda (1879-1910).- Interprete: Cantor: Carlos Gardel.- Grab.: Columbia, T594,Lado B, Buenos Aires, 1913.

Song: "La morocha" (tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Singer: Ada Falcón, Orq: Francisco Canaro.- Rec. Odeon 165980B, Buenos Aires, 1929 Tema: "La morocha" (tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Cantante: Ada Falcón, Orq: Francisco Canaro.- Grab. Odeon 165980B, Buenos Aires, 1929

The sound of birds and distant thunder awoke me from a long nap, and so i sprung off the couch and grabbed my recording equipment, dashing outside just in time to record the arrival of a thunderstorm. Over the course of this clip, the storm gets closer and closer, until it starts to rain with increasing intensity. The clip is nicely unmolested by wind, and contains a nice background of birds. A tremendous thunderclap is featured in the middle, three minutes in.

Song: "El carretero".- Author: Arturo de Nava (1876-1932).- Interpreter: Singers: Carlos Gardel & José Razzano; Guitars: José Ricardo y Guillermo Barbieri.- Record: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922. Tema: "El carretero".- Autor: Arturo de Nava (1876-1932).- Interprete: Cantantes: Carlos Gardel & José Razzano; Guitarras: José Ricardo y Guillermo Barbieri.- Grab.: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922.

Song: "Una rosa para mi rosa".- Author: Saúl Salinas (1882-1921).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933. Tema: "Una rosa para mi rosa".- Autor: Saúl Salinas (1882-1921).- Interprete: Cantante: Carlos Gardel; Guitarras: Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933.

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpretr: Carlos Gardel; Guitar: José Ricardo; Rec: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Carlos Gardel; Guitarra: José Ricardo; Grab: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918

Song: "Recuerdo malevo".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon 18885 7350/1, 22/02/1933 Buenos Aires Tema: "Recuerdo malevo".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Guitarras Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon 18885 7350/1, 22/02/1933 Buenos Aires