220 lizenzfrei Audiodateien für "Grab"

Piano processed sample.

Piano processed sample.

Harp band filtered sample remix.

Flute processed samples remix.

Trumpet processed samples.

Recorder processed samples remix.

Sax processed sample.

Sax processed sample.

Flute processed samples remix.

Sax sequence processed.

Oboe processed sample remix.

Percussion processed sample.

Violin processed samples remix.

Another sound effect for you guys! this one is of me crumpling a page of paper and making it crinkle - hope you can find a way to use it!. Thanks for listening, and be sure to consider following me if you like this!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

Sound made with a door opening , recorded with tascam dr-05 v2 and processed on adobe audition cc. Just grab it for free and use it in whatever project you made, no need to ask for permission nor referencing to author. It's cc 0, enjoy it.

Song: "La morocha" (tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Singer: Ada Falcón, Orq: Francisco Canaro.- Rec. Odeon 165980B, Buenos Aires, 1929 Tema: "La morocha" (tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Cantante: Ada Falcón, Orq: Francisco Canaro.- Grab. Odeon 165980B, Buenos Aires, 1929

Song: "Ay, ay, ay (Reminiscencias cuyanas)".- Author: Osmán Pérez Freire (1880-1930).- Interpreter: Carlos Gardel & José Razzano.- Rec: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tempo: vidalita Tema: "Ay, ay, ay (Reminiscencias cuyanas)".- Autor: Osmán Pérez Freire (1880-1930).- Interprete: Carlos Gardel & José Razzano.- Grab: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tiempo de vidalita.

Song: "Mi Buenos Aires querido".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32189 Bs83559, 30/JUL/1934. Tema: "Mi Buenos Aires querido".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32189 Bs83559, 30/JUL/1934.

Song: "Me dejaste" (El poncho del olvido).- Author: Music: Osman Pérez Freire (1878-1930) & Lyrics: Andrés Cepeda (1879-1910).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T594, Side B, Buenos Aires, 1913. Tema: "Me dejaste" (El poncho del olvido).- Autor: Musica: Osman Pérez Freire (1878-1930) & Letra: Andrés Cepeda (1879-1910).- Interprete: Cantor: Carlos Gardel.- Grab.: Columbia, T594,Lado B, Buenos Aires, 1913.

This is a sound effect of a plant being grabbed and pulled up out of the ground. It's really quiet (and you may need to be amplified, depending on what you're using it for). It also has some snapping sound from the roots being pulled from the ground. Have fun! ;). P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

Various momevents with my hand using small rocks and dirt. Brushing, grabbing, and dropping. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. @oscaraudiogeek to see photos.

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpretr: Carlos Gardel; Guitar: José Ricardo; Rec: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Carlos Gardel; Guitarra: José Ricardo; Grab: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918

Song: "Claveles mendocinos".- Author: Alfredo Pelaia (1888-1942).- Interpreter: Singers: Carlos Gardel & José Razzano; guitars: José María Aguilar & Guillermo Barbieri (leader guitar).- Record: Odeón 18801 5155/1, Buenos Aires, 31/DEC/1929. Tema: "Claveles mendocinos".- Autor: Alfredo Pelaia (1888-1942).- Interprete: Cantores: Dúo Carlos Gardel & José Razzano; guitarras: José María Aguilar & Guillermo Barbieri (1ra guitarra).- Grab.: Odeón 18801 5155/1, Buenos Aires, 31/DIC/1929.

Song: "Desdichas" (tango). Author: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interpreter: Singer: Carlos Gardel; Guitars: J. Ricardo y G. Barbieri.- Rec. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923 Tema: "Desdichas" (tango). Autor: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interprete: Cantor: Carlos Gardel; Guitarras: J. Ricardo y G. Barbieri.- Grab. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923

Song: "Sus ojos se cerraron".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor BVE-89225/1, New York, 19/MAR/1935. Tema: "Sus ojos se cerraron".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor BVE-89225/1, 19/MAR/1935.

Song: "El día que me quieras".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32458 Bve89229, 19/MAR/1935. Tema: "El día que me quieras".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32458 Bve89229, 19/MAR/1935.

Need a sound effect for clicking a button on the escape menu or main menu, well here it is! click on my account for more button clicking sounds if you don't like this one, they are all made by me. Want to know how to make your own? grab a stick, break and snap it into the mic, add some bass, and cut out a little bit of the sound effect.

Song: "Una rosa para mi rosa".- Author: Saúl Salinas (1882-1921).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933. Tema: "Una rosa para mi rosa".- Autor: Saúl Salinas (1882-1921).- Interprete: Cantante: Carlos Gardel; Guitarras: Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933.

This is a festival called "els tres tombs" where animals are the stars. The sound is recorded in sant cugat del vallès, catalonia.

Accordion studio recording.

Accordion studio recording.

Accordion studio recording.

Accordion studio recording.

Accordion studio recording.

I composed this out of feeling and added the background violin after. I like the keychange in it. I'm a producer but wasn't really sure what to do with it after so i uploaded it here. As i often grab some of my files from here as well. Enjoy!. Let me know if and where you use it, i would love to know.

Song: "Recuerdo malevo".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon 18885 7350/1, 22/02/1933 Buenos Aires Tema: "Recuerdo malevo".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Guitarras Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon 18885 7350/1, 22/02/1933 Buenos Aires

Song: "El carretero".- Author: Arturo de Nava (1876-1932).- Interpreter: Singers: Carlos Gardel & José Razzano; Guitars: José Ricardo y Guillermo Barbieri.- Record: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922. Tema: "El carretero".- Autor: Arturo de Nava (1876-1932).- Interprete: Cantantes: Carlos Gardel & José Razzano; Guitarras: José Ricardo y Guillermo Barbieri.- Grab.: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922.

It's nearly impossible to find sound effects of someone handling an instrument and not playing it. . . At least it was until i uploaded this!. This was an acoustic guitar, but can be pitched up or down for similar smaller or bigger instruments. There's rubbing, knocking, and gliding fingers over the strings. No need to credit me. Just use the sound and focus on being creative!. If you really appreciate it, i would appreciate if you checked out my podcast, sonic realms.

Usa cascos. Use headphones.

Sonido peculiar de un globo con una interesante bajada de tono. It’s like a sound of a balloon.

This is two slabs of concrete , one on top of the other, and scraped together. Brings to mind a stone tomb being opened (or a concrete coffin).

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpreter: Orq Francisco Canaro; Singer: Charlo; Rec: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Grab: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Italiano: Tema: "Flor de fango" (tango). Autori: Testo: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Registrazione: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931

This is two slabs of concrete , one on top of the other, and scraped together. In this sample i have changed the rate to give it a 'bigger slab' effect. You can also add reverb and play with the rate yourself for more dramatic effect.

A layered recording of two terracotta pots scratching against each other. Recorder/mic: zoom h4n pro (stereo x-y)processing: eq, some compression.

Sliding and moving of a heavy stone slab / lid / sarcophagus.

During my exchange semester i took a class called "sound and electronics in theater". We had to do an editing project where i had to make a 30 second sample of the sentence “a large monster charged a whole group of people. Many people died, but then one man grabbed a machine gun/knife and gunned down/chopped up the monster. ”i only used sounds from freesound. Org and edited and aranged them with reaper. This is what the result sounds like. (well in this uploaded version i removed the ripped spoken quotes from terminator because they were not from this website here :p). Used sound files:30279_thanvannispen_scream_group_women85847__mwlandi__meat_slap_385849__mwlandi__meat_slap_59429_thanvannispen_women_scream_aaa19312__martian__classic_double_swwosh_22350_studiorat_scream_boom_0127980__erdie__rubbing_metal0133447_dobroide_20070407. Slaughter. 0433568_erh_grod_11_animal_535716_analogchill_scream35984__hardpcm__wood02537822_the_bizniss_beast_breathing40158__sagetyrtle__crash43603__freqman__object_falls_5_48673_sea_fury_monster_2 render 00148673_sea_fury_monster_250724__rutgermuller__footsteps_metallic_muffled_louder_www. Rutgermuller. Nl_58793_syna_max_death_scream66113__spazzo_1493__knife_chop22698_dj_chronos_loop_233629__themfish__bulb_smash55234__slykmrbyches__splattt21324_cdrk_scream_02.

Nederlands: Hoe groot de vrugten zijn Der schöne OstertagÜbertragung (R.F.): Kein Felsen hält ihn fest, kein Grab hält ihn gefangen. Er hat die Welt erlöst und ist ins Licht gegangen. Die Schuld, die Angst, den Tod, die alle Menschen banden, er sprengt, was uns bedroht: der Herr ist auferstanden, erstanden. Wo käme Hoffnung her und Kraft zum Überwinden, wenn er gescheitert wär? Es hätten Leid und Sünden das ewig letzte Wort und alles wär zuschanden, die Zukunftssaat verdorrt. Doch er ist auferstanden, erstanden. Er geht durch Todesflut wie Mose einst ins Freie und macht den Seinen Mut zum Aufbruch in das neue, das zugesagte Land, das wir allein nicht fanden, durch Meer und Wüstensand. Denn er ist auferstanden, erstanden.

This is from a fan audio recording of the 1967 doctor who episode "tomb of the cybermen". The sound is now in the public domain. In 1967, these cybermen were voiced by peter hawkins using a vocoder or an electro-larynx, a device used to restore speech to those whose vocal cords are damaged by detecting vibrations of the throat. At the very end of part 2 of "tomb of the cybermen", the cyberman controller is awakened and says "you belong to us, you shall be like us!" to the cast.