780 pistes audio libres de droits pour "Modulaire"

Interesting interference sound made with analog modular synth.

Got accused for having copied "kid caprice" by wax doctor with this patch/sound. Lol. Soundcloud-bot-fail!.

A drone made with a modular synth.

This is a type of sound i don’t really know what they are called. Not in swedish, nor in english. If you know – help me!. The sound is intended to suggest an impending startling event. It’s an underscore sound meant to indicate the mood of a scene. It’s was made on my modular synth.

Laser like kick sound from analog modular synth.

As i was playing with creating sequences with help of square waves i happen to make this beat. Annoying. . . Made with a small modular synth with love :-).

Short drone made from a sound made on my modular. Time stretched in audacity.

Almost christmas. We celebrate the 24th in sweden, you know. I got inspiration to make a drone from "sparood". I have much to learn in this field. . . . I had to try.

Modular experiment.

This is a file prepared for being used with makenoise's morphagene eurorack module. It is a pierre schaeffer interview cut with markers in files directly. It is a nice mise en abîme if you use it for musique concrète works as it is an interview about musique concrète.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.

Sounds generated by a generative patch on my modular synth. Cool, isn't it? loads of samples to find here.

Patch consiting of- jupiter storm- jerkoff- filter- 2 x lfo- mixer- (spring reverb). Jupiter storm and jerkoff is in a "weak feedback loop". . . Purpose with patch is to evaluate the quality of the generative sounds/musicit will never repeat it self but there is some cyclic repetitionone cycle is about 50 sec - goodonly short sounds - badamplitude variation - badpitch variation - goodtimbre variation - okaymusical value - low to mediumentertaining - medium.

Trying to restrict feedback. . .

Exploring nlc genie.

No comments.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

Old school electronic sound. Think bbc radiophonic workshop. Made with analog modular synth.

Yeah #300.

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

Using my own sound https://freesound. Org/people/gis_sweden/sounds/465286/some added noise from jupiter storm.

Exploring my downsized synth. Feels great. A small synth with a trillion possibilities and hidden surprises.

Noise beat made with modular.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

A recording. . . It's up to you to "master" it. Use it. Make it worth. Peace.

Random glitches and oscillations. Pick a random part of the session and play with it. Created with clavia nord modular. [internal filename] 2010 - faust 2. A se, animal electricity (nord),, rec (117). Wav.

Semi-generative analog synth sequence (with delay) in random keys. One of a set (a - h). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patch notes:matriarch self-patched & sequenced by noodleboxminimal post-processing in live.

Let chaos rule. . . Long recording. Yes. I had to leave for some minutes.

A minimal drone. Might need some eq-ing. The frequency analysis reveals an extreme graph. A both extreme and minimal sound. Will anybody download it?.

I have made a patch that generates drones. Lets call this generative. . . I use feedback on my spring reverb. I only use one filter. The drone is structured by a triangle lfo and 2 comparators. It's tricky to balance the patch to give varying and interesting results. The drone is made with a 100% analog modular synth.

This piece is controlled by attenuated noise. It has a pulse. Slow, but a pulse.

This piece is controlled by attenuated noise. It has a pulse. Slow, but a pulse. Natural start and end. No editing.

I record my modular synth performing. I select parts - silence to silence - under 30 seconds. Machine composition - human selection. Warning this is very electronic. . . I'm patching up quantussy cells to make this. Much work for. . . What?.

It does not sound electronic in the way i like, but. . . Sequencing modular etc with fl studio. Totally noob!.

I made this impossible beathttps://freesound. Org/people/gis_sweden/sounds/431437/but timbre managed to cut out a nice loophttps://freesound. Org/people/timbre/sounds/431456/i almost like my sound. . . Great job timbre!!!tried to add some drums in audacity. The beat is about 148bpm. Deleted_user_38815 had a 148bpm beathttps://freesound. Org/people/deleted_user_38815/sounds/52892/not perfect but still a loop. . .

On planet sdtrangi the music sounds about the same everywhere. This was recorded during a visit last year. It was recorded in the gyyyhnd cave.

Old-school sound made with analog modular synth - the old way. . . The reverb is a spring reverb - what else. . . ?.

Experimenting with jupiter storm as clock divider. A clock divider controlled with a fluctuating cv. Using a slew as a "brake". . .

Piece for, a sometimes fm modulated, oscilator and small sampler. Randomness and modulation hand in hand. Rejoicing the autumn time and the utterance of sounds.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

Heavily processed sounds form the symbiotic waves module by pittsburgh modular. Filtered through the intellijel atlantis filter. Effects were minifooger chorus and occasionally strymon delay or flint. The name give a hint which oscillator model and processor were used.

Just had to make another stereo patch. Feels nice to be back in stereo. Need more patch cables. . .